Mother Earth [Original recording reissued, Original recording remastered]

Within Temptation | Format: Audio CD

Product Details

• Audio CD (August 5, 2008)
• Number of Discs: 1
• Format: Original recording reissued, Original recording remastered
• Label: Roadrunner Records
• ASIN: B000TZ8Q9I
• In-Print Editions: Audio CD  |  MP3 Download
• Average Customer Review: 4.5 out of 5 stars  See all reviews (96 customer reviews)
• Amazon Best Sellers Rank: #10,668 in Music (See Top 100 in Music)
  • #4 in Music > World Music > Europe > Continental Europe > Netherlands
  • #41 in Music > Alternative Rock > Goth & Industrial > Goth

Editorial Reviews

Mother Earth produced the bands first breakthrough #1 single with
Ice Queen. The success pushed Mother Earth, which continued to
climb in the Dutch album chart, ending the year at #3.

Customer Reviews

Most Helpful Customer Reviews

51 of 54 people found the following review helpful:

5.0 out of 5 stars ESSENTIAL GOTH-METAL!, April 18, 2003

By 

Mr D. "Artist/Designer/Kibitzer" (Cave Creek, Az United States) - See all my reviews

This review is from: Mother Earth (Audio CD)

Well dear reader, you're in for a real treat! Mother Earth was released in 2001 and it's still selling strong around the world. In fact two years later it seems to be picking up steam.

For an album to sell 100,000 copies in tiny Holland it has to be something special. Initially, this blockbuster CD was only released in selected parts of Europe. When customers throughout Europe started clamoring for it they rectified the problem. Mother Earth is also starting to make waves in the good old US of A as well, apparently by word of mouth, since, to my knowledge, it doesn't get airtime.

What is Mother Earth? Possibly the best Gothic-metal CD ever made! Previous releases by this group included beauty and the beast style growls, which is common for this sub-genre of music in Europe. Fortunately that was waived for this wonderful album, which, I think, helped the band get to another level.

Within Temptation consists of:
Sharon den Adel (Vocals), Robert Westerholt (Vocals, guitar), Martijn Westerholt (synths & keyboards), Ivar de Graaf (drums), Jeroen Van Deen (bass), Michiel Papenhove (guitars).

The founder of Within Temptation - Robert Westerholt - sure hit gold when he found the sensational vocalist, Sharon den Adel (his former? girlfriend). She has the most impressive voice this side of Celene Dion. In fact some reviewers have anointed her the current best soprano around. "the new Annie Haslam" of Renaissance fame. I can't disagree, her singing is exquisite, powerfully delivered and emotional. And the music, which is also fabulous and oh so pretty, is in the celtic/symphonic/gothic vein with varied but mostly medium tempo and large production orchestral segments featuring strings, horns, guitars and organs. Also contributing to the album are arranger Rene Merkelbach and a small choir. All songs are way above average with my favorites being "The Promise", "Deceiver of Fools", "Ice Queen" and the title track "Mother Earth".

A brief summery of the songs
"Mother Earth" starts with lush keyboards and the choir, before the guitars raise the tempo and intensity. Sharon's incomparable voice soars above the choir and everything else enhancing, not obliterating the rich textures set forth.
"The Ice Queen" is a powerful up tempo number, heavily orchestrated with a catchy melody and lyrics which are easy to memorize. Originally released as a single, this song made the best connection with the audiences during their tour.
"Our Farewell" changes direction a little since it's a pleasant light number featuring Sharon in a simple mix of piano with orchestral accompaniment.
"Caged" continues the lighter mood with the introduction of woodwinds, however the tone changes once Sharon's voice joins in, singing her anguish, as a woman, for being misled and deceived.
"the Promise", the longest song which, along with "Deceiver of Fools", is my favorite, powerful guitar work with heavy orchestration and of course, Sharon's impeccable voice.
"Never ending story" is a balladic song during which Sharon is backed by piano and members of the choir.
"Deceiver of Fools" begins quietly and then alternates between heavier, fast paced sections and quieter parts where Sharon's voice, double tracked, carries the melody.
"Into/Dark Wings" a heavy guitar lead, evolving into a near east sound and then Sharon again, this time joined by friend and fellow artist Arjen Lucassen (Ayreon)on a cameo guitar solo.
"In Perfect Harmony" this light, happily pleasant song is mostly Sharon with a light accompaniment of acoustic guitar a spacey keyboards.

On another note, Sharon, who is the busiest of the band members, performed as a guest singer on two albums: Ayreons, Into the Electric Castle and After Forever's, Prison of Desire.

Within Temptation's distinct sound doesn't compare well with any other bands I can think of but there are similarities to Lacuna Coil (more progressive), After Forever (another great vocalist but male growling - also from Holland), and the English band, Edenbridge. Do yourself a favor and see what the biggest selling album in Europe sounds like. I think you'll like it.

This is an ESSENTIAL GOTHIC-METAL ALBUM!

16 of 16 people found the following review helpful:

5.0 out of 5 stars Prog goth finds its first classic album, August 19, 2006

By 

Arthur Digbee (Indianapolis, IN, USA) - See all my reviews
(VINE VOICE)    (TOP 1000 REVIEWER)   

Amazon Verified Purchase

This review is from: Mother Earth (Audio CD)

The album begins with a little dance in 3/4 time to start the title track, using the synthesizer to suggest Celtic flutes and horns. After four lines, the dance repeats, adding a chorus who lays down some chords in the background. Then the instrumentation goes electric, playing the same theme twice but with a hard rock feel-and a drum/bass riff added at the ends of lines 1 and 3. A series of dissonant chords on off beats set off the melody. After four chords as transition, the second instrumental verse repeats. The entire introduction conveys the sense of a Creation and evolution, with harmony, dissonance, and the entry of man's machines in the story. The music evolves nicely, introducing variations in both melody and instrumentation.

