- Get $1 in Amazon MP3 credit with qualifying purchase. Limited to one promotional credit per customer. Here's how (restrictions apply)
| |||||||||||||||
Product Details
Would you like to update product info or give feedback on images?
|
| 1. Requiem |
| 2. Kyrie |
| 3. Dies Irae |
| 4. Tuba Mirum |
| 5. Rex Tremendae |
| 6. Recordare |
| 7. Confutatis |
| 8. Lacrimosa |
| 9. Amen |
| 10. Domine Jesu |
| 11. Hostias |
| 12. Sanctus |
| 13. Benedictus |
| 14. Agnus Dei |
| 15. Lux Aeterna |
| 16. Cum Sanctis Tuis |
|
Share your thoughts with other customers:
|
||||||||||||||||||||||
|
Most Helpful Customer Reviews
33 of 33 people found the following review helpful:
5.0 out of 5 stars
Great Mozart Recording and Great Patriotic Tribute,
By
This review is from: Mozart - Requiem / Gauvin · Lemieux · Tessier · Berg · La Chappelle de Québec · Les Violons du Roy · Labadie (Revised and Completed by Robert D. Levin) (Audio CD)
Of the three recordings I know of the Levin completion of Mozart's Requiem (the others being MacKerras and Pearlman) this particular one has to be the most convincing to me.It is understated but still appropriately weighty. A live recording commemorating the World Trade Center/Pentagon disaster of September 11th, 2001, Labadie's rendition really does pack an emotional punch than most recordings currently on market. Unlike the Pearlman recording, this present one is done on modern instruments although the dynamic featured Violons du Roy play in period style-- crisp, pure, without vibrato. It really makes this one unique. For example, listen to the fugue, "Quam olim Abrahe" as the violins place that stacatto on the first and third beats of their baroque-inspired ostinatos. It is not often that a recording of Mozart's Death Mass sound as new and fresh as this. The soloists are likewise excellent. The Levin completion is second my favorite (my absolute favorite being the Duncan Druce reworking). Druce's changes might be over-the-top for many listeners, but to most, Levin's is the closest to perfection as one can get. While I like Druce's completion of the Benedictus far more (it sounds like real Mozart!), Levin's is just fine. His "Amen" fugue is also the most satisfying. I would reccommend both this recording and the one under the baton of MacKerras. The Pearlman might sound to light and airy for many (the ending to the Kyrie is far to fast.) I would also urge you to listen to the only recording of the Druce version under Roger Norrington on the Virgin Verital label, although the tempi could use slowing in some parts, it is still a very engaging listen.
18 of 19 people found the following review helpful:
5.0 out of 5 stars
The 911 Requiem,
By Steven Yu (Sydney, Australia) - See all my reviews
This review is from: Mozart - Requiem / Gauvin · Lemieux · Tessier · Berg · La Chappelle de Québec · Les Violons du Roy · Labadie (Revised and Completed by Robert D. Levin) (Audio CD)
This Mozart Requiem revised and completed by Robert D. Levin was performed just a week after the 911 WTC attack in NYC. The feelings you get while listening to this live recording is unreal as image of the attack flash back at you. I have played this recording over and over ever since it came out.The music is wonderful recorded; with the support of the HDCD the sound dynamic is great. The revise version shows the possible ending that Mozart was heading during his writing of this master piece, Levin have used the material from Mozart's masses as a reference during his rescoring. With the help of authentic musical instruments, I believe this is the only recording that can compete with the long famous recording done by Christopher Hogwood.
6 of 6 people found the following review helpful:
5.0 out of 5 stars
Excellent,
By
This review is from: Mozart - Requiem / Gauvin · Lemieux · Tessier · Berg · La Chappelle de Québec · Les Violons du Roy · Labadie (Revised and Completed by Robert D. Levin) (Audio CD)
I didn't know what I was missing. The orchestral playing and the soloists are so clear in this recording that I can't go back to any of my old recordings. For example, listening back to my old Vienna/Solti recording (which used to be my preferred recording) some of the melodic lines are muddled in favor of a larger, fuller and more Romantic sound. The textures are thinner here (due both to playing and some re-orchestration by Levin), and it works to outstanding effect. One can really hear the MOZART in the Introitus and Sequenz.
As for Levin's reworking of Süssmayr's awkward parts I have to say the Lacrimosa is much more satisfying, and what follows is more logical and coherent. I'd say this is the best we are going to get without having Mozart himself finish it.
Share your thoughts with other customers: Create your own review
|
|
Tags Customers Associate with This Product(What's this?)Click on a tag to find related items, discussions, and people.
|
|
This product's forum
Active discussions in related forums
Search Customer Discussions
|
Related forums
|