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1 of 1 people found the following review helpful:
5.0 out of 5 stars
Magnificent Epic Love Story!!!, March 23, 2008
Natalie Vanderbilt's The Most Secret Window is a tour de force. I first encountered this remarkable project in a workshop at the Taos Writers Conference and quickly realized that I was reading something out of the ordinary. Its American precursors are Henry Wadsworth Longfellow and Edwin Arlington Robinson, the contemporary epics of George Keithley, Brenda Marie Osbey, Frederick Pollack, and David Mason, and the Irish dramas of W. B. Yeats.
Like all of these ancestors, Vanderbilt creates an evocative world that enriches a reader's existence beyond measure. The receptive reader will find her perception of time and passion forever changed. As Yeats memorably wrote, "A terrible beauty is born."
Set in San Francisco and Maine, The Most Secret Window presents the story of a shipping magnate, Grayson, and his Maine lover, Lara, whom he has never met except in dreams. The premise and relationship so described may seem unrewarding, even frustrating, but I encourage readers not to give up too soon.
Grayson's is a life of unforgiving structure and responsibility. His shipping empire is under constant attack by a brutal adversary, Selby. His real-time woman, Katherine, is a beautiful, emotionally remote individual with a steely heart and an agenda that contains her own self-interest. His best friend (best since boyhood) and business lieutenant lacks the imaginative depth to commiserate with his heartache. Only in his dreams, in the seductive, compassionate arms of Lara, is Grayson able to find expansive love and serenity. This impossible gift grants him the space he needs to develop his own compassion, not just for his lover, but for all beings. The story's relentless tension arises from his impossible yet inevitable travel from one world to the other and back again.
We are familiar with tales that transport us back and forth in time and dimension, but few stories come to us with such exquisite, tormenting balance. That is what this epic poem is all about: balancing passions and ambition. How does one open oneself wholly to love in a world that reduces love to an amusement or a business transaction, something partaken of in the dark, small hours between stages of combat and acquisition? How does one literally make time for love when one is so thoroughly conditioned for conquest? Inevitably, those who cannot break through the veil end up settling for less.
Her lips pressed to his and stirred to life
An unforgiving and painful passion.
They had done the forbidden in earthly life,
They had found one another with thought.
Instead of body to body, the human strife,
They'd done something they'd never been taught.
When one opens oneself to love, one surrenders the requirements of old paradigms and becomes a new person. That new being does not fit in an emotional straitjacket or war zone.
Such a person may not fit in any concept we recognize. Grayson's conflict is itself epic, exhilarating and tragic in its many scenes and acts, and Lara, despite the ethereal fact of her presence, becomes somehow more real to us than all of the other very real characters in the story. Though Vanderbilt's zest for jarring, brutal action scenes periodically shocks us, though the San Francisco she paints is weirdly fascinating, it is the lovers themselves who compel us to read on. There is an elusive urgency in human emotion that few writers are really successful in fully recognizing and bringing to life in poems. Vanderbilt is one of the few. In this epic tale she creates a compassionate, passionate alternative to a world that too often dozes in dreamless sleep.
The universe is smaller
Than the love
That flows between us.
--Robert McDowell, The Poetry Mentor (www.robertmcdowell.net), author of POETRY AS SPIRITUAL PRACTICE, Juky 15, 2008, from Free Press.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars
Page-Turning Beautiful Dream, December 20, 2006
When I opened this book I thought it was a collection of poetry, but as I read I realized that it was a story told in verse. And I could not put it down! Some of the action scenes are jarring and kind of awful to read but the story weaves a magic that turns into a beautiful, heartbreaking love story with an unexpected, but perfect ending! I have memorized some of the poetry like "Why do I want you?" and "How cold it seems, your warm embrace" and "I hold within my hands a broken heart". I have read it 3 times now. There is something about this book that won't let you go.
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5.0 out of 5 stars
An index of first lines rounds out this dramatic and captivating tale., March 3, 2007
Written by sculptor, poet, and businesswoman Natalie Vanderbilt, The Most Secret Window, Poetry As A Weapon is a free-verse, book-length epic poem following the passionate, at times joyful, at times tragic bond between two lovers. From hidden dreams to dark desires to the intrusion of a serial killer, The Most Secret Window follows the lovers amid a landscape that almost appears surreal at times, and at others intrudes with unyielding, ruthless reality. An index of first lines rounds out this dramatic and captivating tale. "Why do I want you? / Why do I suffer until my lips press yours? / Why is your softness a salve against pain / Against turmoil, against the physical pull of the earth?"
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