Moreschi - The Last Castrato

Giovanni Aldega (Composer), Anonymous (Composer), Luigi Pratesi (Composer), Paolo Tosti (Composer), Salvatore Meluzzi (Composer), Johann Gustav Eduard Stehle (Composer), Wolfgang Amadeus Mozart (Composer), Gioachino Rossini (Composer), Leibach (Composer), Eugenio Terziani (Composer), Charles Gounod (Composer), Gregorian Chant (Composer), Gaetano Capocci (Composer), Tomas Luis de Victoria (Composer), Giovanni Pierluigi da Palestrina (Composer), Emilo Calzanera (Composer), Alessandro Moreschi (Conductor, Performer), Baron Kanzler (Conductor) | Format: Audio CD

Product Details

• Performer: Alessandro Moreschi
• Conductor: Alessandro Moreschi, Baron Kanzler
• Composer: Giovanni Aldega, Anonymous, Luigi Pratesi, Paolo Tosti, Salvatore Meluzzi, et al.
• Audio CD (January 21, 1993)
• Number of Discs: 1
• Label: Pearl
• ASIN: B000000WYS
• Average Customer Review: 4.5 out of 5 stars  See all reviews (23 customer reviews)
• Amazon Best Sellers Rank: #182,066 in Music (See Top 100 in Music)

Track Listings

1. Domine Salvum Fac

2. Pontificem nostrum leonem

3. Et incarnatus est

4. Crucifixus

5. Ideale for voice & piano (or orchestra)

6. Ave verum

7. Tui sunt

8. Coeli

9. Ave verum Corpus, motet for chorus, strings & organ, K. 618

10. Petite messe solennelle, for soloists, 2 pianos, harmonium & choir: Crucifixus

11. Petite messe solennelle, for soloists, 2 pianos, harmonium & choir: Crucifixus

12. Dies Irae: Pie Jesu

13. Hostias et preces

14. Preghiera. Alla mente confusa, for voice & piano/orchestra

15. Ave Maria, for voice & piano (after Bach's Prelude No. 1 from the Well-Tempered Clavier, Book 1)

16. Incipit Lamentatio

17. Mass of Saint Bonevantura: Laudamus te

18. Popule meus, responsory (improperium) for 4 voices

Customer Reviews

Most Helpful Customer Reviews

77 of 82 people found the following review helpful:

5.0 out of 5 stars One word: unique, January 26, 2002

By 

Casey Ellis "obscurity obsessive" (Mohegan Lake, New York United States) - See all my reviews
(REAL NAME)   

This review is from: Moreschi - The Last Castrato (Audio CD)

There will never be anything quite like this cd again. And thank God for that! Castration was a hideous dark spot on the history of classical music. Still, anyone interested in the human voice should own this cd. Many listeners have pointed out the technical flaws in the performance and Prof. Moreschi's voice. I would like to suggest that they are missing the point. No, he was not a great singer but he was the last of his kind. This one disc is all that is left of a tradition, a vocal type, a way of life and a group of people. As such, its value is beyond belief. Whenever I hold it in my hands I think with awe "This is all we have." The sound of the voice is unlike anything you've ever heard. If you are an aficionado of baroque opera like me you've probably heard countertenors, women playing castratos and the simulated castrato voice in the film "Farinelli". All are worth hearing but none truly capture the un-earthly sound of even a so-so castrato.
And actually, Moreschi isn't really all that bad. The strange thing is that, for a kind of singer whose prime was the baroque era, Moreschi is an arch romantic! He truly comes alive in the Tosti songs (in "Ideale" we even get to hear something like a knockout castrato performance of old), Rossini's "Crucifixus" and the Bach-Gounod "Ave Maria". At least we can tell he was an involved singer. When he sings he means it. And the sound in the lower ranges is rather nice and as fully Italian as Caruso!
On repeated listenings, I have developed a liking for Moreschi as a person. It could not have been easy for him but he sounds like someone who was determined to do his best despite his limited talents and that is as admirable as it gets.
A word about the music on this disc. Much of it is sacharine pseudo-church mucic. I cannot say it is great but it does have sentimental charm and is performed with touching conviction by the Vatican musicians and the indomitable Prof. Moreschi (who conducts some of it). And this music is worth preserving in some way. Aside from its greater purpose, this disc fills a small gap in the history of church music. Aside from the songs, we also get some Mozart, Rossini, Palestrina, Vittoria and Gregorian chant. The choral pieces are especially valuable since they give us a glimplse of what a castrato was supposed to sound like contrasted with other voices.
In historical terms, I refer readers to the critic who pointed out the insight this disc gives us into the somewhat sad but fascinating world of the Vatican at that time. The sound is shockingly good; my hat goes off to the Opal remastering team. Wonderful liner notes as well although I would have liked to have seen the photograph of Moreschi accompanied by Fred Gaisberg. If all this was not enough, we even get to hear the voice of the castrato-friendly Pope Leo XIII reading the "Ave Maria"!
If you love classical music or the human voice or both, you should own this disc. In pure musical terms it gets three stars. In musical-historical, emotional and spiritual terms, the disc is simply priceless.

