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Mozart and Leadbelly: Stories and Essays
 
 
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Mozart and Leadbelly: Stories and Essays [Hardcover]

Ernest J. Gaines (Author), Marcia Gaudet (Author), Reggie Young (Author)
3.8 out of 5 stars  See all reviews (5 customer reviews)


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Book Description

October 4, 2005
In this collection of stories and essays, the beloved author of the classic, best-selling novel A Lesson Before Dying shares with us the inspirations behind his books, how he came to choose the vocation of a writer, the childhood in rural Louisiana that he continually re-creates in his fiction, and his portrayal of the black experience in the South.
Told in the simple and powerful prose that is a hallmark of his craft, these writings faithfully evoke the sorrows and joys of rustic Southern life. They begin with Gaines’s move to California at the age of fifteen to complete school. Missing the Louisiana countryside where he was raised by his aunt propelled him to find books in the library that would invoke the sights, smells, and locution of his native home. Gaines never agreed with the authors’ portrayal of black people: “either she was a mammy, or he was a Tom,” he explains in “Miss Jane and I.”

From that initial disappointment stemmed a literary career that has spanned forty years and includes five novels, which in the words of USA Today reviewer Suzanne Freeman have “made the smallest truths, the everyday sorrows of hard choices, add up to moments of pure illumination.” These are cherished and popular books like The Autobiography of Miss Jane Pittman, A Gathering of Old Men, and the 1993 blockbuster A Lesson Before Dying, which has sold more than two million copies around the world, won the National Book Critics Circle Award, and in 1997 was picked for Oprah’s Book Club. It has been continually selected for City Read programs and praised by critics as “an instant classic, a book that will be read, discussed and taught beyond the rest of our lives” (Charles R. Larson, Chicago Tribune). In the essay “Writing A Lesson Before Dying,” Gaines describes the real-life murder case that gave him the idea for his masterpiece.

Included here are short stories that transport us to the rural Louisiana of the 1940s and the influences that shaped him–most lastingly, the people and the places of Gaines’s own past. This wonderful collection of autobiographical essays and fictional pieces is a revelation of both man and writer.

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Editorial Reviews

From Publishers Weekly

The artist "must deal with both God and the Devil," notes Gaines in this illuminating collection of short stories and "talks" on literature. Born (1933) and raised on a Louisiana plantation, Gaines (A Lesson Before Dying) attended college in California and fell in love with the works of Chekhov, Turgenev and Joyce. When he began to write, he realized that "the Russian steppes sounded interesting, but they were not the swamps of Louisiana.... I wanted to smell that Louisiana earth,... sit under the shade of one of those Louisiana oaks," and, especially, write about "the true relationship between whites and blacks;about the people I had known." And while Mozart and Haydn might inspire, "neither can... describe Louisiana State Prison at Angola as Leadbelly can." In his essays, Gaines shows how he explored his cultural influences like a jazz musician playing around a note until he achieved an appropriate artistic form for the truths he wanted to tell. The short stories, most published decades ago, further demonstrate that artistry. Fans of Gaines will appreciate these intimate glimpses into his literary methods, while readers yet to discover his art will find this a fine introduction.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist

This collection of autobiographical essays and short stories offers a look at Gaines' development as an author, particularly his writing ofThe Autobiography of Miss Jane Pitman (1971) and A Lesson before Dying (1993). The first section includes essays detailing the impact of his childhood in Louisiana on his writing style and his sense of place in the world. He also offers insights into the exposures, experiences, and eclectic personalities that have produced an appreciation for culture along a wide spectrum--from Mozart to Leadbelly--that informs his writing. Gaines grew up writing letters for illiterate townfolk, in effect telling their stories, and later struggled in the military and in a one-room apartment in San Francisco to recapture the rhythms of life in Louisiana. The collection includes the first story written by Gaines, and stories of sexual awakenings, fidelity, and shifting relationships between young and old. Altogether, the collection vividly conveys the personal journey of a master storyteller. Vanessa Bush
Copyright © American Library Association. All rights reserved

Product Details

  • Hardcover: 192 pages
  • Publisher: Knopf (October 4, 2005)
  • Language: English
  • ISBN-10: 1400044723
  • ISBN-13: 978-1400044726
  • Product Dimensions: 8.5 x 5.6 x 0.9 inches
  • Shipping Weight: 12.8 ounces
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #1,132,055 in Books (See Top 100 in Books)

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Customer Reviews

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Average Customer Review
3.8 out of 5 stars (5 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

9 of 9 people found the following review helpful:
5.0 out of 5 stars One of my favorites, November 19, 2005
By 
This review is from: Mozart and Leadbelly: Stories and Essays (Hardcover)
Ernest Gaines is one of my favorite writers. I had moved to Nebraska to do a Ph.D. in philosophy, until one day at the public library I discovered Mr. Gaines' fiction. After reading Bloodline and A Lesson Before Dying, I dropped out of the doctoral program and started writing fiction.

