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The Mountain's Call (Luna)
 
 
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The Mountain's Call (Luna) [Paperback]

Caitlin Brennan (Author)
3.4 out of 5 stars  See all reviews (22 customer reviews)


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Review

". . . a blend of the classic coming-of-age story and an exhilarating romantic adventure." -- Romantic Time BOOKclub on The Mountain's Call

"The classic conflict between love and destiny is delineated sharply and purposefully, in a way that keeps the reader riveted." -- Romantic Times BOOKclub --This text refers to the Mass Market Paperback edition.

Excerpt. © Reprinted by permission. All rights reserved.

The Mountain floated over the long roll of field and forest. Even in summer its peak was white with snow. In early spring, when the grass had begun to grow green in the valleys, its summit was locked in winter.

There was a fire of magic in its heart, welling up from the deep roots of the earth. It bubbled like a spring from the white fang of the peak, and rippled in waves through the vault of heaven. The tides of time began to swirl and shift.

In the citadel on the Mountain's knees, the master of the Schools of Peace and War woke from a stranger dream than most. He stumbled from bed, flung open the shutters and peered up at the glow of dawn on the snowbound slopes.

Every spring the power rose; every spring the Mountain's Call went out, summoning young men to the testing. Every spring and summer they came, straggling in from the far reaches of Aurelia's empire, coming to claim the magic that they hoped was theirs. White magic, stallion magic. Magic of time and the gods.

This year's Call was different. How it was different, or what it portended, the master could not tell. The gods in their pastures, cropping the new green grass, would not answer when he asked. The Ladies in the high valleys, greater than gods, chose not to acknowledge him at all.

This was a mystery, that silence said. Even the master of the school must wait and see, and hope that when the answer came, it would be one that he could accept.

Valeria had been walking in a fog for days. Sometimes she wondered if she was ill. Other times, she was sure that she was losing her mind.

There was a voice in her head. It called to her with the sound of wind through pines. It whispered in the hollows of her skull. Come. Come to me.

She staggered on the path to the widow Rufo's house. Her mother's hand gripped her wrist and wrenched her upright.

The pain helped Valeria to focus. It was harder every day. Sometimes now she could barely see. She had to struggle to hear what people said to her. She thought she might be losing her mind altogether, except that there was a deep sense of rightness to it. She was meant to hear this call. She was meant to go--

"Valeria!" Her mother's voice cut through the fog of confusion. She blinked half-wittedly. She was standing in the widow Rufo's cottage. Her head just missed brushing the roofbeam.

"Valeria," Morag said. "Start brewing the tea." Valeria's hands knew what to do even when her wits were drifting away toward gods knew where. She dipped water from the barrel by the door and poured it into the kettle, then set it to boil on the hearth. The fire had burned too low. She whispered a Word. The banked logs burst into flame.

The widow Rufo's breath rattled. Morag spread a paste of pungent herbs over the bony chest and covered it with soft cloths. Herbs just as pungent steeped in the boiling water, brewing into tea. When it was strong enough, Morag coaxed it into her sip by sip.

Valeria squatted by the fire. It was full of visions. White mountains. White clouds. The toss of a white mane, and a noble head on a proud arched neck, turning to fix her with an eye as dark as deep water. The depths of it were full of stars. Come, said the white god. Come to me.

"She's getting worse."

Valeria lay in the wide bed with her three younger sisters. She was the innermost, with Caia's warmth on one side and the chill of the wall on the other. Her sisters were snoring on three different notes. They almost drowned out the murmur of their mother's voice on the other side of the wall.

"She can barely keep her mind on her work," Morag went on. "She started to say a birthing spell over Edwy's burned hand this morning--thanks to Sun and Moon I caught her in time, or he'd have sprouted a crop of new fingers."

Her father's laughter rumbled through the wall. Morag slapped him. He grunted. "There now," he said in his deep voice, roughened from years of bellowing orders on battlefields. "What was that for?"

"You know perfectly well what for," Morag said sharply. "Our daughter is losing her mind."

"If she were a boy," Titus said, "I'd be thinking it was the Call. I saw it a time or two when I was in the legion. One of the youngest recruits would get up one fine spring morning with his eyes all strange, pick up his kit and walk out of the barracks, and no one with any sense would try to stop him. Our girl's just about the same age as they were, and gods know she has a way with animals. Horses follow her like puppies. The way she taught the goat to dance--"

"She is not a boy," said Morag. "This is a spring sickness. There's magic in it, she stinks of it, but it is not--"

"What if it is?"

"It can't be," Morag said flatly. "Women aren't Called. She has a good deal more magic than she knows what to do with, and it's laid her open to some contagion off the mountains."

