Mozart: Le Nozze Di Figaro [Box set]

Wolfgang Amadeus Mozart (Composer), Colin Davis (Conductor), John Constable (Performer), BBC Symphony Orchestra (Orchestra), Christina Clarke (Performer), Clifford Grant (Performer), David Lennox (Performer), Felicity Palmer (Performer), Ingvar Wixell (Performer), Jessye Norman (Performer), Lillian Watson (Performer), Maria Casula (Performer), Mirella Freni (Performer), Paul Hudson (Performer), Robert Tear (Performer), Yvonne Minton (Performer) | Format: Audio CD

Product Details

• Performer: John Constable, Christina Clarke, Clifford Grant, David Lennox, Felicity Palmer, et al.
• Orchestra: BBC Symphony Orchestra
• Conductor: Colin Davis
• Composer: Wolfgang Amadeus Mozart
• Audio CD (January 16, 1992)
• Number of Discs: 3
• Format: Box set
• Note on Boxed Sets: During shipping, discs in boxed sets occasionally become dislodged without damage. Please examine and play these discs. If you are not completely satisfied, we'll refund or replace your purchase.
• Label: Philips
• ASIN: B00000411L
• In-Print Editions: MP3 Download
• Average Customer Review: 4.6 out of 5 stars  See all reviews (9 customer reviews)
• Amazon Best Sellers Rank: #248,409 in Music (See Top 100 in Music)
  • #54 in Music > Classical > Opera & Vocal > Divas > Freni, Mirella
  • #55 in Music > Classical > Opera & Vocal > Divas > Norman, Jessye

Customer Reviews

Most Helpful Customer Reviews

9 of 9 people found the following review helpful:

5.0 out of 5 stars Excellent recording, February 17, 2003

By 

B. Bork (Ontario, Canada) - See all my reviews
(REAL NAME)   

This review is from: Mozart: Le Nozze Di Figaro (Audio CD)

A very well rounded recording with an exceptional amount of high moments and only a few lows. It has one of the best Act 2 finales I've ever heard, especially it's final portion (Marcellena's & co.'s arrival, etc.) which shows incredible clarity in orchestration and delightful passion on the part of the cast. Davis and his performers find an excellent balance between dramatic integrity, proportion of tempi and emotional output elevating this CD to a Mozartean Classic.

4 of 4 people found the following review helpful:

4.0 out of 5 stars An excellent recording, with some reservations, July 29, 2007

By 

Matteo Bueno "Music and book lover" (Kansas City, MO United States) - See all my reviews

This review is from: Mozart: Le Nozze Di Figaro (Audio CD)

Davis does a fine job with this recording, one of the best paced Figaros around (Solti and Giuilini are also very good). Freni is probably the best reason to buy this recording. Her Susanna is sung with a full lyric tone and excellent execution of the text. The second reason to buy this recording is the Contessa of Norman. It's certainly a part that one does not associate with her. In general, it's a success. I find her tone unusually oppulent for this role, but it works. If she seems overtly regal (a mannerism that I find true of most of her work), it's not a drawback in a role that is, after all, a countess. The gentleman are all good as well (and both fixtures in the also excellent Davis Don Giovanni with Arroyo, Te Kanawa and Freni as the women). An excellent first recording of this opera and a worthwhile addition to other interpretations of Nozze.

1 of 2 people found the following review helpful:

3.0 out of 5 stars Beautiful music-making -- brisk story-telling, March 5, 2009

By 

OperaCub "OperaCub" (New England, USA) - See all my reviews

This review is from: Mozart: Le Nozze Di Figaro (Audio CD)

I'd looked forward to owning this version (which must be my 10th Nozze recording, at least), based on the positive review in Opera on Records. It is musically very accomplished, and the theatrical aspect is carefully thought out and executed.

Ultimately I was disappointed by Davis's fast tempi through-out, which preempt the opportunities to express deeper emotions of anguish or vulnerability. It jogs along, literately and elegantly, but is rarely moving. Freni is very good, earthy, with a phrasing style that is not conventionally Mozartian. Ganzarolli is, for me, hard to like and musically a little casual in going from note to note. Norman puts so much effort into successfully reducing her massive voice to Mozartian proportions that she has little energy left for much else. Sometimes I could only marvel at "there's Jessye Norman sounding like a soubrette!", but she lost the core of the Countess's character in the process. Her sung Italian at that timewas not fluent. In fast music she's all consonants, in slow music all vowels (which makes the echoes in the Letter Duet sound as though Freni is translating Norman's beautiful, unclear utterances into recognizable Italian). They vocalize gorgeously, though. Minton is dull, Wixell is edgy (but so is Ganzarolli).

The subtitle of the piece is "la folle giornata," the mad day. This performance never adequately spills over into madness -- neither crazed joy nor tears. Very pretty listening, though. Instead, I'd recommend Krips, the impossible-to-find Leinsdorf, Boehm 3 (on DG), Giulini (brilliant humor, just over-engineered for my tastes), and especially de los Angeles and Reiner live from the Met in '52, and Pinza, Sayao, and Steber live with Breisach (better than Walter!) in '43 -- Now THAT's comedy!