Acclaimed wildlife artists demonstrate how they capture the structure and behaviour of different species in this practical guide. Separate chapters are devoted to facial features, fur, hair and skin; feet and claws; feathers; motion; and problems encountered in bird and animal groups.
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Book Description
Editorial Reviews
About the Author
Susan Rayfield, a specialist in wildlife writing and the creative force behind the Audubon Field Guide series, lives in Brunswick, Maine.
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Most Helpful Customer Reviews
9 of 9 people found the following review helpful:
4.0 out of 5 stars
very nice and inspiring artwork but not enough detail about techniques used,
By
This review is from: More Wildlife Painting: Techniques of Modern Masters (Paperback)
this book only brievly describe the techniques used and sometimes what medium was used is not even mentioned. This is a nice book for the artwork, but as a teatching tool, it is not the book to buy. There are a few useful tips and a rough explanation with visual on how a mountain lion with cubs painting was done, but all we see from that is the 3 main step of that painting. Most exemple don't even go there and only have a bit of text explanation.
1 of 1 people found the following review helpful:
5.0 out of 5 stars
A stunning collection,
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This review is from: More Wildlife Painting: Techniques of Modern Masters (Paperback)
A stunning collection of masterworks from wildlife artists with detailed and helpful insights into their techniques. Not to be missed!
5.0 out of 5 stars
Great for professional artists,
By Lynn Ponto-Peterson (Arkansas) - See all my reviews
This review is from: More Wildlife Painting: Techniques of Modern Masters (Paperback)
Answered a few questions I personally had about some specific techniques. Not for the beginning artist but certainly inspirational and a great library addition. A bit vague but certainly worth the money for any serious wildlife artist. I personally have gotten more from this book then many others in my vast library.
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Inside This Book
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First Sentence:
Taking advantage of gouache's facility for putting in fine detail, Alan Hunt used this opaque watercolor medium to paint a female tiger relaxing as her cubs settle on the warm rocks by their den. Read the first page Key Phrases - Capitalized Phrases (CAPs): (learn more)
Carl Brenders, Leigh Voigt, Terry Isaac, Daniel Smith, Dino Paravano, Richard Sloan, Alan Hunt, Lee Kromschroeder, Van Dyke New!
Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
Taking advantage of gouache's facility for putting in fine detail, Alan Hunt used this opaque watercolor medium to paint a female tiger relaxing as her cubs settle on the warm rocks by their den. Read the first page Key Phrases - Capitalized Phrases (CAPs): (learn more)
Carl Brenders, Leigh Voigt, Terry Isaac, Daniel Smith, Dino Paravano, Richard Sloan, Alan Hunt, Lee Kromschroeder, Van Dyke New!
Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
Citations (learn more)
This book cites 3
books:
1
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cites this book:
- Into the Light: A Novel by Keith C. Terry on page 48
- The Jungle Book (Penguin Young Readers, Level 2) by Rod Smith on page 102
- The Museum: Behind the Scenes at the British Museum by Rupert Smith in Back Matter
- Drawing Birds by John Busby in Back Matter
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