The past is not dead. It's not even past. - William Faulkner
In the days of slavery, before a black man could be elected president, Midway Plantation sat in all its antebellum glory on several hundred verdant acres of prime North Carolina countryside. But more than a century later, this searing emblem of the Old South has been swallowed up by the onslaught of modern civilization: highways, stripmalls and big box stores.
Now, Charlie Silver, a descendent of the man who built Midway, is determined to save the family home. To escape the urban sprawl, he decides to move the entire plantation several miles away, to a nice spot in a quiet field. And that's when Charlie and his relatives learn that some other descendents of the plantation -- descendents of slaves-- have a vested interest in Midway.
In MOVING MIDWAY, Charlie's cousin (and film critic-turned filmmaker) Godfrey Cheshire turns his camera on his family and the ensuing drama surrounding the move, as the two heirs of Midway past-- black and white-- are unexpectedly brought together for, shall we say, an interesting family reunion.
Critic's Pick! 'Extraordinarily rich. Takes up the agonies and ironies of Southern history with remarkable empathy, wit and learning.' --A.O. Scott, The New York Times
Tenderhearted, tough-minded, witty and wise, MIDWAY is moving indeed. --The Village Voice
[4 1/2 stars] Fascinating... a superbly crafted cinematic essay on the evolving South and a profound commentary on America's culture and its roots... a beautiful and poignantly personal film. --Alliance for Women Film Journalists