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Mosaic Select-Andrew Hill
 
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Mosaic Select-Andrew Hill

Andrew HillAudio CD
4.0 out of 5 stars  See all reviews (1 customer review)

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Biography

Andrew Hill is a jazz composer and pianist known for writing complex and challenging work.

Hill learned the piano as a teenager, and studied under composer Paul Hindesmith. After recording his debut in 1955, Hill toured the US and played with a number of artists including Dinah Washington. He returned to New York and signed to Blue Note records in 1963. He released a number of albums for Blue Note,… Read more in Amazon's Andrew Hill Store

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Frequently Bought Together

Customers buy this album with Mosaic Select: John Carter & Bobby Bradford $42.78

Mosaic Select-Andrew Hill + Mosaic Select: John Carter & Bobby Bradford
Price For Both: $82.65

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  • This item: Mosaic Select-Andrew Hill

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Product Details

  • Audio CD (April 24, 2007)
  • Number of Discs: 3
  • Label: Mosaic Select
  • ASIN: B000OCY686
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #201,832 in Music (See Top 100 in Music)

Disc: 1
1. Moonlit Monterey [#]
2. 17 Mile Drive [#]
3. Gone with the Wind [#]
4. I Remember Clifford [#]
5. Moonlit Monterey [Alternate Take][#]
Disc: 2
1. California Tinge [#]
2. Napa Valley Twilight [#]
3. Above Big Sur [#]
4. An Afternoon in Berkeley [#]
5. California Tinge [First Version][#]
Disc: 3
1. From California with Love
2. Reverend Du Bop
3. Pastoral Pittsburg [#]
4. Pittsburg Impasse [#]

 

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4.0 out of 5 stars Superb Piano Improvising, May 22, 2011
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This review is from: Mosaic Select-Andrew Hill (Audio CD)
Mr. Andrew Hill (1937-2007) has been one of my favorite jazz pianists since the seventies. I discovered his improvising and composing abilities through his cooperation with Eric Dolphy on 'Point of Departure' (1964). Although I bought that one at a sale price some 10 years after its first release, I think I own an original copy of this `milestone' recording. All Hill's Blue Note, Soul Note, Freedom, etc. recordings as a leader and as a sideman followed and soon after its only LP release (1979) the `From California with Love' album on the Artists House label as well. A very intriguing LP, but unfortunately the pressing was not as good as the liner notes promised.
Since 2006 the album is available on compact disc in the Mosaic Select series (no. 23), accompanied off two other CD's from the same three autumn 1978 solo sessions in Berkeley, California. And now in perfect sound, although the `From California with Love' LP tape (Oct. 12) was no longer available. But strangely enough there were two other tracks from the session on the wheels, so that `Pastoral Pittsburg' and `Pittsburg Impasse' can be welcomed as bonuses on disc three.
The three sessions have been released on the three separate CD's, and as a result their length differs a lot (45 / 75 / 55 min). But the quality of the offered music is superb as usual: `angular', surprising, challenging, uncompromising. Nearly all compositions are by the late Mr. Hill himself; only `Gone With The Wind' and `I Remember Clifford' are from the Songbook, but Hill's soloing and improvising never comes to clichés. There are two alternate takes on respectively discs 1 and 2, of witch `Moonlit Monterey (alt.)' ends in a fade out. Was there more or did they run out of tape?
I was lucky to see Mr. Hill perform a few times in different settings: solo, in a trio and as a quintet and above all in the small big band size. It was never easy listening, but always an experience to remember. Several times there was (radio) recording equipment, and it is to be hoped that these performances (Amsterdam, The Hague) can be released in the future.
Until then this Mosaic (re)release is an important addition to Mr. Hill's recorded output, that can only be recommended to all connoisseurs of improvising jazz who like sounds from such colleagues as Fred Hersch, Richard Abrams and Thelonious Monk, although the latter is much more accessible. It is at least as important as that other Mosaic release (no. 16; 2005, with assorted combo recordings), and as 'A Beautiful Day' (12-piece orchestra, live), `Dusk' and `Time Lines' (quintet recordings), all from his 21st century output.
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