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Editorial Reviews
Set on an island off the coast of New England in the summer of 1965, Moonrise Kingdom tells the story of two 12-year-olds who fall in love, make a secret pact, and run away together into the wilderness. As various authorities try to hunt them down, a violent storm is brewing off-shore - and the peaceful island community is turned upside down in every which way. Bruce Willis plays the local sheriff, Captain Sharp. Edward Norton is a Khaki Scout troop leader, Scout Master Ward. Bill Murray and Frances McDormand portray the young girl's parents, Mr. and Mrs. Bishop. The cast also includes Tilda Swinton, Jason Schwartzman, and Bob Balaban; and introduces Jared Gilman and Kara Hayward as Sam and Suzy, the boy and girl.
Customer Reviews
Most Helpful Customer Reviews
257 of 279 people found the following review helpful
Format:DVD|Amazon Verified Purchase
Set in 1965, Moonrise Kingdom is a stylized coming of age film that delivers on its promise to bring the viewer of any age back to the intensity of just-entering-adolescence love. That alone makes this an extraordinary film. In addition, the music and imagery are beautifully orchestrated to delight the senses. The casting, characters, and acting are superb. It is rare to have a film that puts together this much talent and then taps it to the fullest.
Heavy hitters include the brilliant Edward Norton (for once watching his language and holding his temper) as an anal but dedicated troop leader, Bill Murray who in stark contrast to the young stars in this film, fails to find any joy whatsoever in his work in the law profession, wealth, family or beautiful surroundings. His dissatisfied wife (Frances McDormand who was the psychiatrist in Norton's first film Primal Fear), is also an attorney (the lawyer banter are some of the funniest lines in the film). Bruce Willis (who plays very well with child stars as he has a bit of child still left in him) is the bachelor, island cop who goes head-to-head with the chilling Tilda Swinton (white witch from Narnia) known only as "Social Services," as she callously plans to put "the boy" in juvenile refuge to undergo shock therapy as needed.
Despite the exceptionally strong adult cast, the two main child stars Sam and Suzy not only keep pace, but outshine the grownups with their unfailing loyalty and unconditional love for each other, both express an unthinking complete giving of themselves to one other. The film captures beautifully in the persons of these two intriguing social outcasts the experience of moving from being trapped in isolation into discovering and developing a union with another. I love how the two of them are so adult and wise in one way and still very much children, with childlike reasoning and priorities, e.g., Suzy runs away and packs a suitcase full of books and her kitten but not a change of clothes.
The cast is rounded out by a boyscout troop with scouts having inappropriately derogatory names as we did in my youth - such as lazy eye for the boy with the eyepatch. Also true to life was how dangerous and unsupervised our childhoods were then. Seeing the boy jump from two story height onto a trampoline without a surrounding net or a single spotter in sight, for example, really brought me back. And interactions with our parents really were pretty much restricted to being called to the table for dinner. I loved seeing Suzy's little brothers (Irish triplets) while away the time with all of the board and other none electronic games, fueled by a couple of dice or imagination.
Wes Anderson spins a simple, sweet story - yet the viewer never knows exactly where it is headed. Throughout, the film is subtly hilarious. In trademark Anderson fashion, the lines are delivered in an almost deadpan way with all the characters completely oblivious to the irony and ridiculousness of the situation, dialog, and even their lives and themselves. I highly recommend purchasing this movie; it's one you'll want to watch again and again and share with other people. I've already seen it four times and it hasn't even opened in theaters in my state, yet.
Heavy hitters include the brilliant Edward Norton (for once watching his language and holding his temper) as an anal but dedicated troop leader, Bill Murray who in stark contrast to the young stars in this film, fails to find any joy whatsoever in his work in the law profession, wealth, family or beautiful surroundings. His dissatisfied wife (Frances McDormand who was the psychiatrist in Norton's first film Primal Fear), is also an attorney (the lawyer banter are some of the funniest lines in the film). Bruce Willis (who plays very well with child stars as he has a bit of child still left in him) is the bachelor, island cop who goes head-to-head with the chilling Tilda Swinton (white witch from Narnia) known only as "Social Services," as she callously plans to put "the boy" in juvenile refuge to undergo shock therapy as needed.
Despite the exceptionally strong adult cast, the two main child stars Sam and Suzy not only keep pace, but outshine the grownups with their unfailing loyalty and unconditional love for each other, both express an unthinking complete giving of themselves to one other. The film captures beautifully in the persons of these two intriguing social outcasts the experience of moving from being trapped in isolation into discovering and developing a union with another. I love how the two of them are so adult and wise in one way and still very much children, with childlike reasoning and priorities, e.g., Suzy runs away and packs a suitcase full of books and her kitten but not a change of clothes.
The cast is rounded out by a boyscout troop with scouts having inappropriately derogatory names as we did in my youth - such as lazy eye for the boy with the eyepatch. Also true to life was how dangerous and unsupervised our childhoods were then. Seeing the boy jump from two story height onto a trampoline without a surrounding net or a single spotter in sight, for example, really brought me back. And interactions with our parents really were pretty much restricted to being called to the table for dinner. I loved seeing Suzy's little brothers (Irish triplets) while away the time with all of the board and other none electronic games, fueled by a couple of dice or imagination.
