Amazon.com: Moussorgsky: Pictures at an Exhibition; Night on the Bare Mountain [Hybrid SACD]: Modest Mussorgsky, Valery Gergiev, Vienna Philharmonic Orchestra: Music

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Moussorgsky: Pictures at an Exhibition; Night on the Bare Mountain [Hybrid SACD]
 
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Moussorgsky: Pictures at an Exhibition; Night on the Bare Mountain [Hybrid SACD] [Hybrid SACD - DSD, Import]

Modest Mussorgsky , Valery Gergiev , Vienna Philharmonic Orchestra Audio CD
3.7 out of 5 stars  See all reviews (3 customer reviews)


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Product Details

  • Orchestra: Vienna Philharmonic Orchestra
  • Conductor: Valery Gergiev
  • Composer: Modest Mussorgsky
  • Audio CD (August 12, 2003)
  • SPARS Code: DDD
  • Number of Discs: 1
  • Format: Hybrid SACD - DSD, Import
  • Label: Philips Import
  • ASIN: B000089CG9
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #519,685 in Music (See Top 100 in Music)

 

Customer Reviews

3 Reviews
5 star:    (0)
4 star:
 (2)
3 star:
 (1)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
3.7 out of 5 stars (3 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

2 of 2 people found the following review helpful:
3.0 out of 5 stars not as good as it should be, December 24, 2004
By 
J. T. Brown (Albuquerque, NM United States) - See all my reviews
(REAL NAME)   
This review is from: Moussorgsky: Pictures at an Exhibition; Night on the Bare Mountain [Hybrid SACD] (Audio CD)
while the SACD sound is very good and 'Pictures' sounds very lively, the other recordings on this disc sound bad. even with the SACD sound, it is as though the orchestra is playing in a room down the hall from the recording devices. now, just because the sound is good on 'Pictures' doesn't mean it is a good recording. the Reiner recording with the CSO is so much better than this, it makes me wonder why anyone would produce a recording if it could not compete with the Reiner/CSO recording. i never get the feeling while listening to this new recording that the orchestra is really into the music. it almost sounds rush an unrehearsed. perhaps i am just biased, but i would rather listen to the older Reiner recording than this newer one.
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1 of 1 people found the following review helpful:
4.0 out of 5 stars Another good Gergiev Release, October 9, 2003
By 
Alan Craig (Grand Junction,CO) - See all my reviews
(VINE VOICE)    (REAL NAME)   
This review is from: Moussorgsky: Pictures at an Exhibition; Night on the Bare Mountain [Hybrid SACD] (Audio CD)
This is the Hybrid SACD version of Valery Gergiev's recording of

Mussorgski's "Pictures at an Exhibition". Recorded with the

Vienna Philharmonic, instead of the Kirov Orchestra. The

performance is good, a little bit better than most, but then it

is hard to make too many mistakes with the Ravel orchestration.

All that is required is a good conductor and a good orchestra.

Gergiev and the VPO deliver good solid performances, and Phillips

delivers good sound as usual. I am only basing this on hearing

the CD portion of the disc, as I do not yet own a SACD player.

The other works are also performed well "Night on Bald Mountain"

gets a rousing performance as expected, but all the performances

sound good if a little too polished. I think I wanted a little

more risk taking on them. But all in all a good disc.

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4.0 out of 5 stars Good SACD surround - but too much from the rears?, April 17, 2004
By 
Alexander Leach (Shipley, West Yorkshire United Kingdom) - See all my reviews
(REAL NAME)   
This review is from: Moussorgsky: Pictures at an Exhibition; Night on the Bare Mountain [Hybrid SACD] (Audio CD)
I have enjoyed this hybrid SACD very much - but I feel it has one slight flaw which prevents it from being top notch.

The stereo SACD layer is as usual a slight improvement over the normal stereo CD layer - but the surround layer really opens out the sound giving much more presence and detail.

But I was always aware of the rear speaker channels, e.g. in Bydlo from the Pictures - whereas in the finest SACDs I have heard, like Uchida's Schubert Sonata D568 and Harnoncourt's Bruckner 9, the rears were brilliantly (but subtlely) used to give a real concert-hall feel - here you feel there are VPO musicians playing behind you a bit, which isn't really realistic in my opinion.

Perhaps it's significant that despite the DSD logo on the cover, this is a PCM 24 bit recording, while the very best SACDs use pure DSD.

But don't let me put you off, this is a very vivid and enjoyable SACD.

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