Morton Feldman: Composing by Numbers - The Graphic Scores, 1950-67

Morton Feldman (Composer), Jos Zwaanenburg (Conductor), The Barton Workshop (Performer), Frank Denyer (Performer), Philip Corner (Performer) | Format: Audio CD

Product Details

• Performer: The Barton Workshop, Frank Denyer, Philip Corner
• Conductor: Jos Zwaanenburg
• Composer: Morton Feldman
• Audio CD (April 26, 2005)
• SPARS Code: DDD
• Number of Discs: 1
• Label: Mode
• ASIN: B0007XGPNG
• In-Print Editions: MP3 Download
• Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
• Amazon Best Sellers Rank: #178,251 in Music (See Top 100 in Music)

Customer Reviews

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6 of 6 people found the following review helpful:

5.0 out of 5 stars First-rate Feldman., January 3, 2007

By 

Tom Furgas (Youngstown, OH United States) - See all my reviews
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This review is from: Morton Feldman: Composing by Numbers - The Graphic Scores, 1950-67 (Audio CD)

This CD collects most of the works composed by Feldman using the "graph" notation (boxes indicating general pitch range and number of pitches to be played in a given rhythmic unit). Four pieces (Atlantis, Ixion, The King Of Denmark, and one other work [unspecified in the liner notes]) are not included. Those included in this CD are key works, however. Some are orchestral works, performed by The Barton Workshop via overdubbing. All the works are poetic and the orchestral work "Out Of 'Last Pieces'" is performed here in a much more cohesive and fluent realization than the rather clumsy New York Philharmonic version issued in the 1960's. (This work, incidentally, is listed here as a "First Recording", but the NY Philharmonic version takes precedence.) Although the five "Projections" are also available in another recent Mode recording, every version of these pieces is bound to be very different, so having duplicate recordings is not a problem at all. In fact, it's a definite plus, in that one can compare the different versions and consider the similarities and differences. In any case, this recording is a must for any Feldman fan, and an important addition to any avant-garde chamber and orchestral (and piano; 2 of the works are for solo piano) collection.