Titus grunted the way he did when he was not minded to argue with his wife, but neither was he inclined to agree with her. "You'd better cure her, then, if she's as sick as that."

"I'll cure her," said Morag. Her tone was grim. "You go in the morning, husband, and talk to Aengus. She likes that son of his well enough. There's time to make it a double wedding."

"I'm not sure--" said Titus.

"Do it," Morag said with a snap like a door shutting.

That was all they said that night. Valeria lay very still, trying not to touch either Caia or the wall. Caia would not be pleased at all, not after she had bragged to everyone about being the first of all four sisters to marry. She was a year younger than Valeria and the beauty of the family. Their father had not had to go begging for a husband for that one. Wellin Smith had asked for her.

Aengus' son Donn was unlikely to refuse Titus' eldest daughter. He had been trailing after Valeria since they were both in short tunics. He had an attractive face and decent conversation, and a little magic, which was useful in his father's mill. He could offer his wife a good inheritance and a comfortable living, even a maid if she wanted one.

It was a good match. Valeria should be happy. Her mother would cure her of these dreams and fancies. She would marry a man she rather liked, give him children and continue with her education in herb-healing and earth magic. When the time came, she would inherit her mother's place in the village, and be a wisewoman.

That was the life she was born to. It was better than most young women could hope for.

She was ill, that was all, as her mother had said. Because it was spring and she was coming to her sixteenth summer, and because she had listened hungrily all her life to stories of the Call and the white gods and the school on the Mountain, she had deluded herself into thinking that this bout of brain fever was something more. That was why she was dreaming in broad daylight and stumbling over her own feet, and feeling ever more strongly that she should take whatever she could carry and run away. She could not possibly be hearing the Call that had never come to a woman in all the years that it had been ringing through the planes of the aether.

Valeria slid from doubt and darkness into a dream of white horses galloping in a field under the white teeth of mountains. They were all mares with heavy bellies, and foals running beside them. The young ones were dark, black or brown, with the white of adulthood shining through.

They ran in wide sweeps across the green field.

The swoops and curves made her think of a flock of birds in flight. Augurs could read omens in the passage of birds, but these white horses could shape the future. They could make it happen. They were the moon, and time was the tide.

A voice was speaking. She could not see who spoke, or tell if it was a man's voice or a woman's. It came up out of the earth and down from the air. "Look," it said. "See. Understand. There is a prophecy--remember it. One will come of the pure line, true child of First Stallion and Queen Mare. That one will seal the bond of soul and spirit with a child of man. Together they shall be both the salvation and destruction of the people."

Words welled up, a flood of questions, but there was no one to ask. She could only watch in silence.

The mares and foals circled the field in a graceful arc and leaped into the sky, spinning away like a swirl of snow. Down on the field, a single pale shape stood motionless. The solid quarters and the heavy crest marked him a stallion, even before he turned and she recognized him. She had dreamed him once already.

He was young, dappled with silver like the moon. As massive as he was, he was somewhat soft around the edges. He was beautiful and perfect but still, somehow, unfinished. Come, he said as he had before. Come to me.

She woke in the dark before dawn, with the dream slipping away before she could grasp it. She was standing in the open air. The sky was heavy with rain, but it had not yet begun to fall. She was dressed in her brothers' hand-me-downs. They were faded and much mended, but they were warm. There was a weight on her back.

She remembered as if it had been part of her dream how she had slipped out of bed without disturbing her sisters. She had found the old legionary pack that her eldest brother Rodry had brought home on his last leave, and filled it with food and clothing, enough for a week and more. When she woke, she was filling a water bottle in the stream that ran underneath the dairy house.

Her face was turned toward the Mountain. It was too far away to see, but she could feel it. When she turned in the wrong direction, her skin itched and quivered.

The bottle was full. She thrust the stopper in and hung it from her belt. The sky was lightening just a little. She set off down the path from her father's farm to the northward road.

Her mother was waiting where the path joined the road. Valeria's feet would have carried her on past, but Morag stood in the way. When Valeria sidestepped, Morag was there. "No,... --This text refers to the Mass Market Paperback edition.


Product Details

  • Paperback: 464 pages
  • Publisher: Luna; First Edition edition (September 1, 2004)
  • Language: English
  • ISBN-10: 0373802102
  • ISBN-13: 978-0373802104
  • Product Dimensions: 7.8 x 5.1 x 1.3 inches
  • Shipping Weight: 12.6 ounces
  • Average Customer Review: 3.4 out of 5 stars  See all reviews (22 customer reviews)
  • Amazon Best Sellers Rank: #1,969,908 in Books (See Top 100 in Books)

More About the Author

I am a writer and also a breeder and rider of Lipizzan horses--and I write what I know. I live in Arizona on a mesa surrounded by mountains (and overlooked by a Mountain). My farm is home to a fluctuating population of magical grey horses; we have Lipizzan Weekends and Horse Camp for Writers (see http://capriole.smoe.org), which the horses regard as opportunities to be worshipped and adored.

