Customer Reviews

Moonlight Mile [VHS]

5 star:		(19)
4 star:		(19)
3 star:		(10)
2 star:		(6)
1 star:		(5)

 

 

"Moonlight Mile" is a bummer. The death of a child, just as they've entered the adult world, is a sensitive and difficult topic to break through on the screen. That it was just done, and done beautifully, with "In the Bedroom" (a film that many thought dragged....) made the making of "Moonlight Mile" so much more difficult.
In Mile, daughter Diana Floss has been an innocent victim, killed in a domestic dispute between two other people, in the small town in which she was raised. Her death occurs just prior to what was to have been her wedding to Joe (Jake Gyllenhaal); and Joe and Diana's parents, Ben and JoJo (Dustin Hoffman and Susan Sarandon) play through all of the emotions that surround such a family tragedy. They are alternately perfunctory and sarcastic, needy and emotional, stricken and determined to downplay the loss they feel.
Joe is lying about his intentions; he and Diana had broken up, but Ben is so determined to keep him a part of the family, and JoJo can play him off so well against the well-meaning Ben, that he feels compelled to stay, and continue to act out the American Tragedy, even going through the motions of going into business with Ben.
I give the film 4 stars because Brad Silberling, the director, is so dead on in terms of the artificiality of the mourning process, the manner in which we subject the family of someone taken from us to meaningless expressions of grief and concern, and the building of a mutual bond of sacrifice and strength that grows between the remaining family members. Silberling makes only two mistakes with his film:first, he fails to anchor the timing (the early 70's) in the minds of the viewer. It's difficult to understand the simplistic way in which things occur until you realize, halfway through, that this film happened 30 years ago. Second, he does not allow the viewer to know Diana. There are some visual sequences and some focus on photos that make the attempt, but too little of what she was gets through to the viewers, and, without more, we cannot sense the depth of loss the family feels.
The second compelling reason for a high rating is the performance of Susan Sarandon. Hoffman and young Gyllenhaal are both excellent in their roles, although Gyllenhaal never, not once, shows us the spark that would have attracted Diana, just the quiet, undemonstrative side of his character. Here, I think Silberling played too much into the type of person he is (he went through a similar tragedy with his fiancée), instead of what Joe could have been.
Sarandon is, in a word, superb. Blithe, brittle, outspoken and vibrant, she's a writer and a life force to be reckoned with. The scene in which she explains the relationship survival (between her and the completely opposite Ben)is a revelation. It's her hints and sidebars that make us realize truly, how little communication Ben and Diana had shared. She takes Joe to task when she realizes he has a new love (Ellen Pompeo: bewitching as Bertie), and, as much as she needs him, she conveys with her whole being how much she knows he has to leave. The conflict between Ben and JoJo is tragic in terms of how they feel about the murder trial for Diana's killer - in this, you know why JoJo feels as she does, although you can never really understand the way that Ben reacts. Lastly, she might have one of the best satirical lines ever on film when she acknowledges Joe's testimony as a "truth enema for all of us"...not too many actresses could carry that off! Sarandon, praised in many of my former reviews, is simply the best actress in America today.
I believe that most viewers will be bored by Moonlight Mile, but if you approach it for what it is, you'll find it a fine film that moves a little too slowly, and a hint of what is to come from Silberling.

