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The Mountain Lion (New York Review Books Classics) Paperback – August 10, 2010


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Editorial Reviews

Review

"Stafford's unusual, intense novel about a brother and sister who spend a fateful summer on their uncle's ranch in Colorado has never been forgotten by anyone who's read it since its publication in 1947. This handsome new paperback edition from New York Review Books includes Stafford's 1971 author's note and an afterword by Kathryn Davis." --The Oregonian

"How could it be that Jean Stafford has vanished from view, remembered more for her marriages to Robert Lowell and A.J. Liebling than her considerable accomplishments as a writer? Her 1970 Pulitzer Prize for "Collected Stories" was apparently no inoculation from the vagaries of literary fashion, and perhaps after languishing in out-of-print no man's land, this edition of "The Mountain Lion" will win Stafford new legions of readers. The novel, which appeared in 1947, is in many ways a coming-of-age story, centering on a precocious brother and sister who spend their summers at their uncle's Colorado ranch. Sounds simple enough, but Stafford's world is eerie and chilling -- though emotionally red hot, as boy and girl chafe against their suburban, silk-and-sherry life and yet find the freedom of the frontier, and the prospect of adulthood, almost impossible to bear." --Elizabeth Taylor, The Chicago Tribune

"Stafford has a dry desert style — you feel the stillness and the heat in her writing, the swish of palm trees, voices of children, the sounds of sweeping beneath walnut trees, the whir of hummingbirds...Stafford can write a real nightmare, the kind in which everything looks ominous, words cause permanent scars and a character's one shot at happiness is dashed by his very own hands." --The Los Angeles Times

“If not the best novel of the 1940s, The Mountain Lion is a very fine book indeed, a classic of childhood rage and bewilderment told in a superbly controlled colloquial prose." --Elaine Showalter

“A mature and wise novel, a novel so utterly different from her first that it is evident she need never imitate herself, as young novelists too often do after an early success. Written with simplicity and often with astonishing power…The Mountain Lion is likely to beguile many a reader into thinking that he has hold of merely a shrewdly perspective and amusing novel of children, when what he really has in his hand is a charge of psychological dynamite.” -Joseph Henry Jackson, San Francisco Chronicle

 

Like Flaubert and Eudora Welty, Miss Stafford is a master of making the objects in a room exhibit a dumb and eloquent presence…The Mountain Lion is one of the best novels about adolescence in American literature.” -Guy Davenport, The New York Times

 

“It's a terrific book, witty and smart as Stafford always was, and kind in its treatment of these two strangely irresistible children.” -Jonathan Yardley, The Washington Post

 

“A subtly and brilliantly realized tragedy of adolescence” -Joyce Carol Oates, The New York Times Book Review

 

A “wonderful record of childhood and adolescence…I do not know where to turn in contemporary fiction for a more wonderful recording of the sights and smells, the emotions and values, the hates and passions of childhood and youth…[a] beautifully modeled tale.” -Howard Mumford Jones, The New York Times

 

“a delicate, sharp story of childhood and adolescence.” -Time magazine

 

The Mountain Lion has all the form, design and sever selectivity of a controlled and conscious work of art. Its characters are painfully real, interesting as individuals and significant as representatives of various attitudes toward life.” -Orville Prescott, The New York Times

 

“The Mountain Lion remains a brilliant achievement, an exploration of adolescence to set beside Carson McCullers's masterwork The Member of the Wedding.” -Joyce Carol Oates, The New York Review of Books

 

“The Mountain Lion is so good in part because, along with splendid writing, it is filled with American lore-games, songs and slang-and animated by the insatiable demands of its young heroine, Molly Fawcett, as fiercely intelligent and impossible a person as was her creator.” -William H. Pritchard, The New York Times Book Review

 

“A psychological thriller about two adolescents, a brother and sister, and of a hunt which has tragic results for them both.” -William Murphy, The Los Angeles Times

 

“It's riches are many-in language, in irony, in insights into life's ambiguities.” -Paperbacks New and Noteworthy, The New York Times

