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11 of 11 people found the following review helpful:
4.0 out of 5 stars
Dreams Roll On, April 11, 2005
This review is from: Movement (Audio CD)
I was a huge fan of Joy Division and Public Image Limited in that time, and still love them. That said. I am a New Order fan. I was of the few in San Francisco that saw them at the I-Beam on the first sans Ian tour. They were touching. That said.
Strip them of their history and take this album as it is for the time it was released and even today, and still it holds as a very good set of songs about stretching across a blackened musical landscape of minor chords and sketchy guitar with guilt ridden vocals and the occasional dance-trippy melodies. Movement is a musical statement. It shows the now and the where to go of the later masterpiece, Power, Corruption And Lies. Movement is a gloomy record, but that's ok, the dark wave really did rejoice in it's melancholy and of course in it's layered sounds. Put this album next to PIL Metal BOX and Echo and the Bunneymens Heaven Up Here and you have a couple of dreamy hours into the netherlands of what was to become of Manchester and American Brit rock idolators. Great stuff, and a wonderful clarion call to what was to become the makings of the greatest dance single of all time from the darkness of Dreams Never End: Blue Monday. After the regrettabel suicide of Ian Curtis, who I hope has found some new incarntion better fitted to his damaged soul, New Order lifted spirits rathers than dampened them.
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8 of 8 people found the following review helpful:
4.0 out of 5 stars
Doubts Even Here, December 29, 1999
This review is from: Movement (Audio CD)
I watched New Order perform the content of this watershed album at Plato's ballroom in Liverpool - it was their first gig in the U.K. as New Order and they had just returned from New York where they had unveiled their metamorphic identity. The place was packed.....and dotted among the audience were the luminaries of the North West scene, from Pete Wylie, manic, high, through to Tony wilson, dry and smirking....svengali-like, knowing what he had. And suddenly there they were, legends already, Dreams Never End assaulting the thick smoky clubby atmoshere, fast, energetic - the link to the past, evoking memories of Transmission and Love Will Tear Us Apart....and Truth, the quirky drum machine....I forget the gig order now but they did the whole of this short album plus In A Lonely Place and Ceremony. For me this album remains a memory of something very special.... the crysalis stage of something that blossomed into a glorious freedom of expression. In some ways this is a tough listen - a bridge to the swirling, delirious Power Corruption and Lies from the sombre Closer. It does get waylaid in places, but the high points - The him, and the breathtaking Doubts Even Here are reminders of how these people reached out and made us all wonder about things which in our more cynical moods we would dismiss as pretentious nonsense....like how modern music can approach the soul, and be art.
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9 of 11 people found the following review helpful:
5.0 out of 5 stars
Ghosts, November 4, 2003
This review is from: Movement (Audio CD)
They might have goofed in front-loading their debut with the sprightly, catchy 'Dreams Never End'- -the rest of the album is pretty dour after such an auspicious beginning. It seems they couldn't make up their collective mind as to direction. Hence 'Dreams', which sounds like a hit single and, remarkably, like nothing in the Joy Division canon; the haunting 'Doubts Even Here', ostensibly the sequel to both 'Atmosphere' and 'In A Lonely Place'; and the sequencer-driven 'Chosen Time' which anticipates the follow-up POWER, CORRUPTION AND LIES and the direction the band would pursue throughout the 80s. Not surprising, really, as much of the material was probably written as Joy Division while Ian Curtis was alive and had to be finished without him. ('Ceremony', the debut single, was performed live with Curtis on JD's STILL.) A hint of cynicism concerning the band's audience pervades the album as well, though - - the vocals are treated in more than a few spots so as to mimic Curtis, most notably on 'Dreams Never End' and 'Doubts Even Here' in which Ian's ghost seemingly performs (it's actually Peter Hook). The band was definitely haunted by Curtis: his absence permeates the album. There are some great moments, to be sure - - aside from 'Dreams Never End', 'ICB' lopes merrily along and manages to transcend its own weight with its whoopy synth calls and ascending progression. And 'Doubts Even Here' is darkly beautiful. It's also rather aptly titled- -IS that Curtis? It isn't, but it's easy to imagine it isn't Hook, either. That's the thing about ghosts. They're there but they're not.
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