Moving On [Mass Market Paperback]

Larry McMurtry (Author)

Book Description

Publication Date: April 1, 1991

A republication of McMurtry's novel set in the aimless sixties and concerning a couple discovering adultery, drugs, and irresponsibility while following rodeo shows across the West.

Editorial Reviews

Review

The New York Times A novel of monumental honesty....Attention must be paid.

Los Angeles Times McMurtry can transform ordinary words into highly lyrical, poetic passages...He presents human drama with a sympathy and compassion that make us care about his characters in a way that most novelists can't.

The Boston Globe There aren't many writers around who are as much fun to read as McMurtry. He is precise and lyrical, ironic and sad.

Saturday Review A Texas-sized book...Mr. McMurtry is blessed with an absolutely solid sense of place. His backgrounds and scenic descriptions are inherent parts of his story, contributing as much to the novel as does the completely natural dialogue. --This text refers to the Paperback edition.

About the Author

Larry McMurtry is the author of twenty-nine novels, including the Pulitzer Prize-winning Lonesome Dove. His other works include two collections of essays, three memoirs, and more than thirty screenplays, including the coauthorship of Brokeback Mountain, for which he received an Academy Award. He lives in Archer City, Texas. --This text refers to the Paperback edition.

See all Editorial Reviews

Product Details

• Mass Market Paperback
• Publisher: Pocket (April 1, 1991)
• Language: English
• ISBN-10: 0671744089
• ISBN-13: 978-0671744083
• Product Dimensions: 6.6 x 4.1 x 1.7 inches
• Shipping Weight: 12.8 ounces
• Average Customer Review: 4.1 out of 5 stars  See all reviews (14 customer reviews)
• Amazon Best Sellers Rank: #2,427,577 in Books (See Top 100 in Books)

More About the Author

Larry McMurtry is the author of twenty-nine novels, including the Pulitzer Prize-winning Lonesome Dove. His other works include two collections of essays, three memoirs, and more than thirty screenplays, including the coauthorship of Brokeback Mountain, for which he received an Academy Award. His most recent novel, When the Light Goes, is available from Simon & Schuster. He lives in Archer City, Texas.

Customer Reviews

Most Helpful Customer Reviews

18 of 18 people found the following review helpful:

4.0 out of 5 stars In the mood. . ., March 13, 2004

By 

Ronald Scheer "rockysquirrel" (Los Angeles) - See all my reviews
(TOP 1000 REVIEWER)    (REAL NAME)   

This review is from: Moving On: A Novel (Paperback)

This is an early McMurtry novel, a long, rambling story with young Patsy Carpenter at the center of a large cast of characters that includes graduate students, ranchers, rodeo cowboys, a Hollywood writer, Haight-Ashbury hippies, and wealthy Texans - both new and old money. Written in the late 1960s, and published in 1970, "Moving On" is interesting for its attempt to capture the subtly shifting moods of its central characters instead of focusing on action and storyline. As page follows page, McMurtry describes his characters' feelings of self-assurance, annoyance, boredom, frustration, and sexual tension. And often moods degenerate into tears - Patsy's in particular.

There's more than a bit of Henry Miller in much of the novel, as characters attempt to match up their levels of sexual passion, often finding that they are rarely feeling the same thing for each other at the same time. Seduction is often unsuccessful or unsatisfying, a rendezvous full of romantic promise may turn into an argument leaving both parties exhausted. A pass made after several drinks at a party or over a milk shake at a soda fountain may elicit an exchange of bitterness and barbed recriminations. A married couple talks openly of their infidelities. A wife accuses her husband of being neglectful, while she routinely meets a colleague of his for sex.

For readers who like action and narrative development, this book will seem very slow going. For some, the many shifts of mood and ironies of thwarted intentions will make the story seem flat and the central characters unfocused. By contrast, the marginal characters, especially an old widowed rancher, a rodeo clown and his young barrel-racer girlfriend, and a teenage bronc rider spring from the page fully realized. A few scenes are pumped up with melodrama (a professor's wife breaks down in front of the girl her husband has tried to seduce; a champion rodeo cowboy refuses to accept that a ranch-owning woman he's been bedding is growing tired of him; a pregnant young woman is rescued from a drugged existence with a sinister boyfriend). But the most crisply vivid and emotionally honest scenes involve the death and burial of an old man in the nearly treeless prairie northwest of Dallas. They're simple and understated like the country folks who people these pages.

McMurtry says that this novel emerged from an image of a young woman in a car eating a melted chocolate bar. What follows that image is one thing after another, until we reach the end almost 800 pages later, and that same woman, now divorcing her husband, feels a kind of independence that may never surrender itself to another man. Some readers will find this ending worth the trip; others may find themselves, like McMurtry's characters, in a somewhat different mood.

9 of 9 people found the following review helpful:

5.0 out of 5 stars The first of McMurtry's Houston books ..., January 24, 1999

By A Customer

This review is from: MOVING ON: A Novel (Paperback)

To correct and amplify on some of the earlier reviews -- As Wagner's 'Ring' is a prologue followed by a trilogy, Larry McMurtry's Houston books are a trilogy followed by a epilogue -- in chronological order, 'Moving On', 'All My Friends Are Going to be Strangers', 'Terms of Endearment', and 'The Evening Star'. After McMurtry attended Texas Tech University, he went to graduate school in English at Rice University in Houston, where he lived and taught in the late '60s - early '70s. These novels are a perfect historical & sociological mirror of the time & place (I was there, too), but more than that they are stories of memorable, completely developed, fully complex characters lost between an old & mythical Texas of ranches & rodeos and the new urban Texas fueled by big money, real estate & oil. Is there a more memorable character than Patsy Carpenter in contemporary American literature? She cries a lot -- oh, does she cry -- but she cries because she is lost, alone & confused, and McMurtry never backs away from or softens his portrayal of her despair. We intimately know her family & friends, their loves, affairs, betrayals and kindnesses, and they quickly become believable, fully human, and known. This is a long book and, in musical terms, stays mostly between mezzo-piano & mezzo-forte -- short on dramatic plot development and cathartic climaxes. But 'Moving On' is a beautifully developed portrait of a group of almost-real people, and you will remember them for a long, long time.

8 of 8 people found the following review helpful:

5.0 out of 5 stars A Grand Achievement, September 22, 2003

By A Customer

This review is from: Moving On (Mass Market Paperback)

I am in the process of rereading Moving On and just checked Amazon for other readers' comments, which I found intriguing. I originally bought this book for two reasons: 1.)I'm a Larry McMurtry fan and 2.) I was interested in the rodeo aspects of the book. I was initially disappointed when Jim and Patsy left the rodeo circuit for the "desperation of suburban Houston," but I finished the book anyway. When I picked it up again recently, I intended only to reread the rodeo-related passages, and now (deep into the Houston section)I find I can't stop reading. McMurtry's creation of Patsy Carpenter is a grand achievement. Her endless crying aside, she is one of the most completely realized characters in contemporary literature. I can't think of any other novel that chronicles with such convincing precision the moment by moment emotional life of a single character. There are times, certainly, when I find her annoying, but she is also endlessly compelling. The other characters (Pete, Eleanor, Sonny)are a great added treat in the novel, but it is ultimately Patsy who impresses, and it is for the creation of her that we should consider Moving On one of McMurtry's best works. (P.S. to the earlier reviewer who gave the book a "lone star," what you say about the Waggoner ranch is very true. The descriptions are so beautiful that you want to move there (but then it functions as a kind of oasis in the book), and Roger is a touching character whose simple language belies great depth. McMurtry has created him with great affection.)