Wes Anderson spins a simple, sweet story - yet the viewer never knows exactly where it is headed. Throughout, the film is subtly hilarious. In trademark Anderson fashion, the lines are delivered in an almost deadpan way with all the characters completely oblivious to the irony and ridiculousness of the situation, dialog, and even their lives and themselves. I highly recommend purchasing this movie; it's one you'll want to watch again and again and share with other people. I've already seen it four times and it hasn't even opened in theaters in my state, yet.
126 of 145 people found the following review helpful
Format:DVD
IN A WORLD WHERE films must shock, where films must employ impossible stunts, extreme violence and outrageous characters, comes Moonrise Kingdom - with none of it. This is a real STORY, with real characters, in which everything that happens is actually possible. What a concept. Told with humor and compassion, the film sweeps you along without the dreaded need for suspension of disbelief. The story is pure Americana - life, liberty and the pursuit of happiness. Some do it better than others. Not everyone is a winner. Its stars - seven of them! - are all totally out of character. This is not a Bill Murray vehicle or an Edward Norton vehicle or a Bruce Willis vehicle. The stars fit in, almost as afterthoughts. It's the story that counts. Most impressively, it has style. From the opening shots of Susie, face on with her binoculars in various rooms of the house, you know this film will be stylish. And understated. It is worthy of any screen in the world, in a world where American films have become overpoweringly boring and repetitive and entirely predictable. This is the kind of film that France would have originated, and which Americans would have remade into a noxious overkill of action and adventure. It is therefore rare and precious. It will endure long after Transformers XXVII has faded. Kudos to Wes Anderson and team for resisting the urges that every other Hollywood production takes for a granted as a requirement. Bob Balaban as the narrator, making his own appearance in the story, is inspired, as is his framing in the shots. That kind of attention to style gives Moonrise Kingdom the ability to sweep you away. On these shores, this is the first must see in years.
73 of 87 people found the following review helpful
Format:DVD
It's 1965, and this mystical-magical story will tug at the heartstrings as it entertains with delight for the entire family. Sam and Suzy are both age twelve, neither one of them is popular and they both have their own issues outside of their charming relationship. However, they are appealing to each other in a unique friendship when they decide to run away together in their own great adventure. Bruce Willis can play the role of just about anything, and in this captivating story, his acting performance is excellent, along with all the other characters. The heart-warming story is touching, enjoyable from start to finish, and very funny. A Magnificent fun-filled movie for the entire family. Highly Recommended!
Most Recent Customer Reviews
4.0 out of 5 stars
If you don't understand this movie then it wasn't meant for you.
This movie isn't for the prom queens or the popular kids. It's for the real people out there who see a little bit of themselves in these kids. Loved it.
Published 2 hours ago by Dan Cox
1.0 out of 5 stars
Hollwood is SEXIST TO THE MAX - 8 MALES TO 2 FEMALES
8 MALES TO 2 FEMALES ACCROSS THE BORAD, ON THE SCREEN, IN THE WRITERS ROOM AT EVERY LEVEL.
WHY ???
BECAUSE THE MEDIA HATES WOMEN. Read more
WHY ???
BECAUSE THE MEDIA HATES WOMEN. Read more
Published 5 hours ago by Seraxia
1.0 out of 5 stars
Disturbing
I would have given this three stars as a good offbeat, quirky movie, but the portrayal of sexuality and marriage between barely developed 12-year-olds was disturbing. Read more
Published 13 hours ago by Sam Stone
4.0 out of 5 stars
quirky and funny
Edward Norton in his most benign and unbelievable (?) scout leader role, Bill Murray is perfect as the philosophizing psychologist who is a terrible parent. Read more
Published 14 hours ago by Professor Glenn
5.0 out of 5 stars
I love it
Everything is about sweetness, details, colors, music, childhood feelings, love, humanity. I watch it so many times ! I love this movie
Published 1 day ago by janita
2.0 out of 5 stars
A very bad case of the cutes, with no emotional core
Oddly, in a movie where your emotions should be vested in what happens to two misfit runaway kids, in "Moonrise Kingdom," you just don't care. Read more
Published 1 day ago by Ron4Sure
5.0 out of 5 stars
Was getting bored, but...
I had been getting bored with Wes Anderson's flicks. You have daddy issues; I get it. But when they killed that dog...holy smoke. Sold. Read more
Published 3 days ago by Robio Dante
2.0 out of 5 stars
My Moonrise Kingdom Review
From my site, www.sitdown-shutup.net
The audiences’ enjoyment of Moonrise Kingdom really depends on their like for Wes Anderson movies. Read more
The audiences’ enjoyment of Moonrise Kingdom really depends on their like for Wes Anderson movies. Read more
Published 5 days ago by Adam Gagnon
2.0 out of 5 stars
ho hum
I really wanted to like this movie, but for some reason it just didn't keep my attention, even with the great actors.
Published 5 days ago by tczyz
4.0 out of 5 stars
Loved This Movie!
I'm a big Wes Anderson fan! I had very high expectations of this movie and they were more then met!
Published 8 days ago by Mitchell Malcolm
