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| Disc: 1 |
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| 1. Symphony No. 40 in G minor, K. 550: I. Molto Allegro |
| 2. Symphony No. 40 in G minor, K. 550: II. Andante |
| 3. Symphony No. 40 in G minor, K. 550: III. Menuetto: Allegretto |
| 4. Symphony No. 40 in G minor, K. 550: IV. Allegro assai |
| 5. Symphony No. 41 in C major ('Jupiter'), K. 551: I. Allegro vivace |
| 6. Symphony No. 41 in C major ('Jupiter'), K. 551: II. Andante cantabile |
| 7. Symphony No. 41 in C major ('Jupiter'), K. 551: III. Menuetto: Allegretto |
| 8. Symphony No. 41 in C major ('Jupiter'), K. 551: IV. Molto allegro |
| Disc: 2 |
| 1. Conductor's Guide to Mozart (Discussion): Mozart's Life |
| 2. Conductor's Guide to Mozart (Discussion): Guide to the Symphony No. 40, K. 550: Movement I |
| 3. Conductor's Guide to Mozart (Discussion): Guide to the Symphony No. 40, K. 550: Movement II |
| 4. Conductor's Guide to Mozart (Discussion): Guide to the Symphony No. 40, K. 550: Movement III |
| 5. Conductor's Guide to Mozart (Discussion): Guide to the Symphony No. 40, K. 550: Movement IV |
| 6. Conductor's Guide to Mozart (Discussion): The mystery of the final trilogy |
| 7. Conductor's Guide to Mozart (Discussion): Guide to Symphony No. 41, K. 551: Movement I |
| 8. Conductor's Guide to Mozart (Discussion): Guide to Symphony No. 41, K. 551: Movement II |
| 9. Conductor's Guide to Mozart (Discussion): Guide to Symphony No. 41, K. 551: Movement III & IV |
| 10. Conductor's Guide to Mozart (Discussion): Mozart's last years |
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Most Helpful Customer Reviews
3 of 3 people found the following review helpful:
5.0 out of 5 stars
Forceful Fortieth,
By
This review is from: Mozart Symphony No. 40, Symphony No. 41 "Jupiter" (Audio CD)
This is my absolute favorite performance of Mozart's famous 40th Symphony and the recording is a legendary one from the beginning days of the CD era. Originally packaged as part of the Delos Digital Master Series, this recording features a youthful (aged 34) Gerard Schwarz conducting the Los Angeles Chamber Orchestra on modern instruments, but in a forceful interpretation that is both tasteful and conscious of the period-instrument performance boom of the Eighties. The performance strikes a nice balance between the overly Romantic interpretations of folks like Solti and Karajan and the somewhat stodgy non-vibrato intepretations of the Roger Norrington camp. The tempos are well-chosen -- not too fast, not too slow. The new repacking makes it look like a cheesy "best hits of Mozart" budget CD but the originally Delos CD was considered top of the line in 1983.
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