In 1971 'The Rolling Stones' recorded a beautiful track entitled 'Moonlight Mile' which is about being away from the ones you love. In the song he sings the words "I am just living to be lying by your side" and in those words we get it...we understand, and that is why this song, this title is so appropriate for a film of this grander. Susan Surandon and Dustin Hoffman star in this beautiful and touching film about losing the most important thing in your life, your child. Diana is engaged to Joe (Gyllenhaal in a powerful, pre-Brokeback, performance) when her life is taken by a madman. She is shot to death while being served in a diner. The movie opens with Joe, Ben (Hoffman) and Jojo (Surandon) getting ready to attend their daughters funeral. The next few seens really set the tone of the film and establish the roles your charactors will play. Within the first five minutes we see that Joe is uncomfortable, almost in his own skin, shy and reclusive and afraid of his suroundings. THis is not his town, these are not his friends, this is not his family and still he stays. Jojo appears strong, stronger than those around her but that's only because she doesn't know how to feel. It's only been three days. How does a mother feel THREE DAYS after her only child is murdered. SO to compensate Jojo finds humor in her situation and in those who share it with her. Ben feels a sense of responcibility. He's the sensible one, conciderate and understanding and appreciative of everyones good intentions regardless of how much he resents them for it. He may not want to see anyone right now, but he puts on a smile and says "thank you very much" because he knows you care. Those are your charactors, and that's your tone, uncomfortable, humorus and understanding. This film takes a VERY realistic approach to grief. Your uncomfortable, especially if you've never faced anything like this before. Your so uncomfortable that you tend to try anything to make yourself comfortable again, even if that means making jokes to place a smile on your otherwise blank face. And this film, is above all things, understanding for it really shows the stages one takes to overcome something like this. Jake Gyllenhaal says it best when he's invited to dinner at a colleges house. It's just not something you 'get over'. The story follows Joe as he lives with Jojo and Ben, mostly out of obligation but you come to realize that he may need them as much as they need him. When Joe meets Birdie (Ellen Pompeo in a superb performance), a local girl working at the post office they both start to form a bond, partly out of pure infactuation. When they dance to 'Moonlight Mile' it will all make sense, for it was that part of the film that did it for me. You spend all your time thinking over and over in your mind that things could have or should have been different, you spend so much time thinking about what could have been that you forget to think about what is GOING to happen next. As I said in the beginning, the song says "I am just living to be lying by your side"...but what if it's not refering to your love lost but to your love now, right in front of your eyes..and at that moment, while they danced in the bar, I got it, and I think they did too. A beautiful, touching and emotional story that reaches in and tugs at the heartstrings of any living breathing human being. I'm shocked this movie was ignored at the oscars, but it's not ignored here.

I was so intrigued by the 70's era music in this movie, that I searched for the soundtrack on the internet. Van Morrison's music adds such an effervescense to movie scenes that it just stops you in your tracks to place you in the movie's moment with the characters. Moonlight Mile is no exception. I also loved Jefferson Airplane's "Coming Back to Me" featured on this soundtrack. It helped me remember why I loved music in the 70's. I could actually envision being back there during the hippie days, wearing a long peasant dress and a peace-sign necklace, and being in love with the world...envisioning my young deceased husband silhouetted, stepping out of the shadows with backlighting, returning to me, as the song says. But then, the reviews say that Moonlight Mile will hit home with anyone who has lost a loved one. This movie is richly acted and incredibly put together.

Susan Surandon, Dustin Hoffman, and Jake Gyllenhaal have truly outdone themselves. Surandon and Hoffman play grieving parents, Gyllenhaal is their would be son-in-law. Each give stellar perfomances and the script is amazing, both of which straddle the line between tragedy and comedy. As soon as a tear comes to your eye, Surandon's character Jo will blurt out a randomly brash straightforward comment that will make you laugh.

Ben (Hoffman) and Jo (Surandon) have just lost their only child, Diane, who was tragically shot in a diner. She was to be married to Joe (Gyllenhaal), who ends up staying with Ben and Jo because he has secrets that force him to believe it's the right thing to do. Then Joe meets a girl named Bertie, who helps him fish out his wedding invitations at the post office. Joe is attracted to Bertie, but he also doesn't want to hurt anyone.

The movie is a little slow, but I'm forgiving when a movie turns out to be so incredible. There were points in the movie when I had a hard time watching, just because it brings forth memories in my life which are sad, but unforgettable. As sad as I may have gotten while watching this movie, it makes me not want to forget.

I highly recommend this movie. You're getting alot out of this one movie, a great cast, great script, great direction... Definitely check it out!

I thought it was brilliant, quirky and wonderful. It has a very unique slant on a terrible tragedy, and a nice little love story woven into it. The movie is beautifully filmed and the photography adds a lot to the mood and emotion. I like the fact that it was set in the 1970's because it wouldn't have flowed any other way...the jukebox, the telephones and the vietnam war all are background, but key elements. It could only have worked in the 70's... there just is no place in this movie for cell phones and computers. Great soundtrack too. If you liked "Sweet November" you'll love this movie.

