Amazon.com: Mozart: Don Giovanni: Wolfgang Amadeus Mozart, Wilhelm Furtwängler, Vienna Philharmonic Orchestra, Anton Dermota, Cesare Siepi, Deszo Ernster, Elisabeth Grummer, Elisabeth Schwarzkopf, Erna Berger, Otto Edelmann, Walter Berry: Music

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Mozart: Don Giovanni
 
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Mozart: Don Giovanni [Original recording remastered]

Wolfgang Amadeus Mozart , Wilhelm Furtwängler , Vienna Philharmonic Orchestra , Anton Dermota , Cesare Siepi , Deszo Ernster , Elisabeth Grummer , Elisabeth Schwarzkopf , Erna Berger , Otto Edelmann , Walter Berry Audio CD
5.0 out of 5 stars  See all reviews (2 customer reviews)


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Product Details

  • Performer: Anton Dermota, Cesare Siepi, Deszo Ernster, Elisabeth Grummer, Elisabeth Schwarzkopf, et al.
  • Orchestra: Vienna Philharmonic Orchestra
  • Conductor: Wilhelm Furtwängler
  • Composer: Wolfgang Amadeus Mozart
  • Audio CD (January 10, 2006)
  • SPARS Code: ADD
  • Number of Discs: 3
  • Format: Original recording remastered
  • Label: EMI Classics
  • ASIN: B000BNV8E8
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #161,197 in Music (See Top 100 in Music)

Disc: 1
1. Don Giovanni, opera, K. 527: Sinfonia - Chor Der Wiener Staatsoper
2. Don Giovanni, opera, K. 527: Act 1. Scene 1. Notte e giorno faticar - Otto Edelmann
3. Don Giovanni, opera, K. 527: Act 1. Scene 1. Non sperar, se non m'uccidi - Otto Edelmann
4. Don Giovanni, opera, K. 527: Act 1. Scene 1. Lasciala, indegno!... Leporello, ove sei? - Various Artists
5. Don Giovanni, opera, K. 527: Act 1. Scene 1. Ma qual mai s'offre, oh Dei - Anton Dermota
6. Don Giovanni, opera, K. 527: Act 1. Scene 1. Fuggi, crudele, fuggi! - Anton Dermota
See all 22 tracks on this disc
Disc: 2
1. Don Giovanni, opera, K. 527: Act 1. Scene 4. Massetto, senti un po'! - Walter Berry
2. Don Giovanni, opera, K. 527: Act 1. Scene 4. Batti, batti, o bel Masetto... Guarda un po' - Walter Berry
3. Don Giovanni, opera, K. 527: Act 1. Scene 4. Presto, presto, pria ch'ei venga - Various Artists
4. Don Giovanni, opera, K. 527: Act 1. Scene 4. Tra quest'arbori celata - Walter Berry
5. Don Giovanni, opera, K. 527: Act 1. Scene 4. Bisogna aver coraggio - Various Artists
6. Don Giovanni, opera, K. 527: Act 1. Scene 4. Protegga il giusto cielo - Elisabeth Schwarzkopf
See all 22 tracks on this disc
Disc: 3
1. Don Giovanni, opera, K. 527: Act 2. Scene 3. Ah, ah, ah, questa è buona - Elisabeth Grummer
2. Don Giovanni, opera, K. 527: Act 2. Scene 3. O statua gentilissima - Elisabeth Grummer
3. Don Giovanni, opera, K. 527: Act 2. Scene 4. Calmatevi, idol mio! - Otto Edelmann
4. Don Giovanni, opera, K. 527: Act 2. Scene 4. Crudele? Ah no, mio bene! - Elisabeth Schwarzkopf
5. Don Giovanni, opera, K. 527: Act 2. Scene 4. Non mi dir, bell'idol mio
6. Don Giovanni, opera, K. 527: Act 2. Scene 5. Già la mensa è preparata
See all 13 tracks on this disc

 

Customer Reviews

2 Reviews
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Average Customer Review
5.0 out of 5 stars (2 customer reviews)
 
 
 
 
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27 of 29 people found the following review helpful:
5.0 out of 5 stars IT'S A GREAT ONE!, January 28, 2006
By 
L. Mitnick (Chicago, Illinois United States) - See all my reviews
(REAL NAME)   
This review is from: Mozart: Don Giovanni (Audio CD)
"Don Giovanni" is a very great, but difficult opera. It requires a charasmatic bass-baritone (or bass) for the title role, another equally great bass-baritone with a comic flair (for Leporello), two great leading sopranos for two very difficult roles (Donnas Anna and Elvira), a flawless lyric tenor (Don Octavio), and a pair of appealing younger singers for Zerlina and Massetto. It also doesn't hurt to have a sonorous Commandatore (a real bass)who can terrify Don Giovanni and take him to down at the end of the opera. This is an opera better left alone than presented even decently. The 1950's was a great time for Mozart singers, and many of them are right here on this live recording from Vienna in 1954. Cesere Siepi made the role of Don Giovanni his own and performed it many times (as well as on a commercial London recording which still is available). Elisabeth Schwarzkopf owned the role of Donna Elvira, and, in fact, can be heard on the EMI commercial recording made five years after this performance took place. Elisabeth Grummer was primarily a singer of the lighter Wagnerian roles, but her Donna Anna has power and passion. All of the other artists - Otto Edelmann, Erna Berger, Anton Dermota, Walter Berry, etc, were well known for their Mozart performances all through the decade. They mesh beautifully together in this performance, all under the exciting leadership of the legendary Wilhelm Furtwangler, who really finds the dramatic elements in this piece --- at the price of perhaps less emphasis on the lighter moments. Still, this is a towering performance, in excellent monophonic sound (yes, there are some stage noises, but no distortion or peaking). EMI has made it available at an incredibly low and wonderful price, and I can't see how anyone who loves Mozart would want to be without it under any circumstances. This is a great companion to the EMI Giulini set, and quite probably the superior of all the others.
It's a winner!
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10 of 10 people found the following review helpful:
5.0 out of 5 stars A great Don (except for the sound), June 27, 2007
This review is from: Mozart: Don Giovanni (Audio CD)
I have to agree with the previous reviewer that as an operatic production, this recording is superb. The only downside is the sound quality, which probably could not be helped; one must simply take it on faith that EMI did their best to re-master the original tapes (though I feel that they may have overdone the bass parts in some places). The singers are superb, and you can hear the stage effects, which gives the recording a charming immediacy. Anyone who has only heard only modern recordings of the opera, which emphasize "period" instruments and tempos, should be warned that Furtwängler did not feel obliged to stick to any one particular set of tempi - he varies the speed quite a bit, even within particular numbers, but this reflects an overall aesthetic conception of the opera which he formed over many years (this recording was made in 1954, the year of his death) and which fits together perfectly in its own way.
Moreover, like the previous reviewer, I am glad that EMI is releasing this set for a reasonable price, and it is a good companion to the classic Giulini set (although I would recommend other versions of the opera as well - even some of the "period" interpretations).
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