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16 of 16 people found the following review helpful:
5.0 out of 5 stars
More Information-,
By Martin (Germany) - See all my reviews
This review is from: A Mozart Gala from Prague / Sharon Kam, Manfred Honeck, Czech Philharmonic Orchestra (DVD)
A MOZART GALA FROM PRAGUE
Don Giovanni: Overture, K.527 Concerto for Clarinet and Orchestra in A major, K.622 Symphony No.38 in D major, K.504 "Prague" Sharon Kam - basset clarinet Czech Philharmonic Orchestra / Manfred Honeck Recorded live at the Estates Theatre, Prague, 27 January 2006 Mozart Year 2006 The Czech Philharmonic Orchestra under the baton of Manfred Honeck perform the most famous compositions by W.A. Mozart related to Prague: Overture to Don Giovanni, Prague Symphony and the Concerto for Clarinet and Orchestra. With the excellent Sharon Kam on the clarinet - since emerging as the most exciting young clarinetist on the international scene when she won the top prize at the Munich (ARD) International Competition, she has performed with many renowned orchestras all over the world. The Prague Estates Theatre is one of the most beautiful historical theatres in Europe. Part of its charm, magic and value lies in its historical significance, from the career of Mozart to modern times. In 1787 Mozart conducted here the premiere of "Don Giovanni", in this theatre Mozart's friend and inspiration, the clarinetist Anton Stadler, premiered the clarinet concerto in 1791 Brand new recording - state-of-the-art quality 5.1 surround sound in Dolby Digital and DTS Widescreen 16:9 ratio "Sharon Kam is a most imaginative and individual artist, using the widest tonal and dynamic range, and with a very sure technique, with every note clearly in place" The Gramophone Magazine
14 of 14 people found the following review helpful:
5.0 out of 5 stars
Mozart played beautifully on his 250th birthday,
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This review is from: A Mozart Gala from Prague / Sharon Kam, Manfred Honeck, Czech Philharmonic Orchestra (DVD)
This performance was recorded on 27 January 2006, Mozart's 250th birthday, as part of the 24hours Mozart broadcast. The DVD is billed as a Mozart Gala from Prague. Filmed in the gorgeous Estates Theatre: its walls and seats covered in green damask and gold filigree, it is a petite theatre featuring a classic 18th Century shoebox configuration and a ceiling that reaches towards the heavens. Its sound is stunning in its purity. Before the science of Acoustics was born, theatre designers had already reached perfection. Mozart loved this theatre and this city ("They understand me here", he wrote of Prague) and he reciprocated by composing many of his greatest late masterpieces to be premiered in this very theatre.
The overture to Don Giovanni K.527 fittingly begins this disc. Don Giovanni premiered in here on 29 October 1787, conducted by Mozart himself. It was an immediate sensation, providing Mozart with a feeling of satisfaction that eluded him in Vienna. Next comes Mozart's seminal Concerto for Clarinet and Orchestra in A major K.622. Representing a new depth of thinking and expression for the concerto genre: with its intimate musical dialog, its melancholy lyrical elegance and emotional profundity, the Clarinet Concerto, though the first of its kind, remains the paradigm of this medium. Sharon Kam plays the Basset Clarinet; an instrument developed by Mozart's close friend, the superb clarinettist Anton Stadler and Stadler's brother, Johann. The basset clarinet has a range extending a minor third below the normal clarinet. Stadler played the basset clarinet for the premier of the concerto on 16 October 1791, a mere 7 weeks before the composer's death. Today, it is usually played in a version for the clarinet in A, with the lowest notes transposed up an octave. The original score was lost so Kam plays a reconstruction. She extracts an astonishing warmth of tone and a wealth of supple effects of register from the instrument. It is an eye-opening performance for those of us used to the traditional A clarinet version. Ms. Kam is splendid, as are the Czech Philharmonic Orchestra under Manfred Honeck. They exhibit a lovely, understated purity of orchestral sound and a simple lyrical