Customer Reviews

Mosquito

5 star:		(6)
4 star:		(2)
3 star:		(1)
2 star:		(0)
1 star:		(0)

 

 

Theo Saramajeeva, a successful writer and film-maker in London, has returned to his native country, Sri Lanka, seeking solace in his spiritual "home" following the traumatic death of his Italian wife. The civil war is on, and Sinhalese government soldiers patrol the roads and beaches. Though Theo, a Sinhalese, sees much evil in his own people and much good in the enemy Tamils, he does not fear violence to himself--he believes that reason can triumph, given a chance. In a separate plot line, Vikram, a Tamil boy soldier-killer, is adopted by a Sinhalese at age twelve and provided with schooling and a better life, but his guardian is gone for years at a time, leaving Vikram virtually on his own. Remembering the terrible deaths of his family, he soon finds his own spiritual "home," once again, among the Tamils--both the separatists and those who want more than a separate state--Tamil domination of the entire country.

Nulani Mendis, a seventeen-year-old Sinhalese with a brutally violent uncle, a high-ranking government soldier, has been mute after watching her father burned to death. She has a fine talent as an artist, however, and when she meets Theo, who is twenty-eight years older than she, she begins to reenter the world again as she sets out to paint his portrait. Gradually, and carefully, they fall in love. Vikram, the prowling Tamil spy, now sixteen, is also in love with her.

When the war explodes in the countryside where these characters live, the Sinhalese, their associates, and friends find that they can no longer recognize the world as human. Though they know that "Living has always been a desperate business," many have found "art as our highest form of hope," but now relocation, imprisonment, torture, murder, and slow death become the norm, and there is no hope, other than escape, physical or emotional. Unconscionable violence alternates with scenes of exquisite love and the serenity of nature, leading to a fast-paced, suspenseful novel in which hope can never be completely extinguished.

Roma Tearne, who grew up in Sri Lanka, crafts a powerful novel, combining the horrifying violence and brutality of brainwashed boy soldiers and opportunistic power seekers with the sometimes lyrical portrayal of nature and the enduring power of love. Now a painter and film-maker in London, as well as a gifted writer, Tearne makes the fraught atmosphere come alive through almost tactile sense impressions, adding depth to this portrait of Sri Lanka, even as she uses the mosquito symbol to show that beauty, when it can be found, always comes with a price. n Mary Whipple

Bone China
Heaven's Edge: A Novel, Romesh Gunesekera's mystical story of Sri Lankan violence

I will skip the summary, because you can find that elsewhere...this book's strength comes from the emotions - love and sorrow and hope - that it successfully evokes in the reader without being trite, overly cliched (though the girl reminded me of every beautiful Indian woman I've ever met), or reliant on deus ex machina manipulations (or karma, as I suspect the characters would call it). I would hate for the book to be type-cast as a romance or a Sri Lankan novel or a war novel, because it offers so much about universal humanity. That said, the book puts a human face on a conflict that makes little sense to Westerners (for good and bad reasons). Whatever Ms. Tearne will paint or write, she can be satisfied that she has written an astounding book (and one I'm buying to give to friends!) that will last for a long time (and as an artist myself, I could only hope for so much!). If you have ever loved anything or anyone from this part of the world, this is a great way to have one more small piece of understanding.

Mosquito is a powerfully written, literary work which brings to life a horrific period in the modern history of Sri Lanka. It is also a tale of triumph over unimaginable tragedy and brutality.

After wealthy author, Theo Samarajeeva's wife is killed by a mugger on a dark, London street, he returns to his native Sri Lanka to try to find peace and inspiration in that lushly beautiful but dangerous country. He meets and falls in love with a lovely, young artist but "time and unforeseen occurrence" intervenes. Civil war between the Sinhalese and the Tamil Tigers has broken out and Theo is kidnapped and held captive for several years. Thinking he is dead, both his best friends and his young love try to make new lives for themselves far from Sri Lanka but nothing can ease the pain of his disappearance.

Some of the descriptions of warfare and torture are so brutal, they are difficult to digest. And yet Ms. Tearne's love for her country shines through in the magnificence of her descriptions. She is after all, herself, an artist.

This is a difficult book to read and yet I am not sorry to have done so. I have often heard of the problems between the Tamils and the Sri Lankan government but this is the first time I have ever fully understood it.

This is definitely an intense novel and not for the "faint of heart".

A beautifullly written book; poignant, atmospheric, characters you'll love, the horrors of war and the wonders of love and friendship.

My book club loves this book and we want to speak with the author!! Please help us find her! Thanks

Probably few people are aware of the tortured history of Sri Lanka which forms the backdrop for this incredibly impressive novel. The author treats the characters with great respect, and is able to accommodate multiple points of view from it's protagonist, Theo Saramajeeva, to the young girl that he develops a great affection for. This book is full of emotion but it is neither corny nor overly-dramatic. The author very effectively manages the narrative, with superb but also concise descriptive language. Excellent.

"...Thank you,' she said and she went, a splash of red against the sea-faded blue gate, and then through the trees, and then taking in glimses of road and bougainvillea before she disappeared from view around the bend of the hot empty road. Taking with her all the myriad, unresolved hues of the day, shimmering in the distance."

Roma Tearne is also an artist and her book "Mosquito" is crafted like a painting, a watercolour filled with dense visions of tonality,temperature and emotion. Her tale is that of a road that begins within the boundaries of an isolated backwater cottage in Sri Lanka, a garden surrounded by lush vivid green vegetation. A special love affair is in the making and there is no better place for this to grow and nourish. The love shared by Theo and Nulani is witnessed by Theo's faithful servant Sughi. It is lavishly described, contructed with care as it evolves through the black and white of written words, the vivid colours of oil paint and the dense blue-green of the Indian Ocean.

Tearne allows every wonderful detail of this private, tender relationship to slide through the humid climate of Sri Lanka but she knows that love cannot isolate itself. Theo's private garden is no longer a shield against the violent eruption of the civil war where Roma's road forces us into the ugliness of human dramma. The lush and intense colours of love are abandoned as the neutrality of grey and darkness surround the unheard cries of pain and tragedy.

If Theo's memories of Nulani allow him to live, to survive the horror of men's cruelty, what remains is a void, the emptiness of a white canvas. The tired remains of Theo's complex road that is his (and our) life leads to the safety of civilisation where the beauty of love sleeps and where the lapse of time may possibly mend the unresolved hues caused by separation and the scars of war.

".......Some say art is our greatest form of hope,'....'Perhaps it's our only hope. Living has always been a desperate business."

Thank you Roma Tearne, thank you dearly.

Tearne is also a painter. I haven't seen her work, but I would infer from her prose that she does plein air work with lots of short brush strokes. The prose can be wonderfully atmospheric, but sometimes it can be dull, and individual sentences are infrequently memorable.

I do not believe Tearne does enough with her female characters. Giulia wrote books, after all, but she is too much an appendage of her husband. Even Nulani is not well enough developed as a nuanced character; Sughi is more interesting. The political situation in Sri Lanka is very important to the novel, but is not very well illuminated. Tearne is more interested in capturing emotion.

I was moved to tears by this novel. Roma Tearne, thank you for this amazing story.