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Writers tend to be solitary creatures. We toil alone for months on end, then, once a year, we emerge from our dens to publish a book. It can be a daunting experience, especially for someone like me, who is not gregarious and outgoing by nature. But there is one aspect of promotion I truly love: meeting my readers and answering their questions. During each stop on my book tour, I reserve the bulk of my time for a lively conversation with the audience. I learn much from these encounters-indeed, some of the comments are so insightful they take my breath away. There is one question I am asked each night without fail, and it remains my favorite: "How in the world did you ever think of Gabriel Allon?" The answer is complicated. In one sense, he was the result of a long, character-construction process. In another, he was a bolt from the blue. I'll try to explain.
In 1999, after publishing The Marching Season, the second book in the Michael Osbourne series, I decided it was time for a change. We were nearing the end of the Clinton administration, and the president was about to embark on a last-ditch effort to bring peace to the Middle East. I had the broad outlines of a story in mind: a retired Israeli assassin is summoned from retirement to track down a Palestinian terrorist bent on destroying the Oslo peace process. I thought long and hard before giving the Israeli a name. I wanted it to be biblical, like my own, and to be heavy with symbolism. I finally decided to name him after the archangel Gabriel. As for his family name, I chose something short and simple: Allon, which means "oak tree" in Hebrew. I liked the image it conveyed. Gabriel Allon: God's angel of vengeance, solid as an oak.
Gabriel's professional résumé-the operations he had carried out-came quickly. But what about his other side? What did he like to do in his spare time? What was his cover? I knew I wanted something distinct. Something memorable. Something that would, in many respects, be the dominant attribute of his character. I spent many frustrating days mulling over and rejecting possibilities. Then, while walking along one of Georgetown's famous redbrick sidewalks, my wife, Jamie, reminded me that we had a dinner date that evening at the home of David Bull, a man regarded as one of the finest art restorers in the world. I stopped dead in my tracks and raised my hands toward the heavens. Gabriel Allon was complete. He was going to be an art restorer, and a very good one at that.
Over my objections, the book was entitled The Kill Artist and it would go on to become a New York Times bestseller. It was not, however, supposed to be the first book in a long-running series. But once again, fate intervened. In 2000, after moving to G.P. Putnam & Sons, my new publishers asked me what I was working on. When I mumbled something about having whittled it down to two or three options, they offered their first piece of advice. They really didn't care what it was about, they just wanted one thing: Gabriel Allon.
I then spent the next several minutes listing all the reasons why Gabriel, now regarded as one of the most compelling and successful continuing characters in the mystery-thriller genre, should never appear in a second book. I had conceived him as a "one off" character, meaning he would be featured in one story and then ride into the sunset. I also thought he was too melancholy and withdrawn to build a series around, and, at nearly fifty years of age, perhaps a bit too old as well. My biggest concern, however, had to do with his nationality and religion. I thought there was far too much opposition to Israel in the world-and far too much raw anti-Semitism-for an Israeli continuing character ever to be successful in the long term.
My new publishers thought otherwise, and told me so. Because Gabriel lived in Europe and could pass as German or Italian, they believed he came across as more "international" than Israeli. But what they really liked was Gabriel's other job: art restoration. They found the two opposing sides of his character-destroyer and healer-fascinating. What's more, they believed he would stand alone on the literary landscape. There were lots of CIA officers running around saving the world, they argued, but no former Israeli assassins who spent their spare time restoring Bellini altarpieces.
The more they talked, the more I could see their point. I told them I had an idea for a story involving Nazi art looting during the Second World War and the scandalous activities of Swiss banks. "Write it with Gabriel Allon," they said, "and we promise it will be your biggest-selling book yet." Eventually, the book would be called The English Assassin, and, just as Putnam predicted, it sold twice as many copies as its predecessor. Oddly enough, when it came time to write the next book, I still wasn't convinced it should be another Gabriel novel. Though it seems difficult to imagine now, I actually conceived the plot of The Confessor without him in mind. Fortunately, my editor, Neil Nyren, saved me from myself. The book landed at #5 on the New York Times bestseller list and received some of the warmest reviews of my career. After that, a series was truly born.
I am often asked whether it is necessary to read the novels in sequence. The answer is no, but it probably doesn't hurt, either. For the record, the order of publication is The Kill Artist, The English Assassin, The Confessor, A Death in Vienna, Prince of Fire, The Messenger, The Secret Servant, and Moscow Rules, my first #1 New York Times bestseller. The Defector pits Gabriel in a final, dramatic confrontation with the Russian oligarch and arms dealer Ivan Kharkov, and I have been told it far surpasses anything that has come before it in the series. And to think that, if I'd had my way, only one Gabriel Allon book would have been written. I remain convinced, however, that had I set out in the beginning to create him as a continuing character, I would surely have failed. I have always believed in the power of serendipity. Art, like life, rarely goes according to plan. Gabriel Allon is proof of that.
--This text refers to the Mass Market Paperback edition.
