29 of 30 people found the following review helpful:
5.0 out of 5 stars
Readers Heaven, January 3, 2007
Margaret Attwood has to be the most brilliant writer of our time. Her descriptive brilliance penetrates deep into your soul as her words take wing. Her latest work, Moral Disorder, continues the high standard of her other works such as Cat's Eye, Blind Assassin, Oryx and Crake. No matter what genre she dips into, the results are astounding.
This book of short stories, are all connected through the lives of the women of one family. They could be read separately, but together each story adds to the family portrait giving the reader a panoramic view of the three central characters of the book- mother and two daughters.
The way Margaret Attwood describes a daughter trying to get through to her aging mother, lost in reverie or some other country in her mind, makes you want to weep. Her prose is exquisite.
I have never ever never been disappointed with a Margaret Attwood piece and this one is no exception.
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14 of 15 people found the following review helpful:
5.0 out of 5 stars
A poignant, tantalizing, and slightly mysterious collection of short stories, October 27, 2006
A good friend of mine is also an incurable Margaret Atwood "fan" and has reminded me yet again of our shared benign affliction, craving assurance that she still has first dibs on MORAL DISORDER the moment I've soaked up the last word of the last paragraph of the last story. "Buy it yourself," I chide her over tea. "We have to support Canadian authors."
"But it's Margaret who supports us!" she exclaims in mock surprise at my naiveté. And once again we marvel at how succinctly, elegantly and inexhaustibly Atwood keeps on revealing "our" ordinary little stories, bares (and bears) "our" secret little griefs and anxieties, and gives wry sincerity to "our" hopes and aspirations, no matter how tangled and threadbare they may seem.
"Our," of course, refers to the collective and peculiar cultural condition known as being Canadian. It matters not one iota to our national great lady of fiction (both short and long) that most of her readers live well south of the fabled 49th Parallel and that we are no more The Great White North than Wal-Mart. For Atwood, mere geography is simultaneously nothing and everything; in her tales, the terrain of the human heart and its myriad tributaries of experience and feeling are the truly renewable natural resources. Or, as my hungry-to-borrow friend puts it, Margaret Atwood can turn a tired and mundane junk-mail idea --- sibling rivalry, common-law couples, hobby farming, teenage angst --- into soul-stirring literature. Amen to that!
And she does it wholly up to form in MORAL DISORDER, whose rather weighty and officious title is just another of those playful authorial devices that belie this collection's true generosity of spirit. Musing on a rainy afternoon, the friend and I decide over our second cup of tea that the book's chosen title could have mimicked any of the 11 lightly connected tales between its covers. How about "The Entities," "White Horse," "The Other Place," "The Labrador Fiasco," or (my personal favorite) "The Art of Cooking and Serving"?
Each title presents itself as tantalizing, slightly mysterious, and ready to give you more than expected, while still keeping back a few secrets of its own. And that strikes me as being quintessentially Atwood. At each turn in the fictional trail she scratches down through an artfully assembled patchwork of characters, relationships and events to show the persistence and poignancy of truth just below the surface.
MORAL DISORDER is good for a week of rainy afternoons, and more. Although we Canadians are known for being generous, my advice is: Don't be too quick to loan this latest Atwood gem out. It's truly a "keeper."
--- Reviewed by Pauline Finch [..]
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6 of 6 people found the following review helpful:
4.0 out of 5 stars
Fascinating Tour into the Past, October 28, 2006
I bought this book a week ago and finished it yesterday. I wanted to savor each of the stories and not rush through through the book. As a contemporary of Atwood's, I could relate to the periods and relationships she so brilliantly describes. The final story, "The Boys at the Lab," I was able to read on two levels--the description of the decline of the narrator's 90+ mother and recollection (only by photos in an album) of a magical period of her childhood.
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