And that's what I've been doing for the past four years: writing fiction. As I read and re-read Gaines' work, I was hoping he would publish a new novel or short story collection. So when I heard Mozart and Leadbelly was coming out, I was excited.

This new book is a collection of essays, interviews, and Mr. Gaine's early fiction (including his first published short story "The Turtles"). These essays are beautiful pieces of writing. Each one tells a different story, such as Gaines' early life as a boy from Louisiana, his college days in San Francisco, advice on writing, and much more. The interviews show Gaines in a more informal settings as he sits on his front porch in Louisiana discussing his favorite writers as well as other influences on his fiction (painters and composers). This is a fun book, and I have marked off several passages that have allowed me to crystalize what I'd been trying to say about writing but couldn't until I read this book.

Also, after reading Mozart and Leadbelly, you'll learn that Mr. Gaines is at work on a new novel, something his friends hope will be his next masterpiece.

Ernest Gaines is a fine writer, and it's amazing how simple and beautiful the language is. He has created a world all his own and his voice is unmistakable. This is a major accomplishment from one America's finest living writers.

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5 of 5 people found the following review helpful:
5.0 out of 5 stars A Gifted Writer Shares Some Insights And Stories, May 10, 2006
By 
Timothy Kearney (Haverhill, MA United States) - See all my reviews
(VINE VOICE)    (REAL NAME)   
This review is from: Mozart and Leadbelly: Stories and Essays (Hardcover)
I can still remember seeing THE AUTOBIOGRAPHY OF MISS JANE PITMAN on television in the early 1970's. I was in the fourth grade and for some reason, I was able to stay up and watch the entire movie which ended far past my bedtime. Maybe it was a holiday weekend or perhaps my parents were out of the house, I'm not sure which was the case but I vividly recall an elderly Cicely Tyson fearlessly walking up to a water fountain marked whites only and taking a drink. I was captivated by the power of this character. Fast forward to the late 1990's: I'm reading a book about an African American teacher in the pre-civil rights South. He's too ambitious to be in a classroom, yet teaching is the only job he can get that uses his talents. He's lonely, isolated, and is asked to bring some dignity to a man on death row. Once again I'm captivated. The character's name is Grant and he's the protagonist of the novel A LESSON BEFORE DYING. I'm not sure I have all that much in common with either Grant or Miss Jane, yet they are both memorable characters created by a gifted writer Ernest J. Gaines.

MOZART AND LEADBELLY is a book that is a gift to fans of Gaines' writing or people interested in how a writer creates a work. In this collection, Gaines tells how he created some of his most memorable characters and novels. The style of the writing is conversational and would be writers will find it informative. Teachers will also find it useful. Many schools now use A LESSON BEFORE DYING in the classroom, so it's the perfect guide to show how an author brings a work to life. Gaines also includes some shorter works and the stories are good, but the essays and the transcript of a panel discussion at the end of the book are what make the book a great resource and enjoyable read.

In one of the essays, Gaines states that all writer hope to be another Scott Turrow or John Grisham. Sales wise maybe, and if I ever get my novel completed and it sells like a Grisham or Turrow thriller, I'd be happy. If I was compared with Ernest J. Gaines, I'd be honored.
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2 of 2 people found the following review helpful:
5.0 out of 5 stars WHAT ARE YOU WAITING FOR?, October 21, 2009
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This review is from: Mozart and Leadbelly: Stories and Essays (Hardcover)
It is impossible to say that MOZART AND LEADBELLY is Ernest J. Gaines' best book. There is no sensible way to distinguish greatest from its source. Pick up A LESSON BEFORE DYING or any of the few but vivid and vital books written by Ernest J. Gaines. He is a writer with deep roots.
He writes about what is real, true and what will get us all eventually. His version of fiction is rich with history, maybe personal history, but certainly cultural history. His characters are people we know, cut out of his and our experience.
Don't wait to read Ernest J. Gaines. MOZART AND LEADBELLY, his most recent book, is a good place to start. A few good stories and a few personal essays, then go back down the trail of brilliant novels. Try, IN MY FATHER'S HOUSE. If that doesn't move you, check to see if you have a pulse. Enough said. If you can read and listen to the words, you won't be disappointed, especially if you would rather listen to Leadbelly instead of Mozart.
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