 

Customer Reviews

22 Reviews
5 star:
 (9)
4 star:
 (2)
3 star:
 (3)
2 star:
 (5)
1 star:
 (3)
 
 
 
 
 
Average Customer Review
3.4 out of 5 stars (22 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

20 of 23 people found the following review helpful:
5.0 out of 5 stars A wonderful, intricate mind-rush, October 14, 2004
By 
Gray373 (London, United Kingdom) - See all my reviews
This review is from: The Mountain's Call (Luna) (Paperback)
I took a chance on this book based on the reviews here and on the RomanticSF website. I'm really glad I did. Having not read any Judith Tarr books I prepared to be pleasantly surprised, or at least place this in my 'to sell as a used book' pile.

Pleasantly surprised is not the half of it. From the very beginning one is drawn into an intricately shaped and wonderfully formed world where the magic of horses, power, inner strength and individuality in the face of adversity is approached from an intelligent, interesting and otherworldly viewpoint. There were times in the tale where I found myself wishing I could be Valeria for the day so I could experience this all first hand - the characters are that realistic and enjoyable to read.

At times, as non-prudish as I thought myself, the love and torture scenes were so well written and emphatically crafted into the story at such excellently timed points in the tale, that I was reminded in a positive eye-opening way that what I was reading was a very adult, but yet magical and powerful tale of fantasy - so different from some other fantasy tales, which are often de-sexed or de-clawed when it comes to the realities that some of the characters in the stories face. Don't get me wrong, this isn't pornographic or graphic in horror proportions. The 3rd person narrator just tells it like it is, but with such craftsmanship that you can't help but empathise with the characters' situation in the story. Excellently written.

Definitely a tale to read when you want to be drawn into a superbly crafted, magical, wonderfully intricate fantasy tale that will have you looking at the world quite differently when you have finished reading it. I look forward to the second book. Refreshing, interesting and a very good read. Highly recommended.
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22 of 26 people found the following review helpful:
1.0 out of 5 stars The Mountain's Call, March 21, 2005
This review is from: The Mountain's Call (Luna) (Paperback)
This book started out well but by page 200 I just wanted to strangle Valeria. She's sets off on her own against her mother's wishes. On the journey to the mountain, she's portrayed as a strong person and we're told about her loyatly to the country. On the journey and after she arrives at the mountain she's given reason to dislike/fear men and professes to hate them all. Yet she hops right into bed with both men who pay any attention to her, one of whom is a prisoner and "Barbarian Prince". Betray her? No problem give her a kiss. He "loves her", he's "just using her" no wait he "loves her" no wait... I'm pretty good at suspending disbelief but this book had so many glaring inconsistencies that I just couldn't stand it.
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16 of 19 people found the following review helpful:
1.0 out of 5 stars Thank goodness I only rented this book from the library..., February 21, 2007
By 
Before anyone gets confused, I am not Scott Whitelaw that is my dad, and I am a 18 year old girl.
I have no idea why this book got such a high rating. I usually give fantasy books a little bit of lee-way in their mistakes since it can be hard to create a unique world that doesn't echo our own too much. Not only is the world unimaginative, with places with names such as "The Mountain", but the character are unrelatable, the plot not fully explained or developed, and the dialogue can be stilted with gaps missing in the conversations that make following them confusing.
The main conflict of the novel is about a special dance that will determine the fate of the kingdom but the dance is not explained fully and I spent most of my time wondering what is was and why should I care.
The main character is bland and doesn't change much throughout the novel. She is almost 16 and seems to be addicted to sex. Don't get me wrong, I'm not averse to a few well written sex scenes in a book, but the author's scenes were brief, meaningless, and poorly written. Here is a short summary of the main character's love life. She is almost raped, then she meets a evil barbarian dude who she knows she shouldn't like but still thinks he's hot anyways so she has sex with him for every night for about 4 months. she is taken prisoner by said evil barbarian but she still has sex with him, multiple times, and apparently likes it. then she realizes that she is in love with her teacher who is years older than her and whom she hates with a passion for no reason that is ever explained in the book. she has sex with him twice even though he is on the brink of death. Then she has sex with the evil barbarian dude and still likes it and soo on and so on.
So in conclusion all I have to say is DON'T WASTE YOUR TIME. I actually finished the book after 3 weeks of putting it up and down and I wish I hadn't. It doesn't EVER get better.
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