Most Helpful Customer Reviews
17 of 18 people found the following review helpful:
5.0 out of 5 stars
Crystal clear recording and my favorite opera disc, May 23, 1999
By A Customer
This review is from: Mozart - Die Zauberflöte / Mannion, Dessay, Blochwitz, Scharinger, Hagen, Les Art Florissants, Christie (Audio CD)
This performance is very involving; the period instruments have an unusually warm sound, but retain their clarity. The sopranos do not shriek excessively, as is the case with many larger-scale performances. I never liked opera until I heard performances like this; the singing is sweet, pure, enthusiastic. The sound quality is excellent; warm, detailed, somewhat dry--but it suits this performance perfectly.
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19 of 22 people found the following review helpful:
5.0 out of 5 stars
Dear Tony..., October 28, 2003
This review is from: Mozart - Die Zauberflöte / Mannion, Dessay, Blochwitz, Scharinger, Hagen, Les Art Florissants, Christie (Audio CD)
You are right, Natalie Dessay sings the Queen of the Nights aria a semi-tone lower. In fact, the whole opera is a tone lower. It is recorded on Authentic instruments, which were tuned a semi tone lower in mozarts day than they are now. Therefore almost all pieces recorded on baroque instruments are a semi-tone lower. I think the recording is masterful. Semi tone lower or not...
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6 of 6 people found the following review helpful:
5.0 out of 5 stars
One of the best Die Zauberflöte ever recorded, January 2, 2006
This review is from: Mozart - Die Zauberflöte / Mannion, Dessay, Blochwitz, Scharinger, Hagen, Les Art Florissants, Christie (Audio CD)
This is a wonderful recording. William Christie brings to Mozart all the finesse and class he brought to the French repertoire. The musicians of Les Arts Florissants make the most marvelous sounds, this is orchestral playing of the highest order. All the singers are excellent, but it is the Tamino of Hans Peter Blochwitz that stands out, he is quite simply exquisite: his lyrical, liquid, gorgeous voice is a wonder. Rosa Mannion as Pamina is good, but nowhere in the class of Blochwitz. Anton Scharinger repeats his dutiful Papageno (he and Blochwitz recorded the same roles for Harnoncourt on TELDEC) and he is good, but more charm would had been welcome. Dessay as the Queen of the Night is accurate and needless to say, spectacular, but a more dangerous presence would have add drama to the recording. Still, this is a quite magical Flute, and I will come back to it often, and now must be considered one of the better ones on record.
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