After this, Sharon den Adel's soprano enters over the electric instruments, retaining the rhythm of the dance but changing the melody. Drum and bass pick up some of the themes from the introduction, playing variations on the drum/bass riff among other bits. After this verse, den Adel moves to the chorus, sung impossibly high, with an effect that it as striking as the Queen of the Night in the "Magic Flute" (but not quite that high). The verse and chorus repeat, with some changes in instrumentation and drum parts, after which the male chorus sings a slow bridge. Though still in 3/4 time, the use of dotted half notes conveys the sense of a switch to common time, suggesting monks singing chant. When this passage repeats, single and then double drum strikes warn of the coming return of metal passages, and remind us of the underlying 3/4 time. Finally, the "monks" summon den Adel back in a call-and-response that return us to the main theme on metal. This summoning of forces takes us back to the main themes, which are further developed and the remaining tensions resolved. Then the piece is brought to a close with a bang, using reptitions of the original drum/bass riff.

In short: these are serious musicians at the top of their game.

The rest of the album never quite reaches the compositional skill of the title track, but it's still an astounding album. The second track, "Ice Queen," became a hit in Benelux, and once again plays den Adel's vocals against a metal instrumentation. It starts hard and switches into acoustic passages, much like classic Jethro Tull. (As a curious aside, native English speakers may be confused by the non-idiomatic title at first, since an ice queen is a particular kind of woman, and we probably would have called the lead character something like "Frost Queen" instead --- as if I could write lyrics in Dutch.)

"Our Farewell" is one of three ballads. The most impressive ballad, to my mind, is "The Promise," which tells a revenge story of two linked promises. It suggests late medieval Europe both lyrically and musically. Like most of the songs on the album, it either tells a story of Mother Earth or of some characters passing along her way.

"Dark Wings" follows classic rock structures most closely, and will satisfy those who want their goth (or metal) to rock hard. A few songs are overly repetitive both musically and lyrically, such as "Caged" and especially "In Perfect Harmony," but every classic album has a song for complaining about.

Will you like this album? If you're a genre-crosser, you'll love it from the first. It does have some features that might put some people a bit off. Almost everything is in a minor key, as one expects of a goth album. I think that a richer mix of minor and major keys probably would have made the album flow better between songs at times. The album as a whole uses a lot of 3/4 (and 6/8 and 12/8) time, and this might annoy some listeners who expect their rock in common or half time. It certainly doesn't lend itself to rock dancing, unless you like waltzing at a rock concert, but it sounds great for listening at home. Many of the songs lay down a fast drum and bass guitar part in 12/8 (or whatever), while den Adel sings a more ballad-like part in the high ranges. The effect is reminiscent of Heart - a band with hard rock roots that goes heavy on ballads. If you want your rock to rock out, the album will sometimes feel too slow. However, the dramatic tension of metal and soprano almost demands this structure.

But, as you can probably tell from my first two paragraphs, "Mother Earth" isn't for rocking out. It's progressive rock at its finest, joining those mostly European, mostly Goth bands that combine metal instrumentation with a soprano singer. In "Mother Earth," Within Temptation drops death grunts and growls entirely, playing den Adel's voice solely against the instruments instead of having her duel the growls. It works. Den Adel has a lovely voice, the finest in progressive rock since Annie Haslam of Renaissance.

My only objection is that it's hard to get my daughter to give me the CD back.

13 of 13 people found the following review helpful:

5.0 out of 5 stars Within Temptation ~ Mother Earth, May 10, 2005

By 

Clarissa "MoonGoddess" (Ontario, California) - See all my reviews
(VINE VOICE)   

This review is from: Mother Earth (Audio CD)

I'm a big fan of melodic/symphonic metal but one thing I hate about the genre is how everyone starts sounding uncannily alike after awhile. The striking cover art is what initially drew me to Within Temptation but what I discovered was far more than just visual splendor. I was treated with a refreshing yet similar take that's unique yet familiar, if that makes any sense. They stand out somehow and aren't just another Nightwish clone, and yet they both coincide as equals when it comes to brilliance. Hailing from the Netherlands their music can best be described as Gothic folk rock. I know a lot of bands are labeled as such these days but few actually live up to the diverse title given them. Within Temptation's "Mother Earth" however does. The creative lyrics each tell an interesting story and are told, interweaved, with irresistibly hooking melodies. Sharon den Adel also has one of the most captivating voices I've ever heard. In a way she reminds me of Christina Scabbia from Lacuna Coil, but only because they both manage the ethereal with a flare of attitude so well. I become mesmerized every time I hear her sing and very few vocalists can give me chills like she can; especially on "Our Farewell" which is one of the saddest, heart-renchingly beautiful rock ballads in the history of music (IMO, anyway). It's about losing a loved one, wondering how you'll be able to move on without them, and then realizing they'll always be with you and that this isn't the end... Other favorites are "Ice Queen", "Caged", "Dark Wings", "Restless", and "Deceiver Of Fools", which reminds me of something you'd hear on a Lord of the Rings soundtrack... That is until the crushing guitars come in...

'Mother Earth' is my first but certainly not my last album from Within Temptation, and while their sound here is mostly Gothic folk rock, as I said before, the live tracks "Enter" and "The Dance" indicate a darker, rougher, less folksy sound on other endeavors.

There's a bonus DVD featured here too of the songs "Never-Ending Story", "Caged" and "Mother Earth" in concert, as well as the video for "Mother Earth" and a backstage glimpse into their 2003 European tour which is surely a pleasure to watch for fans both old and new of this incredibly gifted band. I must warn those who are buying this as an import, though, because the disc isn't formatted to work on all DVD players.