Product Details

• Actors: Leonard Bernstein, Jerry Hadley, Marie McLaughlin, Maria Ewing, Cornelius Hauptmann
• Format: Digital Sound, Classical, Color, DTS Surround Sound, Subtitled, NTSC
• Language: Latin (DTS 5.1), Latin (PCM Stereo), Unknown (DTS 5.1), Unknown (PCM Stereo), English (Dolby Digital 5.1)
• Subtitles: Chinese, English, French, German, Italian, Spanish
• Region: All Regions
• Aspect Ratio: 1.33:1
• Number of discs: 1
• Rated: NR (Not Rated)
• Studio: Deutsche Grammophon
• DVD Release Date: January 9, 2007
• Run Time: 69 minutes
• Average Customer Review: 4.5 out of 5 stars  See all reviews (6 customer reviews)
• ASIN: B000I8OFK0
• Amazon Best Sellers Rank: #42,715 in Movies & TV (See Top 100 in Movies & TV)

Editorial Reviews

MOZART:REQUEIM - DVD Movie

Customer Reviews

Most Helpful Customer Reviews

30 of 31 people found the following review helpful:

5.0 out of 5 stars A Late Mozart-Bernstein Masterpiece, January 23, 2007

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B. Stockwell (San Francisco, California United States) - See all my reviews
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This review is from: Mozart - Requiem (DVD)

I am a Bernstein fan but I usually find his late-period performances drawn out in a way that didn't necessarily bring out anything in the music. His slower-than-Furtwangler approach sometimes meant doing something TO the music rather than WITH it. In this case, in the Mozart Requiem (in the edition by Franz Beyer), his late tendencies work. Or, more likely, he simply reins things in more. (This performance was released on CD years ago and you can head over to those reviews and read every sort of adulation and criticism.) It is a powerful interpretation and appears to be very spontaneous - sometimes Bernstein pauses between sections; other times, he plunges into the next section. Although this is not a period performance, he does not use a huge chorus. It is a very measured, personal and gripping performance, extremely emotional but not infuriatingly so. The setting of this performance is a wonderful church in Bavaria. Bernstein makes his entrance and there is no applause. (Either the audience was asked not to cheer before the performance of the Requiem or the setting/occasion discouraged applause.) Similarly, there is no applause at the conclusion of the work. Instead, we hear church bells tolling as Bernstein quietly exits without much fuss. His "Lenny" persona is nowhere to be seen. He died two years following this July 1988 performance, nine months after his Berlin performance of the Beethoven Ninth, a performance that is almost painful to watch. In the Requiem, we see him still strong (relatively), although there are none of the podium mannerisms that were his trademarks. He is an old man near the end of his life - he understands the meaning of a requiem beyond its musical value. A compelling extra feature on this DVD is a short introduction by Bernstein. He reads - in German and with little dramatic empasis - a letter written by Mozart to his father. The letter explains his - Mozart's - happy life but also his awareness of the shortness of life. The letter sets out very concisely part of Mozart's character. He was a vibrant young genius who nonetheless was deeply aware of the impermanence of everything. To hear Bernstein's deep old man's voice reading these young man's words is a small revelation. Here, Bernstein seems to be indicating, is a young man with his life ahead of him and yet thinking of death as inevitable and he does this without a trace of self-pity, terror, or irony.

Bernstein, of course, sees himself in this work but he does not aggressively act it out or overpower it. He does not meddle with the music. It's not going to be to everyone's taste - this performance is, after all, a Bernstein performance. Yet, there is much more Bernstein than "Lenny" here. It is a defining, almost valedictory, performance, one that, if I were doing a documentary film about either Mozart or Bernstein, I would end with.

4 of 4 people found the following review helpful:

5.0 out of 5 stars Great late Bernstein, August 7, 2009

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T. Fisher - See all my reviews
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This review is from: Mozart - Requiem (DVD)

This old Unitel production from German television in 1988 is, as far as I'm concerned, one of the real highlights of the late period of Leonard Bernstein. It is more measured, and less sentimental, than many late Bernstein pieces -- although don't get me wrong, I actually love the sentimentality of his late conducting. But this one is different, it is a solemn and powerful reading that manages to be very emotional without exaggerated sentiment.

Bernstein uses the Beyer edition of the Requiem, a revision of the traditional Sussmayer completion of Mozart's unfinished score to make it more "Mozartian". The tempi are slow, which is not much of a surprise for late Bernstein. The main program on the DVD has a runtime of about 64 minutes, of which the actual performance is roughly 58 minutes, once you take out a (sort of strange) one-minute break in the middle. Compare this to Harnoncourt's performance of the Beyer edition, which clocks in at just 49 minutes or so. Still, the slowness is not cumbersome, but effective in this performance.

Bernstein dedicated this performance to his deceased wife, as he says in his touching German-language spoken introduction to the piece. I'm a bit skeptical because she had died ten years before the performance. Since Bernstein himself died just two years after the recording, it is tempting to look on this performance more as his own reflection on mortality than a tribute to his wife. This is indeed the feeling I got at the end of the performance, when Bernstein kisses the four solo vocalists and then disappears into the offstage darkness in silence (the audience must have been instructed not to applaud). It had the look and feel of a departure, and was actually quite moving.

The stereo sound is beautiful, and a 5.1 mix is also included on the DVD although I have not heard it. My only problem with the sound was the organ, which kind of distracted me a couple of times as it sounded like it was just hanging out by itself somewhere in the distance on the right channel, almost as if we were hearing the organ from the church next door.

The video looks, well, like it's from German television in 1988. But the church is spectacularly baroque, and the performance by the Bavarian Radio Symphony Orchestra and Chorus is terrific. Highly recommended!

4 of 4 people found the following review helpful:

5.0 out of 5 stars A unique Mozart Requiem, June 1, 2009

By 

Gerhard P. Knapp "gpk" (Forest Grove, OR, United States) - See all my reviews
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This review is from: Mozart - Requiem (DVD)

Leonard Bernstein dedicated this performance to the memory of his late wife, the actress Felicia Montealegre. It was recorded during two concerts in July 1988 in the beautiful St. Mary's Cathedral in Diessen at the Ammersee and has been available as a CD since 1989. The DVD's bonus has the conductor present, as an introduction to the work, a deeply felt reading (in German) of a letter by Mozart to his father dealing with the subject of death and its serene acceptance. Bernstein uses the Franz Beyer "completion" of Mozart's unfinished mass. His tempi are predominantly slow, accents are sharp, and the excellent Bavarians, both orchestral and chorus musicians, achieve a high level of transparency despite the reverberant church acoustics. Bernstein's reading of the score is neither "romantic" nor "authentic": it is unique in its uncompromising, searing intensity. The four soloists are outstanding. All in all, this may not be your one and only performance of the Requiem, but it is immensely moving and it will stay with you. Get it while you can.