The film is written and directed by Brad Silberling, whose loss of his girlfriend Rebecca Schaeffer in 1989 was the inspiration for this story. I thought that the greatest thing about this movie was it's ability to make the viewer commiserate with nearly every character. After the death of their daughter, Dustin Hoffman and Susan Sarandon portray grieving parents, Jake Gyllenhaal is a guilt riddled former fiance, and Ellen Pompeo is a woman with her own troubles caught up in this family by fate or by choice(?) I think that there is a catharsis seeing all of the emotion that these characters exude -- and even in trying to hold it in, end up wearing their hearts on their sleeves to their own amplitude.

Although I have read reviews that perhaps Jake Gyllenhaal is not the ideal actor for this role, I truly thought he brought a great deal to Joe's character. Perhaps seeing him in a similarly morose roll in "The Good Girl" (the characters are very different, but the sort of intraverted-quiet-guy theme is similar) may have made me question his range as an actor, but I won't hold it against him.

Overall, one of the better movies exploring human nature, greiving, and a look at what we are willing to sacrifice for love, friendship and family. I also have to add that the choice of music fitting the 70's was great. It doesn't overpower the script, but it compliments it very well.

"Moonlight Mile" is quirky, semi-autobiographical movie about how some people deal with grief. It is somewhat different from most other movies on this topic because it doesn't dwell only on the seriousness of the situation. It also sees the humor. The script is a bit underdeveloped and leaves us less attached to the characters than we would like to be.

What truly makes the movie worth watching is the cast. It's a treat to watch Jake Gyllenhaal, one of the best actors of today's generation, playing opposite Dustin Hoffman and Susan Sarandon, two of the greatest actors of an older generation. [Holly Hunter is also present, but her supporting role doesn't require much of her formidable talent.]

The movie opens in a small New England town as Joe [Gyllenhaal] is preparing to attend his fiancée's funeral. She was killed in a local restaurant by a crazed gunman. JoJo and Ben [Sarandon and Hoffman] are the girl's parents, and Joe is staying in their home. The couple has virtually adopted Joe, who still intends to go into business with Ben, a commercial real estate developer. It's obvious that Ben doesn't really know JoJo and Ben very well. His decision to remain with them is motivated primarily by guilt. As the movie progresses, we come to know the reasons for that guilt. When he becomes attracted to a local girl [Pompeo], his bond with JoJo and Ben starts to unravel.

The story takes place in the 1970s. The set design and art direction are reasonably faithful to the period.

Of the performances, Gyllenhaal and Sarandon's are the strongest. Gyllenhaal's character is quite memorable. Sarandon is superb as the liberal atheist Jojo, who finds out that even a lack of faith is severely tested in times of emotional crisis.

I enjoyed this movie for several reasons, mainly the superb acting of Susan Sarandon and Dustin Hoffman and the well written script. The main theme of the story has to do with the painful experience of losing a loved one and the emotional stages of grief towards recovery. The movie presents a set of parents whose daughter is murdered at a local cafe shop and their attempts to keep her memory alive by taking their daughter's fiancee into their home. Susan Sarandon's role of a perhaps obsessive but definetely controlling/abusive wife was played very well. On the other hand, Dustin Hoffman played his role of a subdued and tolerant husband with great intensity. It was real to see both parents attempting to deal with their loss in their very unique way. Their daughter's fiancee was played by a young actor names Jake Gyllenhaal who appeared untouched or unaffected by the death of his fiancee. This behavior makes sense later in the movie, so please take few trips to the fridge or set your dvd player on "pause" so you will not miss how the film unfolds.

These good films have been getting lost as they are only released to major theatres markets such as New York and Los Angeles for few days. As they don't well in the box office, the movie producers release them on dvd in a record time!!! Also, more and more people are purchasing home theaters and obviously they have no reason to go to the local movie house. Their loss is our gain!!!!