expressiveness: as authentic a Mozart performance style as is possible given the provenance of these works. It is a marvelous performance. The disc ends with the Symphony No.38 in D major K.504 "Prague". It, too, was first performed in this theatre on 19 January 1787, during Mozart's first trip to the city. It was a great success. Although it is unclear for what occasion it was originally composed (it may have been meant for Mozart's 'bottom drawer' to be utilized for one of his concert tours). It is unusual for lacking a 3rd movement minuet. Nevertheless, it is inextricably linked with the city whose name it bears. This is a splendid performance. I hated to see this superb DVD end. This DVD has a picture format of NTSC shot wide screen in 16:9 anamorphic. The picture is crystal clear. Sound formats are PCM stereo, Dolby Digital 5.1 and DTS 5.1 Digital Surround. All are splendid with both Dolby and DTS providing great spatial depth and a fine rear ambiance. The region code is 0 worldwide. The disc runs 66 minutes. Wonderful Mozart from Prague makes this DVD highly desirable. Strongly recommended. Mike Birman
7 of 7 people found the following review helpful:
5.0 out of 5 stars
A Gala on Mozart's Actual 250th Birthday in a City He Loved ...,
By J Scott Morrison (Middlebury VT, USA) - See all my reviews (TOP 50 REVIEWER) (VINE VOICE) (HALL OF FAME REVIEWER) (REAL NAME)
This review is from: A Mozart Gala from Prague / Sharon Kam, Manfred Honeck, Czech Philharmonic Orchestra (DVD)
... and which loved him. Prague.
The concert consists of three pieces written and premiered in Prague and takes place in the actual theater where Don Giovanni was premiered, a gorgeous green and gilt four-tier box. (I recently read an interview with Sherrill Milnes, who sang the Don in that very theater, and he commented that it practically gave him heart failure to climb the spiral staircase to the dressing rooms knowing that they had not been changed since Mozart's day and that Mozart must have climbed those very stairs.) The Don Giovanni Overture is given a dramatic yet crisp performance by the slimmed down Czech Philharmonic under Manfred Honeck, a Viennese maestro about to begin his tenure as the music director of the Stuttgart Opera. Then comes one of the greatest concertos for any instrument, the magnificent Clarinet Concerto in A, K. 622. Sharon Kam, a rising star of the clarinet, an Israeli whom I first heard a year or so ago on a DVD with the Israel Philharmonic. I recall making a note to follow her career. And here she is, playing not the usual A clarinet but a basset clarinet which is after all the instrument that Mozart actually wrote this concerto for. It has three additional bass notes down to the C below middle C and Mozart used them in the piece; those playing the standard A clarinet have to play some of those notes an octave up. I've become used to the basset clarinet version and much prefer it. Kam, an attractive young woman, is a marvelous musician as well as having technique to spare. Her playing is supple and fluid but not wanting for fireworks when needed. She is matched by the unusually nuanced playing of the Czech Philharmonic (which, I note, has no female players in its pared-down 35-member form). The 'Prague' Symphony, No. 38 in D, K. 504 -- also premiered in this theater only a few months after Don Giovanni -- is one of my favorite Mozart symphonies and I'm very particular about how it is done. It must, as it does here, have drama and grace in equal measure. It is in three movements, having no minuet, and it is in Don Giovanni's dominant key - D major - with many thematic similarities without, as far as I know, any direct quotations. The Czech Philharmonic play as to the manner born. One can see on their faces that they love this music. The subtle gradations of dynamic and tempi feel natural and perfectly right for the music. I love this performance. The DVD is only 66 minutes long but I found that it was enough. I will admit, though, that after it finished I then went back and listened to several passages again (the concerto's Adagio, the whole of the Giovanni overture, the Andante of the symphony), reveling in their beauty. This one's a keeper. Scott Morrison
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