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Mothers and Sons: A Novel [Hardcover]

Paul Hond (Author)


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Book Description

April 5, 2005
How well do you know your mother?
How well does your mother know you?

In his acclaimed debut novel, The Baker, Paul Hond presented an ambitious and deeply compassionate portrait of race and redemption in urban America. Now, in his long-awaited second novel, Hond offers a wise and moving variation on one of literature’s essential themes–the complicated and often unarticulated relationship between mothers and sons.

At twenty-seven, Moss Messinger, a sometime restaurant critic with a dwindling bank account, had hoped he might be over his childhood. Moss grew up with his distant single mother, a musician, in their rent-controlled two-bedroom Manhattan apartment. Nina lived in a haze of music and men that Moss was never able to pierce. Having a baby at seventeen had completely changed Nina’s life–and she’d tried to change it back ever since. When her son was a teenager, she left on a jazz-fueled tour of Europe, and Moss was never able to forgive her.

Through the years, there had been a kind of hostility between them, though the tenderness that passes between mothers and sons lay beneath it. Now their emotional distance is matched by the geographical distance–Nina is in L.A., Moss is in New York–and exacerbated by Nina’s new husband, whom Moss has never met.

Yet when Moss breaks up with his longtime girlfriend and sinks into depression, Nina flies back east to be by his side–not altogether unselfishly, as it also allows her a respite from a troubled marriage. But the reunion triggers a series of shocking events that force mother and son to confront and understand each other in new and unusual ways.

Psychologically rich and acutely observed, Mothers and Sons is an intricate portrait of a complex and fascinating familial relationship, one that is both sensitively rendered and urbanely wry. Drawing on a literary tradition ranging from D. H. Lawrence to Philip Roth, Paul Hond writes with dexterity and insight about fractured lives, the long shadow of resentments, and the rebirth of love and family.

Editorial Reviews

From Publishers Weekly

Hond's sophomore effort (The Baker) begins auspiciously enough with the introduction of engaging, self-effacing Moss Messinger. An aspiring screenwriter, 29-year-old Moss ekes out an existence by writing restaurant reviews and doing other odd jobs. He still lives in the Manhattan apartment where he grew up (his single mother, a jazz pianist, decamped to Europe when he was 19). Moss and his neurotic little problems might be annoying—he is tormented by pigeons living outside his bedroom window, lives in fear of a disgruntled restaurant owner (the recipient of a negative review) and is suffocated by his "too-good-for-me" girlfriend's desire for commitment—but his charm wins out over his whining. That is, until his mother, Nina, comes home, worried that her son is reacting badly to his attempted breakup with his girlfriend. A series of misunderstandings and intentional miscommunications ensue—many stemming from an affair between Nina and Moss's best friend, Boris—which are more frustrating than funny. Though the plot presents plenty of opportunity for conflict and confrontation, Hond shies away from character development as if suffering from the same fear of commitment that plagues Moss. Each moment of potential connection is followed by an expedient escape. Despite Hond's deft, clean prose, the end product is implausible and unsatisfying.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review

Praise for The Baker

“With admirable ambition, Hond uses these characters’ lives to explore complex issues of racial and class conflict and the roots and consequences of urban violence.”
The New York Times Book Review

“Hond illuminates the long-standing tribal tensions and accords between black and Jews . . . and, in a fast-paced series of Dickensian plot twists, he shows the increasing interdependence of their griefs and hopes.”
–The New Yorker

“Hond’s boldness . . . succeeds. . . . What career may await so skillful a turner of plot, and listener to speech, and unraveler of emotion? . . . In the best sense, this is an old-fashioned novel. . . . Save your first-edition copy of The Baker.”
–Baltimore Sun


“[A] wonderful first novel . . . It’s no overstatement to say that The Baker is a deeply moral book, and not just because it is willing to take on . . . critical social issues. It is, rather, because of that rare quality we find so often in Malamud: the all-encompassing compassion for the novel’s characters. We come to know these people . . . We mourn the distortions wrought by personal and social history. The novel’s compassion builds our own.”
Forward

Product Details

  • Hardcover: 304 pages
  • Publisher: Random House; First Edition edition (April 5, 2005)
  • Language: English
  • ISBN-10: 0375508058
  • ISBN-13: 978-0375508059
  • Product Dimensions: 9.2 x 6.4 x 1.1 inches
  • Shipping Weight: 1.2 pounds
  • Amazon Best Sellers Rank: #3,559,351 in Books (See Top 100 in Books)

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Inside This Book (learn more)
First Sentence:
FOR THE FIFTH STRAIGHT MORNING, MOSS MESSINGER was awakened by noise: deep, infernal grunts, toad rhythms, a throbbing, a frenzy, an orgy, an infestation. Read the first page
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Nik Cattai, New York, Sam Silvestri, Josh Levitt, The Scavengers, Intensive Care, Bea Sirkin
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