 

“approaches the stature of a modern classic.” -The New York Post

 

“The author manages to convey the sense of dark and rushing wings-darker for the bright blue sky-which plunges the end of the book into unexpected horror.” -New York Times Book Review

 

“For the brutality and correctness of its ending, I think only Cormac McCarthy's Blood Meridian competes with The Mountain Lion…among American literary children, Ralph and Molly have peers only in Holden Caulfield, Scout and Jem Finch, and Huckleberry Finn.” -Tin House

 

“In the work of perhaps no other comparably youthful author has there been recent evidence of equal insight and compassion.” -Jean Lehman, The Philadelphia Inquirer

 

“Miss Stafford is, fundamentally, out for much bigger game than a mere couple of troubled kids. It is life itself-the painful state of being human and conscious-that Miss Stafford's penetrating little story examines and vilifies. For what Molly and Ralph suffer in exaggerated form and almost unremittingly in the pages of The Mountain Lion is but the malaise which from time to time torments us all-that recurrent sense of pain and apprehension which is a function, or at any rate an inevitable by-product, of the state of consciousness itself.” -New York Herald Tribune

 

“Jean Stafford writes with the relentless and dazzling brilliance of an avenging angel wielding a white-hot sword. She has a sound feeling for and great appreciation of the simple ways of simple people.” -Florence Haxton Bullock, The New York Hearld Tribune Book Review

 

“Hard to match for subtlety and understanding…A sharply focused study rather than a broad exploration of adolescence, written wittily, lucidly, and with great respect for the resources of the language.” -The New Yorker

 

A “positive artistic creation…a fine book.” -Newark News

 

“written with sharp-edged humor and compassionate understanding.” -The Washington Star

 

 

Miss Stafford writes with brilliance. Scene after scene is told with unforgettable care and tenuous entanglements are treated with wise subtlety. She creates a splendid sense of time, of the unending afternoons of youth, and of the actual color of noon and of night. Refinement of evil, denial of drama only make the underlying truth more terrible.” -Saturday Review

 

“Miss Stafford holds the reader spellbound throughout the narrative. She creates an intense atmosphere with a few simple phrases and characterizes her figures in a masterly manner through the eyes of the children.” -Catholic World

 

 

About the Author

Jean Stafford (1915–1979) was born in Covina, California, the
youngest of four children. When she was five her father, an unsuccessful
writer of Westerns, lost the bulk of his inherited fortune on the
stock exchange. The impoverished family, forced to move, eventually
resettled in Boulder, Colorado. Stafford excelled as a student, earning
both a B.A. and an M.A. in four years on a scholarship at the University
of Colorado, but her college years were marked by poverty as well as
by the suicide of her friend Lucy McKee, who shot herself in Stafford’s
presence. A fellowship from the University of Heidelberg enabled
Stafford to study philology abroad following her graduation. Shortly
after her return she met the poet Robert Lowell, whom she married in
New York City in 1940. In 1944 she published her first book, Boston
Adventure, a best selling novel of manners, and her second and most
highly acclaimed novel, The Mountain Lion, followed in 1947—years
which also brought the collapse of her marriage to Lowell and a stay
in a psychiatric hospital. Stafford began to write short stories, and by
1948, the year in which she received a Guggenheim Fellowship, her
work was regularly appearing in The New Yorker. In 1952 Stafford
published a third novel, The Catherine Wheel, and in 1970 she was
awarded the Pulitzer Prize for Fiction for her Collected Stories.
Stafford was married twice more—to Life editor Oliver Jensen and to
the writer A. J. Liebling—but lived out her last fifteen years alone.
She suffered a stroke in 1976 and died three years later in White
Plains, New York, leaving her entire estate to her cleaning woman.


