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Mostly Miniatures: An Introduction to Persian Painting
 
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Mostly Miniatures: An Introduction to Persian Painting [Paperback]

Oleg Grabar (Author)
5.0 out of 5 stars  See all reviews (1 customer review)


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Book Description

December 26, 2001

The mention of Persian painting conjures up images of beautifully illuminated manuscripts filled with tiny, intricate pictures, each a miniature festival of color. Anyone who has seen Persian miniatures up close will attest to their captivating power. In this book, the renowned historian of Islamic art Oleg Grabar introduces Western audiences to Persian painting, which consists primarily of miniatures illustrating works of literature, but also includes murals and small ceramics decorated with pictures. The masterpieces of this painting have a visual richness that requires the use of the intellect as well as the eye for their appreciation, and Grabar seeks to situate the reader within their world, that of Islamic culture in Iran from the Middle Ages to Modern times. Through a series of chapters on various aspects of Persian painting, he helps us understand its history, the characteristics that define it, and the delights to be discovered in it.

Grabar argues that this genre of painting offers a remarkable example of how books are illustrated in general and of how an Iranian secular taste emerged during centuries dominated by religious art. He shows that the peculiarities of its historical background gave rise to specific characteristics: striking colors, dematerialization of space, subtle evocations of emotions, simultaneous lyricism and epic. The qualities of Persian painting created a unique aesthetic mood that is related to Persian poetry and Islamic mysticism.

It was only at the beginning of the twentieth century that the Western art world began to discover Persian painting. Inspired by its use of pure geometry and vivid palette, Matisse and Kandinsky were among the first modernists to incorporate attributes of Persian art into their work. And now, a century later, interest among museum-goers continues to increase. The allure of Persian painting lies in its absorbing complexities and in the surprising way it speaks to large questions about the nature of art and the perception of its masterpieces. Grabar has written an incomparable book that both explains and re-creates the pleasures of this art.



Editorial Reviews

From Library Journal

Formerly Aga Khan Professor of Islamic Art at Harvard University and the author of such books as The Meditation of Ornament, Grabar here introduces Western readers to Persian painting, which consists mainly of miniatures. Grabar wants us to understand Persian culture, examining the art in its historical context and then carefully discussing its defining features. After discussing historiography and the sources of painting in Persia, the author provides some fascinating insights into the historical and cultural context in which the paintings were produced. What results is an invaluable guide to the topic whose informative, well-written text and beautifully reproduced illustrations attest to the author's depth of knowledge. The works shown are chosen from a very wide variety of sources. This is a scholarly book that can also be enjoyed by the uninitiated; recommended for most collections. Martin Chasin, Adult Inst., Bridgeport, CT
Copyright 2001 Reed Business Information, Inc. --This text refers to the Hardcover edition.

Review

A better guide can scarcely be imagined . . .This is scholarship that opens patient, dedicated readers to high pleasure. -- Alan G. Artner, Chicago Tribune

Fascinating. . . . An invaluable guide to the topic whose informative, well written text and beautifully reproduced illustrations attest to the author's depth of knowledge. . . . This is a scholarly book that can also be enjoyed by the uninitiated. -- Library Journal

Grabar has made many contributions to the study of early Islamic art and now turns his considerable powers to the study of the art of Persian painting. . . . He offers many ways to work toward future avenues of research, all of which will benefit upcoming scholars of Persian painting. The general public will benefit from his advice to examine the paintings for the personal pleasure of entering a very private world. -- Choice

The serious study of Persian art is barely 100 years old, and Oleg Grabar's authoritative overview stresses how little we know about these brilliantly colored and wittily composed miniatures and manuscripts. -- New York Times Book Review

[An] infectiously enthusiastic book. . . . [A] superb introduction, which combines critical sophistication with clarity and accessibility. . . . The fact that Grabar never forgets the role of pleasure is one of the strengths of the book. -- Phil Baker, The Art Book

Product Details

  • Paperback: 176 pages
  • Publisher: Princeton University Press (December 26, 2001)
  • Language: English
  • ISBN-10: 0691049998
  • ISBN-13: 978-0691049991
  • Product Dimensions: 10.9 x 8.6 x 0.7 inches
  • Shipping Weight: 2 pounds
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #195,806 in Books (See Top 100 in Books)

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1 of 1 people found the following review helpful:
5.0 out of 5 stars the book of Oleg Grabar is very nice..., April 23, 2011
By 
suzan cataloluk (TURKEY, BURSA CİTY) - See all my reviews
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This review is from: Mostly Miniatures: An Introduction to Persian Painting (Paperback)
Mostly Miniatures: An Introduction to Persian Painting is arrived.
İt is a beatifull book for me.
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s. çataloluk
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