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Most Helpful Customer Reviews
81 of 105 people found the following review helpful:
5.0 out of 5 stars
Moscow Rule: "Death solves all problems. No man, no problem,
By
This review is from: Moscow Rules (Gabriel Allon) (Hardcover)
(4.5 stars) In his eighth Gabriel Allon espionage thriller, Daniel Silva moves from investigating the historical crimes of the past, often related to the Holocaust, and their effects on the present, to crimes of the present and their possibly catastrophic effects on the future. In this intense and absorbing novel about uncontrolled arms sales, the biggest threat to the future comes from Russian arms dealers, aided by Russia's president and former KGB operatives who are now unimaginably wealthy independent brokers and contractors. These arms merchants operate with impunity, selling all manner of weapons to terrorist organizations throughout the Middle East and Africa.
Gabriel Allon, formerly with the Israeli Mossad, is on his honeymoon in Italy when he is contacted by Ari Shamron, the grand old man of Israeli security. Allon, a trained art restorer, has been working for the Pope, but the recent assassination of a Russian journalist who may have had information he wanted to reveal to the West brings him out of retirement and back into action. When the murdered man's Russian editor-in-chief is also murdered, Allon travels to Russia, where he learns the name of a Russian arms dealer, Ivan Kharkov, who has been supplying Hezbollah, and who now appears close to selling sophisticated weapons to al-Quaeda. Kharkov and his wife are collectors of Mary Cassatt paintings, and the fascinating art world which has added so much life to other Gabriel Allon thrillers in the past is also a major aspect of this novel. Art dealers, down-in-their-luck gentry who own prized artwork, and, in the case, of Allon, restorers, all play unexpectedly major roles in this effort to prevent Kharkov from selling advanced weapons to al-Quaeda. As the high-stakes plotting by the conjoined security services of England, the US, Italy, and France builds to a crescendo, Allon follows the action through various countries leaving multiple murders, beatings, car crashes, and betrayals in his wake. Always, the fine hand of the Russian mafia is pulling the strings, purportedly with the aid of the Russian president. Silva keeps the action moving briskly, and his ability to convey the atmosphere of disparate locations adds depth and drama to the plot. The characters, even the minor ones, are paradigms of the countries they represent, imbued with the cultures of their homelands, rather than mere stereotypes. His major characters are complex and carefully drawn, and the action and underlying themes of the novel are intelligent and thought-provoking. As always, Silva creates a complex and exciting story, but this time the focus is on contemporary politics, rather than on the past. Providing evidence that future catastrophes are shockingly easy to inspire, given the venal nature of unscrupulous international arms dealers, Silva employs his formidable talents to create a terrifying picture of a cynical world--and a warning for the future. n Mary Whipple The Marching Season: A Novel The English Assassin A Death in Vienna Prince of Fire
10 of 11 people found the following review helpful:
3.0 out of 5 stars
I'll be sure to pick up more Silva...,
By
This review is from: Moscow Rules (Gabriel Allon) (Hardcover)
The middle book of my "Russia" trilogy (Child 44, this and then The Secret Life of Moscow), this happened to be my first Daniel Silva. While it follows a character--Gabriel--from his previous book and references some connections, characters and scenarios from it, I didn't find it difficult to follow Moscow Rules at all without having read the others.
Moscow Rules begins with Gabriel on holiday in Italy with his new wife. He's trying to get some downtime in after what was apparently a rather stressful experience from the last book, and is working diligently on restoring a painting for the Vatican. He gets an urgent call from his boss from the Israeli counter terrorism unit that a member of the much-oppressed Russian press has requested a meeting with Gabriel--and only Gabriel--to give him information about a possible impending attack on Israel and the U.S. They agree to meet, but the journalist is murdered before he can tell Gabriel anything, forcing Gabriel to travel to Russia to learn what the journalist died trying to tell him. Although this is a spy novel, it's in no way a James Bond- or Jason Bourne-esque book--it's not about some superman taking down the world's biggest supervillians (or the world's biggest quasi-evil omnipresent secret government organizations, in the case of Bourne). It is a mystery thriller--although you learn fairly early on who the "villain" is, it takes most of the book to figure out what he's really planning--but Gabriel is no martial-arts gun-toting killing machine. It's much more a thinking man's game, and Gabriel is genuinely helped, not hindered, by his organization. The elaborate ruse set up to meet with the crime bosses' wife has that Thomas Crowne Affair/Ocean's Eleven type of feel to it, which I enjoy just as much as a good Bourne fight scene. Although I can't say how this book compares to his others, I can say it was entertaining enough to make me want to read more.
7 of 7 people found the following review helpful:
5.0 out of 5 stars
Another excellent Silva,
This review is from: Moscow Rules (Gabriel Allon) (Hardcover)
There are abundant reviews that describe the story line, some in great detail; so that's covered. I would like to throw my hat on the side with those who view Moscow Rules as one of Silva's best to date. All are excellent, and I completely enjoy the Gabriel Allon series for multiple reasons, so perhaps I am biased at the outset. But I do believe that Silva spins a tale here that at least matches the intrigue, and suspense of the others. This book fosters the "I just couldn't put it down" reaction of his previous efforts.
What continues to amaze me is the obvious depth of knowledge that Silva possess about the ins and outs of the cities and towns, and countryside of Europe, and Isreal, and now two major cities in Russia. Such depth of knowedge adds solid foundation to his stories, and depth to the images of imagination. This is yet another excellent Gabriel Allon series, and I do believe you will love it, start to finish.
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