85 of 93 people found the following review helpful:

4.0 out of 5 stars An Important Piece of History., July 7, 2000

By 

Harpsichord Fan - See all my reviews

This review is from: Moreschi - The Last Castrato (Audio CD)

Just because the album says, "the last castrato," one should not expect the likes of Senesino, Cusanino, or Farinelli. This recording was made in 1903, far past the dusk of the castrati singers, and it was made by a man past his musical prime, if he in fact ever had one in the first place. By the time Alessandro Moreschi was castrated in the later 1850s, the Age of Enlightenment, Napoleon, and Revolutions had come and gone, taking Baroque aesthetic notions along with the dusts of time. Of course, it is unfair to rate one's musical abilities based on a recording made in the later stages of life, however it is obvious that Moreschi was not a particularly great musician or singer, and it is important to note that by the time he began studying there was no one capable of training castrati anymore.

This does not necessarily imply that this CD is bad. In fact, it is a very enjoyable as well as historically important and interesting recording. However, one should note a number of things. First of all, the recording quality is poor by today's standards, considering that all the tracks were originally recorded on a foil or paper cylinder (the Edison system), and the singers and/or instrumentalists had to crowd around an amplifying horn. Recording equipment was not necessarily by professionals. Also, it was not until the middle part of this century, beginning with the efforts of the great Gerald Moore, that piano accompaniment had become an art unto itself. The anonymous pianist on this recording does not do particular justice to the singers or the pieces. Thirdly, some of the stylistic aspects of these recordings may be somewhat shocking to the modern-day listener. Traditional bel canto singing contains a large number of "portamenti" (accacciaturas under each note) and swells in voice in tone that are a bit jarring by today's aesthetic notions. Given his age and lack of extensive training, Moreschi executes these nuances rather interestingly, to say the least. Another example is the intonation of the bass voice in the recording of "La Cruda Mia Nemica" by Giovanni da Palestrina. Lastly, just because the choir is the Pope's own from the Sistine Chapel does not imply that it is a great choir. Mired in exhausted and trite training techniques and notions of antiquity, the Sistine Choir, made up solely of men and boys, was not a particularly polished group for its time, and it is evident on this recording. In fact, the Sistine Choir is not even that wonderful today.

The fascinating thing about this recording is that it provides one with a glimpse into the closed and anti-modern world of the early 20th century Vatican, at that time an institution out of touch with progressive trends in the world. This was the home to the last of these self-tortured, melancholy creatures, who were not man nor woman, the castrati. Astounding.

19 of 19 people found the following review helpful:

5.0 out of 5 stars Eerie. To own this CD is to own a piece of musical history, February 1, 1999

By A Customer

This review is from: Moreschi - The Last Castrato (Audio CD)

Even upon listening to the first piece of this Cd, I felt as though I was beholding something truly remarkable. This is a piece of musical heritage from a time we cannot possibly understand. You almost feel haunted by the ghosts of music long-forgotten