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Moulin Rouge (1952)

José Ferrer , Zsa Zsa Gabor  |  NR |  DVD
4.3 out of 5 stars  See all reviews (47 customer reviews)

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Product Details

  • Actors: José Ferrer, Zsa Zsa Gabor, Suzanne Flon, Claude Nollier, Katherine Kath
  • Format: Color, DVD, Full Screen, Subtitled, NTSC
  • Language: English (Dolby Digital 2.0 Mono)
  • Subtitles: English, Spanish, French
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.33:1
  • Number of discs: 1
  • Rated: NR (Not Rated)
  • Studio: MGM (Video & DVD)
  • DVD Release Date: June 15, 2004
  • Run Time: 119 minutes
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (47 customer reviews)
  • ASIN: B0001V6ZJ8
  • Amazon Best Sellers Rank: #22,818 in Movies & TV (See Top 100 in Movies & TV)
  • For more information about "Moulin Rouge" visit the Internet Movie Database (IMDb)

Editorial Reviews

MOULIN ROUGE - DVD Movie

 

Customer Reviews

47 Reviews
5 star:
 (31)
4 star:
 (8)
3 star:
 (1)
2 star:
 (5)
1 star:
 (2)
 
 
 
 
 
Average Customer Review
4.3 out of 5 stars (47 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

77 of 79 people found the following review helpful:
5.0 out of 5 stars No Absinthe of Malice?, February 11, 2004
This review is from: Moulin Rouge [VHS] (VHS Tape)

Many of those who have seen the film directed by Baz Luhrmann and starring Nicole Kidman (2001) may not know about this film which appeared about 50 years earlier. Based on Pierre LaMure's biographical novel and directed by John Huston, this Moulin Rouge focuses entirely on the life of Henri de Toulouse-Lautrec. Two years previously, Jose Ferrer received an Academy Award for leading actor in Cyrano de Bergerac. He was nominated again in 1952 for his portrayal of Toulouse Lautrec (he also plays the painter's father, Comte Alphonse de Toulouse-Lautrec, a small but significant role in this film), losing to Gary Cooper (High Noon).

How interesting that each of Ferrer's two greatest performances on-screen is of a French aristocrat with a significant physical deformity who encounters only failure and despair in his love life. In any event, Ferrer is brilliant in a cast of consistently high quality. As chanteuse Jane Avril, Zsa Zsa Gabor essentially plays herself: beautiful, vain, melodramatic, self-absorbed, good-hearted, and charming. Also noteworthy are Colette Marshand (as Marie Charlet), Suzanne Flon (Myrianne Haven), Katherine Kath (La Goulue), and Christopher Lee (Georges Seurat). Although nominated for several Academy Awards, this film received only two (for Color Art Direction and Color Costume Design), both richly deserved. Huston skillfully directs an excellent cast while blending seamlessly Oswald Morris' cinematography with George Auric's musical score.

Born in 1864, Toulouse-Lautrec spent his childhood years on family estates near Albi, with Paris becoming his home in 1872. The victim of a genetic bone condition that made him vulnerable to fractures, he walked with a cane by age thirteen and grew to be only four feet eleven inches tall. One example of Huston's genius is the fact that much of the film is shot from Toulouse-Lautrec's perspective. That is, we see the aristocrat-artist's world almost literally through his eyes as he sits and sketches in the music hall, then drags himself to his stunted feet and slowly, painfully resumes his late-night debauchery.

In frail health throughout his adult years, Toulouse-Lautrec exacerbated his situation with alcoholism which no doubt hastened his death in 1901. Lying in bed and near death, he learns from his astonished father that his paintings will be on exhibition at the Louvre. ("The Louvre, Henri, the Louvre! I did not know, Henri, I did not understand....") This final scene reminds me of the final scene in Goodbye, Mr. Chips (1939), starring Robert Donat. Both Toulouse-Lautrec and Charles Chipping are near death, barely conscious. Both imagine being visited by those they once knew, bidding them a fond farewell. For Toulouse-Lautrec, the performers from the Moulin Rouge; for Chipping, many of the boys he taught over a period of several decades at Brookfield School.

This film is a feast for the eyes. At least for about two hours, it enables us to return to Paris near the end of the 19th century, to a world which remains vivid in the great art of Seaurat, Renoir, Degas, Monet, Manet, Bonnard....and Henri de Toulouse-Lautrec.
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24 of 25 people found the following review helpful:
5.0 out of 5 stars The Real Lautrec & Moulin Rouge!, April 19, 2006
By 
Craig Connell (Lockport, NY USA) - See all my reviews
(REAL NAME)   
This review is from: Moulin Rouge (DVD)
This is one of the most interesting biographies I've ever seen on film.
Until I acquired the DVD, I never fully realized how beautiful this film looked, either. I was stunned to see how spectacular the colors were and how much it helped capture the flavor of the dance hall and the cobblestone streets of France 100 years ago.....and, of course, Tolouse-Lautrec's great artwork. This movie is a feast for the eyes.

The DVD also offers an opportunity to do something I suggest other fans of this movie try: use the English subtitles. This way, you don't have to strain to understand the French accents, notably Colette Marchand's, and it makes this intriguing story even better.

Story-wise, it's a bit of a soap opera but one I still found fascinating, thanks mainly to Lautrec's dialog. He had some really interesting things to say, mostly in a cynical way. That cynicism, unfortunately, caught up with him in the end. Jose Ferrer captured this tortured soul about as well as any actor could expect to do. I'm sorry he didn't win an Academy Award for this performance.

Viewers who only saw the more recent "Moulin Rouge!" missed the real story. That movie was a farce; this is the real thing.
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17 of 19 people found the following review helpful:
5.0 out of 5 stars Why not on DVD, August 8, 2002
By 
"rbosler2" (SUNLAND, CA USA) - See all my reviews
This review is from: Moulin Rouge [VHS] (VHS Tape)
When you compare this film with the current remake you must wonder why the remake. It will be a real loss to the community of those who collect great films if this is not made available on DVD. What must one do to encourage the DVD effort?
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