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Mozart: The Golden Years
 
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Mozart: The Golden Years [Paperback]

H. C. Robbins Landon (Author)
5.0 out of 5 stars  See all reviews (1 customer review)


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Book Description

April 3, 2006
"Telling the story with wit, verve, and a fine eye for the by-ways of Viennese society…will draw readers into Mozart's personality and attract them to the eternally ambiguous music."—The Observer

The last decade of Mozart's short but amazingly prolific career counts as one of the most remarkable periods—truly golden years—in the history of Western music. Richly illustrated with contemporary paintings and engravings and authoritatively written, this book provides a vivid account of the composer's life in the European music capital, Vienna, from 1781 to 1791. This creative yet turbulent decade witnessed a crescendo of activity. Mozart married Constanze Weber in 1782, and in the ensuing years produced an astonishing wealth of new music, rich in quality as well as quantity.

A host of immortal works belong to this period, among them the great trilogy of symphonies (numbers 39, 40, and 41), operatic masterpieces—The Marriage of Figaro, Don Giovanni, Cosi fan tutte, and The Magic Flute—and the Clarinet Concerto of 1791.

Through a close examination of Mozart's public successes and failures; his relationship with his father, Leopold; his devotion to his wife, Constanze; his Masonic associations; and his friendship with Franz Joseph Haydn, H. C. Robbins Landon provides an intimate and eminently readable portrait of an extraordinary musical genius. 242 illustrations, 32 in color.


Editorial Reviews

From Publishers Weekly

This well-illustrated volume by a noted musicologist ( 1791: Mozart's Last Year ) traces the great composer's decade in the Austrian capital; but, although authoritative, it seems made up of assorted bits and pieces culled from familiar sources as well as from recent research. Landon surveys Vienna's musical and social scene, analyzes Mozart's major works (especially his piano concertos and the key relationships in the operas), suggests that Mozart's manic depressive condition strongly influenced his compositions, and provides details about the New Crowned Hope masonic lodge to which Mozart belonged.
Copyright 1989 Reed Business Information, Inc. --This text refers to the Hardcover edition.

From Library Journal

Noted musicologist Landon builds on his earlier study, 1791: Mozart's Last Year (Macmillan, 1988), enlarging his scope to include Mozart's extremely productive last ten years. Whereas Volkmar Braunbehrens's recent Mozart in Vienna: 1781-1791 ( LJ 9/1/89) is a broad sociological study, Landon stays closer to the composer, his family, and his music. While there is some discussion of the music itself, the main interest is in the facts surrounding its creation and performance. Numerous interesting details cast a fresh new look at Mozart the person and his rapid success and eventual failure in Vienna. The result is a lavishly illustrated, informative, and very readable book.
-Timothy J. McGee, Univ. of Toronto
Copyright 1990 Reed Business Information, Inc. --This text refers to the Hardcover edition.

Product Details

  • Paperback: 272 pages
  • Publisher: Thames & Hudson (April 3, 2006)
  • Language: English
  • ISBN-10: 0500276315
  • ISBN-13: 978-0500276310
  • Product Dimensions: 9.9 x 7.5 x 1 inches
  • Shipping Weight: 2 pounds
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #537,006 in Books (See Top 100 in Books)

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3 of 3 people found the following review helpful:
5.0 out of 5 stars Very fine book, of a certain vintage, on Mozart's last 10 years, June 29, 2011
By 
G.C. (St. Louis, MO, USA) - See all my reviews
H.C. Robbins Landon was one of the leading scholars of his day on the music of Mozart and Haydn, and this book is a very fine example of his scholarship with the former, focusing on the last 10 years of Mozart's admittedly too-short life. For the most part, this book is definitely aimed at the "intelligent layperson" who may not necessarily have a strong technical background in music. It reads clearly on historical grounds, and readers can enjoy it for the coverage of the historical aspects alone. It does contain some relatively brief discussion of a more technical bent on Mozart's skill in composition, particularly in Chapter 8, covering the six quartets that Mozart dedicated to Haydn as well as a brief survey of Mozart's piano concertos. The book is copiously illustrated as well.

It must be admitted, however, that this book did appear originally in 1989, so that obviously any later scholarship by Robbins Landon and others must, by definition, be missing. Still, with that in mind, this makes a very substantial introduction for those who want to start to understand Mozart from that decade of 1781 to 1791.
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