Kathryn Davis is the author of many novels, including Labrador,
The Girl Who Trod on a LoafHellThe Walking TourThe Thin
Place, and Versailles. She is the recipient of Guggenheim Fellowship
and the 2006 Lannan Literary Award for Fiction. She teaches at
Washington University in St. Louis and lives in Vermont. 
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Product Details

  • Series: New York Review Books Classics
  • Paperback: 248 pages
  • Publisher: NYRB Classics (August 10, 2010)
  • Language: English
  • ISBN-10: 159017352X
  • ISBN-13: 978-1590173527
  • Product Dimensions: 5 x 0.7 x 8 inches
  • Shipping Weight: 7.2 ounces (View shipping rates and policies)
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Best Sellers Rank: #613,387 in Books (See Top 100 in Books)

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16 of 16 people found the following review helpful By D. Cloyce Smith on October 27, 2008
Format: Paperback
Jean Stafford is primarily known today (if at all) for her marriages to Robert Lowell and A. J. Liebling and for her short stories, most of which were originally published in The New Yorker and gathered in an anthology that earned her the Pulitzer Prize in 1970. But she also wrote three novels, including "The Mountain Lion" (1947), which is considered by many critics and writers to be her best.

Tracing the lives of a brother and sister after they had been incapacitated by scarlet fever, the novel's underlying heartbreak creeps up on you. Because of their infirmity (and frequent nosebleeds that excuse them from school), the children are outcasts among their playmates, and they find refuge in each other's company. These early pages exhibit a comic warmth that is, it turns out, illusory.

Two events--the sudden death of their grandfather (an episode somehow both macabre and offbeat) and an extended stay at an uncle's ranch in Colorado--alter their lives and, eventually, their shared bond. Molly revels in her role as a misfit ("I know I'm ugly. I know everyone hates me. I wish I were dead."), and she finds refuge in her books, while Ralph thrives in the outdoors and on the ranch, and he becomes his uncle's constant companion and good-natured rival in their hunt for a local mountain lion they'd spotted in the hills. But Ralph's entry into adolescence makes him "wild with all sorts of angers and with an anxiety he could not name." "Sometimes he loathed his physical being for the alterations that were taking place in it."

This is all standard stuff for a coming-of-age novel, but what sets "The Mountain Lion" above the rest are the intricacy of Stafford's prose and her subtle depiction of the deterioration of the attachment between these two siblings.
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12 of 14 people found the following review helpful By A Customer on April 11, 1999
Format: Paperback
This novel is about the coming of age of a brother, Ralph, and a sister, Molly. Even though Molly is a bright, young female who aspires to be a writer, she considers herself a long wooden box with a mind inside. While Molly and Ralph visit their Uncle Claude and grandfather, their mother takes their two older sisters around the world in preparation for marrialge. Molly spends the summer imitating Ralph because she does not have anyone else to act as her mentor. When Ralph asks her what dirty words she knows, his name, too, is added to the list of "unforgivables." Molly's presence inhibits Ralph's male maturation. Therefore, the hunt for the mountain lion translates into a form of salvation for future Molly's as well as for Ralph. This novel is rich with symbolism. An appropriate novel for the secondary classroom that highlights such subjects as feminism, anorexia, and dysfunction in the family.
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5 of 5 people found the following review helpful By Janet K. Schwartzkopf on November 17, 2010
Format: Paperback Verified Purchase
I am constantly amazed at the caliber of books New York Review Books Classics finds to reprint, and "The Mountain Lion" didn't disappointment. For me, the book was all about the dualities of life: California versus Colorado, the city versus the wilderness, civilization and nature, childhood and adulthood, life and death. All of this is bolsterd by Stafford's writing style, or rather two styles, which further reinforce the conflicts within the story. And, just when I thought I had everything figured out, the ending blew me away. This was not necessarily an easy read emotionally, but well worth the time.
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3 of 3 people found the following review helpful By J. Smallridge on May 30, 2011
Format: Paperback
It didn't impress me much through the first 100 pages. There are moments of beautiful prose, but it often isn't sustained because the story drags. As the story progresses, however, it becomes better and better and the prose matches the intensity quite well. The ending is startling and had me thinking for days.
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