From Publishers Weekly
Cultural charm resonates throughout this appealing original folktale. Here Gollub and Martinez, who previously collaborated on another Mexican-inspired tale, The Twenty-five Mixtec Cats , offer the Oaxaca explanation for why the moon is sometimes visible during the day. "For hundreds of years, the sun and the moon stayed in their separate skies. It was the sun's job to shine all day long while people went about their work. It was the moon's job to watch over people's dreams." When she overhears the stars talking wistfully about the games and feasts enjoyed during the sun's hours, the moon decides to throw a party of her own. Excited by the prospect, the townspeople, local animals and even the neighborhood mermaid offer to provide food and costumes. Martinez's angular, folkloric artwork features a sandy, desert palette accentuated by brightly garmented characters. Ethnic masks, dolls and lanterns, which are described in a glossary at the end of the book, further enliven the festivities. The moon's remorse when the tired, nocturnal revelers are unable to perform their daytime duties casts an ungainly moral over an otherwise sprightly and lighthearted tale. Ages 5-up.
Copyright 1994 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From School Library Journal
Grade 1-4-This original porquoi story set in Mexico explains why the moon is sometimes visible in the morning sky. The sun and moon are happy with their celestial arrangement until the latter hears about the parties and feasts that take place during the day. She becomes jealous, and decides to have a fiesta at night. The people agree and stay out until daybreak, so when the sun rises, none of the work in the fields gets done. Although the moon is remorseful and resolves to stay in the evening sky, she occasionally likes to celebrate, and "That's why in Oaxaca, when people rise with the sun and see the moon, they say, 'The moon was at a fiesta.'" The story is perfect for reading aloud. The Spanish words, seamlessly interspersed throughout, add flavor. The watercolor, gouache, and acrylic illustrations perfectly complement the text-cool greens and blues reflect the light of the moon by night, and earth tones reflect the sun's glare by day. The same luminous colors used in the landscapes are repeated in the people's faces and clothes, suggesting their close relationship with nature. Full of wonderful details, the pictures give a glimpse of Oaxacan culture-the paper cut-out decorations, fireworks and wooden masks, and the anthropomorphized moon-and beautifully convey the people's respect for nature and their love of celebrations.
Lauren Mayer, New York Public LibraryCopyright 1994 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.