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18 of 21 people found the following review helpful:
5.0 out of 5 stars
Mozart at his best, June 16, 2000
This review is from: Mozart: Complete Solo Piano Works [Box Set] (Audio CD)
These interpretations of Mozart have been part of my library since I was 14, back in the 70's. Originally issued by Angel in the mid 50's, they were rereleased on Seraphim, which was then the budget label for Angel. Listening to these recordings, one cannot help but notice the attention Gieseking gives to the steady timing. He does not take the liberties that other pianists have been known to take with some music of this era. Is it any wonder that some musical purists consider these interpretations seminal? These CD's are a worthy addition to any classical library (although I can't help but reminisce about the fact that I paid $27.39 for the 11 record set when I bought it almost 30 years ago).
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3 of 4 people found the following review helpful:
4.0 out of 5 stars
Get Past The Sound - It's A Treasure, August 30, 2009
This review is from: Mozart: Complete Solo Piano Works [Box Set] (Audio CD)
Yes, they are old recordings, but that's part of the appeal. I've spent twenty years listening to the digitally recorded Mitsuko Uchida and Daniel Barenboim sets, so this took some getting used to for the fact that it's more distantly mic'd and with thinner frequency response, but after a few listenings as background music, they become light, lovely raindrops. A plus is that it includes works that are often neglected in sonata collections, like the little pieces Mozart wrote when he was five and six years old. This may not be your first choice unless you like to start with old recordings and move to newer ones, but if you are collecting more than one set, don't miss Gieseking.
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11 of 16 people found the following review helpful:
3.0 out of 5 stars
Full Price for a Boxset of Mono Records That Comes in 8, December 15, 2005
This review is from: Mozart: Complete Solo Piano Works [Box Set] (Audio CD)
There is an Amazon.com review (on Annie Fischer's Complete Beethoven Sonatas) which says Geiseking's Mozart are all "faceless and anonymous". As I don't really know when I will finish listening to them all, I am really in no position to say one way or the other.
After having heard more than half of them, my first impression is, his playing is very disciplined, yet with a lot of grace and style. But contrary to what one may expect, Geiseking could also be surprisingly slow in tempo at times. Yes, he could be poetic too, but he hardly swings. His 511, for instance, could perhaps be a little more poetic. His left hand, perhaps rightly so for Mozart, never thunders. But when the drama of the music requires so, it could be very explosive. Otherwise, his left hand is always at least one step down if not two, be it harmonic or polyphonic...
I don't refer to Geiseking's Mozart that often as I like his Songs Without Words better, and I like his Debussy even more. His Beethoven Piano Concerto No. 5 is one of the best that one could expect. Finally on the recording. For recording of the 50's with such a label concerning an artist of his stature, I'm afraid the sound quality is somewhat below expectation. All in all, I expect the price of these historic recordings to come down a bit for the benefit of all Mozart lovers.
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