Mother Courage and Her Children (Modern Classics) [Paperback]

Bertolt Brecht (Author), Ralph Manheim (Author), John Willett (Translator)

Book Description

Series: Modern Classics | Publication Date: December 1, 2010

In this chronicle of the Thirty Years War, Mother Courage follows the armies back and forth across Europe, selling provisions and liquor from her canteen wagon. One by one she loses her children to the war but will not part with her livelihood - the wagon. The Berlin production of 1949, with Helene Weigel as Mother Courage, marked the foundation of the Berliner Ensemble.

Considered by many to be one of the greatest anti-war plays ever written and Brecht's masterpiece, this edition published in Methuen Drama's Modern Classics series offer a full introduction. A powerful example of Brecht's epic theatre, the play is also accompanied by Brecht's own notes and textual variants.

 

Editorial Reviews

Review

"One of the greatest poets and dramatists of our century."—Observer

 

Language Notes

Text: English, German (translation)

See all Editorial Reviews

Product Details

• Paperback: 176 pages
• Publisher: Methuen Drama (December 1, 2010)
• Language: English
• ISBN-10: 0413412903
• ISBN-13: 978-0413412904
• Product Dimensions: 7.7 x 5.1 x 0.7 inches
• Shipping Weight: 4.2 ounces
• Average Customer Review: 3.5 out of 5 stars  See all reviews (15 customer reviews)
• Amazon Best Sellers Rank: #3,453,801 in Books (See Top 100 in Books)

Customer Reviews

Most Helpful Customer Reviews

17 of 18 people found the following review helpful:

5.0 out of 5 stars Go ahead and feel, May 16, 2001

By A Customer

This review is from: Mother Courage and Her Children (Paperback)

Saying that Brecht didn't want his plays to evoke an emotional response is an extreme oversimplification of his theories. He just didn't want the emotional response to overwhelm the intellectual response and remove the audience's capacity to judge the work objectively. In this play, we have a heroine who is not a heroine. We understand her, but we never empathize with her. Consequently, the interdependence of war and economy is illuminated without making the reader wallow in excessive emotion. Yes, we do feel strongly when Kattrin is beathing her drum, but that feeling is not what the audience leaves with at the end of the play.

10 of 10 people found the following review helpful:

4.0 out of 5 stars Response to Noah Lambert's review, May 10, 2001

By 

Molly McBride (St. Paul, MN) - See all my reviews

This review is from: Mother Courage and Her Children (Paperback)

Brecht doesn't want emotion because that is Brechtian theater. He thought that in order for a play to invoke social change, it needed to be clear to the audience, that the audience needed to learn something. Emotions, Brecht felt, clog the mind and only feed the brain sentiment, not rational thought. Mother Courage and Her Children is, quite obviously, an anti-war play. Brecht wants you to see that war makes criminals out of everyone, even mothers. He wants you to love Mother Courage while you hate her so that the emotion is cancelled out and you are only left with the thoughts of her actions and why they were wrong. If you want a play to read or perform that is challenging, amazing, and intellectual all at once, this is the way to go. I performed this and I was forever changed.

14 of 17 people found the following review helpful:

5.0 out of 5 stars Mother Courage WILL INSPIRE YOU!!!, March 3, 1999

By 

Adam Roberts - See all my reviews

This review is from: Mother Courage and Her Children: Adapted By David Hare (Paperback)

I had to read this for my English/Theater class, and I found it to be extremely compelling and profound. Our teacher told us that Brecht doesn't want to evoke an emotional response, but even so, I was strongly moved by the events that transpire, and Kattrin's ultimate sacrifice. I also had to compare David Hare's version with the translations of Manheim and Bentley, and I found that Hare's was the sharpest because of the way he distills the dialogue down to its core. I highly recommend it to anyone interested in theater, literature, or life.