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Moving Pictures: Photography and Film in Contemporary Art
 
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Moving Pictures: Photography and Film in Contemporary Art [Hardcover]

Tacita Dean (Author), Rudolf Scheutle (Author), Christopher Williams (Author), Renate Wiehager (Editor), Henry Bond (Photographer), William Klein (Photographer), Thomas Ruff (Photographer), Cindy Sherman (Photographer), Sam Taylor-Wood (Photographer), Jeff Wall (Photographer), Lorna Simpson (Photographer), Ed van der Elsken (Photographer), Doug Aitken (Author), Matthew Barney (Author), Douglas Gordon (Author), Roni Horn (Author), Sharon Lockhart (Author), Mariko Mori (Author)


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Book Description

September 2, 2001
In recent decades, the border areas between photography and film have emerged as an important field of contemporary photographic art. Well-known practitioners include the American artist Cindy Sherman with her "Film Stills," a series of black-and-white self-portraits evoking film stills from the 1940s and 1950s both in form and content, and Sam Taylor-Wood, whose photographic panoramas-sometimes more than 30 feet long-forge interpersonal dramas from individual pictures, not unlike unrolled scrolls of film. With works by 40 international artists, this book is the first dedicated to a growing artistic fascination. Based on the observation that at the beginning of the 21st century the history of the moving picture is at an end and yielding fast to the reality of accelerated information, the book bridges the gap between the "classical" position of photography and contemporary work using the Internet and other technologies.

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Product Details

  • Hardcover: 240 pages
  • Publisher: Hatje Cantz Publishers (September 2, 2001)
  • Language: English
  • ISBN-10: 3775710507
  • ISBN-13: 978-3775710503
  • Product Dimensions: 9.4 x 6.6 x 0.7 inches
  • Shipping Weight: 1.6 pounds
  • Amazon Best Sellers Rank: #1,578,251 in Books (See Top 100 in Books)

More About the Author

Henry Bond is a writer, photographer, curator and visual artist.

In his Lacan at the Scene (Slavoj Žižek, series ed., Short Circuits, MIT Press, 2009), Bond made contributions to theoretical psychoanalysis and forensics.

In 1990, with Sarah Lucas, Bond organized the art exhibition East Country Yard Show, which was influential in the formation and development of the YBA art movement; together with Damien Hirst, Angela Bulloch and Liam Gillick, the two were "the earliest of the YBAs."

Bond's visual art tends to appropriation and pastiche; he has exhibited work made collaboratively with YBA artists including a photograph made with Sam Taylor-Wood and the Documents Series, made with Liam Gillick.

In the 1990s, Bond was a photojournalist working for British fashion, music, and youth culture magazine The Face. In 1998, his photobook of street fashions in London The Cult of the Street was published.

His Point and Shoot (Cantz, 2000), explored the photo-genres of surveillance, voyeurism and paparazzi photojournalism.

Bond was born in Upton Park, in East London in 1966. He attended Goldsmiths at the University of London, graduating in 1988, from the Department of Art, with fellow alumni Angela Bulloch, Ian Davenport, Anya Gallaccio, Gary Hume and Michael Landy--each of whom was to participate in the YBA art scene.

Bond attended Middlesex University in Hendon studying for an MA in Psychoanalysis, where he was taught by Lacan scholar Bernard Burgoyne. Bond was a research student at the University of Gloucestershire in Cheltenham Spa, England between 2004-07; he received a doctorate in 2007.

Bond teaches postgraduate photography, in the Faculty of Art, Design & Architecture, at Kingston University, in England.

From wikipedia.org retrieved 7 June, 2011-Creative Commons Attribution-ShareAlike License.

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