Amazon.com Review
On the day Leandra and her brother-in-law Wim made love for the first time, Pammy, her sister and his wife, committed suicide. Ten years later, Wim, terminally ill from brain cancer, appears on Leandra's doorstep in North Carolina, hoping to die in her arms. In the hands of a lesser writer,
The Mourner's Bench might have ended up both melodramatic and sentimental; under Susan Dodd's careful pen, however, this tale of love, betrayal, and guilt overcomes its handicaps to become something more than the sum of its parts. Narrated in alternating chapters by the Southern-born Leandra and her New England paramour Wim, the story of Wim and Pammy's unhappy marriage, Pammy's difficult pregnancy, and the growing unspoken attraction between her younger sister and her husband unfolds, taking the reader back and forth in time as past events continue to intrude into present-day concerns. Wim might be dying, but the resounding aftershocks of Pammy's suicide have taught him and Leandra that gone does not necessarily mean forgotten. Indeed, the splicing of past and present brings Pammy back to life in a way, though her character is filtered through the memories of her sister and husband. Though death occupies the thoughts and actions of all three of the main characters, in the end,
The Mourner's Bench is more about the living than the dead. As Wim and Leandra use what little time they have left to lay the ghosts of the past, they realize at last that "love makes a jumble of it all," and that it's never too late to find forgiveness.
From Publishers Weekly
In her previous work, Dodd's most successful characters have been people of simple backgrounds living obscure lives. She depicted even the eponymous protagonist of Mawmaw, the mother of the notorious James boys, as a strong and stoic backwoods matriarch. She sets most of this new novel near Dismal Swamp, N.C., the home of Leandra, a young woman who fixes broken dolls, which she lines up on a (highly symbolic) mourner's bench in her one-room shack. Juxtaposed to that provincial community is the sophisticated background of 54-year-old Wim Cantwell, a teacher at an elite Massachusetts prep school. Wim and Leandra haven't seen each other since a sexual tryst 10 years earlier, after which they discovered that Pammy Jo, Leandra's sister and Wim's wife, had committed suicide. Now Wim comes to Leandra's cabin to spend his last days before he succumbs to a brain tumor. Dodd recounts this doomed love story in the alternate voices of the soft-spoken Southern countrywoman and the buttoned-down Yankee, emphasizing the cultural contrasts between them in terms of language, weather, food, architecture and social customs. A third factor enters their relationship when Wim is befriended by Branch Goodlin, Leandra's former beau, who has never stopped loving her. Together, Leandra and Branch help Wim to die. The emotionally charged tone of this account, and the prevalence of such words as "poignant," "melancholy" and "sorrowful" deprive the narrative of any ironic distance. There are echoes of Reynolds Price in Leandra's folksy talk, and even Edith Wharton's Ethan Frome comes to mind in Leandra's former role of caretaker to her invalid sister. But Dodd works her material distinctively, and her message of salvation through the power of love is moving.
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