Customer Reviews

The Moon and the Western Imagination

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This book is remarkable for its breadth and depth, and for its fluid and totally enjoyable narrative. Montgomery brings a scholarly, well-organized, imaginatively catholic mind to his study of the moon, as mapped, observed, and imagined by Western minds. His enthusiasm for his subject is contagious. He discusses the early cartography so important to popular conceptions of the moon, the moon's complex and changing relationship to Christianity and Judaism, philosophy, mathematics, literature, and art. Importantly, he provides an orderly and very interesting history of Western conceptions of "the first modern planet." The Arab contribution to astronomy is detailed. The relationship of mathematics to astronomy is also explored, fluidly and appropriately for the lay person. Galileo, Copernicus, and scores of lesser-known astronomers and scientists come to life in this book. "The British Contribution," a chapter on sixteenth century lunar pioneers Dr. Wm. Gilbert and Thomas Harriot, is excellent. Montgomery also analyzes cartographic evidence - and provides commentary. This book combines scholarship with a fine and elegant narrative, the bibliography is terrific, and I would recommend it to anyone with an interest in this subject, which becomes downright thrilling in this book.

What is it about the Moon that captures the fancy of humankind? A silvery disk hanging in the night sky, it conjures up images of romance and magic. It has been counted upon to foreshadow important events, both of good and ill, and its phases for eons served humanity as its most accurate measure of time. With the invention of the telescope at the turn of the seventeenth century-coinciding with the rise of the scientific revolution-the Moon took on new meaning as a tangible place with mountains and valleys and craters that could be named and geological features and events that could be studied.

Geologist Scott L. Montgomery has produced a richly detailed analysis of how the Moon has been visualized in Western culture through the ages, revealing the faces it has presented to philosophers, writers, artists, and scientists for nearly three millennia. To do this, he has drawn on a wide array of sources that illustrate the changing concept of nature and the significance of heavenly bodies from classical antiquity to the dawn of modern science.

Montgomery especially focuses on the seventeenth century, when the Moon was first mapped and its features named. He explores in depth the literary works of Francis Godwin's "Man in the Moone" and Cyrano de Bergerac's "L'autre monde." But he also carries the story to the present, showing how humanity has over time elevated the Moon to a sublime level.

As Montgomery concluded, humans have always assigned a close approximation of the Earth to lunar ideas. When we ultimately colonize the Moon the irony is that we will be setting up shop on a world steeped in a deep human tradition of imagination and history. This is a superb work that explains far more effectively than other works on the subject, the lure of the Moon for humanity.

This book is remarkable for its breadth and depth, and for its fluid and totally enjoyable narrative. Montgomery brings a scholarly, well-organized, imaginatively catholic mind to his study of the moon. His enthusiasm for his subject is contagious. He discusses the early cartography so important to popular conceptions of the moon, the moon's complex and changing relationship to Christianity and Judaism, philosophy, mathematics,literature, and art. Importantly, he provides an orderly and very interesting history of Western conceptions of "the first modern planet." The Arab contribution to astronomy is detailed. The relationship of mathematics to astronomy is also explored, fluidly and appropriately for the lay person. Galileo, Copernicus, and scores of lesser-known astronomers and scientists come to life in this book. "The Britsh Contribution," a chapter on sixteenth century lunar pioneers Dr. Wm. Gilbert Thomas Harriot, is particularly well-told. Montgomery also analyzes cartographic evidence - and provides commentary. This book combines scholarship with a fine and elegant narrative, and I would recommend it to anyone with an interest in this subject, which becomes downright thrilling in this book.

An immensely beautiful book. Awing in its sensitivity, delicacy, and completeness of language - "sculptured in the heavens," one thinks as one looks up. On every page, in every paragraph, there is caring for - more than caring, a love affair with - its subject.

But I can add little beyond admiration to Eileen Berton's fine little sketch of it below.