The picture quality is a 5.
The 5.1 works great as all speakers do their respective job. The .1 (LFE) or Low Frequency Effect is powerful so your sub woofer remains "on" throughout the film. I give a 5 as well!!!

You will enjoy this film!!! I highly recommend it!!!!

A disappointment to say the least. I can see the goal here - create a film about people with little-to-no emotion dealing with a very emotional issue. However, since the main characters don't seem to care too much that their daughter has been murdered a WHOLE three days ago, the general suspense that her fiance's "secret" might carry doesnt really matter much. As that "fiance Joe", Jake Gyllenhaul (so good in "Lovely and Amazing" & "the Good Girl") is simply too light an actor for such a meaty role. The movie needed at least one character with a genuine sense of grief to balance the Stronger-than-the-average-bear types played with a tad too much gusto by Sarandon and Hoffman. Watching the deleted scenes (with comentary) it is clear the writer/director wanted to make a cold unsimpathetic film about life and loss...and he did. Holly Hunter and Dabney Coleman(!) are surprisingly effective in small roles, as is the soundtrack. Instead, grab the beautiful film "Waking the Dead" for a truer, better example of love and loss in a cynical world.

MOONLIGHT MILE boasts one of the finest scripts written for a film. Written and directed by Brad Silberling ('10 Items or Less') this little film is so genuine and beautifully crafted and acted that it seems odd that it has not become a cult classic in the art film houses. The story melds tragedy with comic relief in such a successful way that it is truly a slice of life we all have or will encounter. And offering a tough situation as played out by four characters in the end gives us all a sense of balance: bad things happen and pass and what is important is that we each 'find our home', our stable survival place.

The film opens in a small town somewhere in the early part of the 1970s, the Vietnam war still a cloud that casts shadows on everyone. Jojo and Ben Floss (Susan Sarandon and Dustin Hoffman) are preparing to wade through the uncomfortable aspects of their daughter Diana's funeral: Diana was accidentally killed in a cafe when an unknown man attempted to murder his wife over a family dispute. Diana was to be married to Joe Nast (Jake Gyllenhaal) and Joe is in town for the wedding preparations and to reluctantly begin as Ben's partner in selling commercial real estate. In what could be a morbid atmosphere Jojo vents her just under the surface aggressions about how two-faced people are about mourning and funerals and burials. Somehow Jojo, Ben and Joe survive the day and Joe seems to be providing the stabilizing force by standing by his would-have-been parents-in-law. The three of them meet with lawyer Mona (Holly Hunter) to prepare for the trial of the murderer, facing the fact that if convicted the murderer could face the death penalty and the judge would be asking the family for their input on that decision.

Joe seeks distance from the situation, meets a pretty postal clerk Bertie (Ellen Pompeo) while attempting to prevent the wedding invitations to go out in the email: later Joe discovers the Bertie waits tables at Cal's Bar and Grill at night, a gesture of devotion to the owner/boyfriend Cal who has been missing for three years in Vietnam. The song 'Moonlight mile' connects the two needy people and they head toward a lighthearted but anxious mutual feeling of companionship.

Meanwhile, Jojo has been unable to continue as a writer since Diana's death, Ben buries his emotions about losing his only child by concentrating on the new 'Floss & Son' realty company, and the couple argues about life in general and all but adopts Joe as their only compensation for the loss of their daughter. Joe holds a secret: he broke off his engagement with Diana before the wedding - a fact that has many permutations to the actual incident in the cafe and the manner in which he feels Ben and Jojo will react to him. How this revelation comes to light in the courtroom makes a unique impact on all concerned and Joe's steadfast truthfulness actually mends the lives of the Floss family and his own perception of his future.

Silberling's script tackles many issues and does so with genuine pathos and compassion, creating wholly believable characters that are gratefully fleshed out by this extraordinary cast. Susan Sarandon once again proves why she is one of our finest actresses on the screen today, while Gyllenhaal and Hoffman and Pompeo and Hunter match her every move. The power of this film comes in the quiet moments, moments when we are reminded what makes relationships work, how we all need to find that special harbor we call home. An amazingly fine film! Grady Harp, July 10