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This Swedish neo-folk sextet is nothing short of astonishing, both vocally and instrumentally. Their use of modal tunings, moody yet feisty acoustic arrangements and dual female close harmony singing evokes recollections of seventies-era folk-rockers from Britain (Pentangle, Fairport Convention, Steeleye Span), France (Malicorne), and Ireland (Clannad). But as decades have elapsed since these bands first appeared, the present groups work would hardly be worthy of interest if it were not also fearlessly, fervently inventive. Although completely acoustic, the mix incorporates everything from light touches of Scandinavian techno to hazily skewed harmonic references to Abba. A dusky
nyckelharpa (keyed fiddle) abuts plucked strings, a stand-up bass and always, those witchy, sweet-sour voices, telling tales of shifting seasonal duties, lovers true or false, the all-encompassing sea and seemingly conscienceless vagaries of nature and fate. Why Northern European styles have not yet caught on more strongly with Celtic music fans is a complete mystery -- not only do they echo one another in tantalizing ways but, as many Irish ethnomusicologists have already confirmed, are demonstrably related to one another from afar. In any case, listeners jonesing for a latter-day
smorgesbord of richly varied, forward-looking authenticity might launch their explorations with this fascinating album. --
Christina Roden