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Mozart: Die Zauberflöte (Highlights)
 
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Mozart: Die Zauberflöte (Highlights)

Gottfried Hornik , Wolfgang Amadeus Mozart , Charles Mackerras , Scottish Chamber Orchestra , Barbara Hendricks , Daniel Ison , Gabriele Sima , Helmut Wildhaber , Jerry Hadley , John Dawson , Julia Bernheimer , June Anderson , Nathan Watts , Peter Svensson , Petra Maria Schnitzer , Robert Lloyd , Thomas Allen , Ulrike Steinsky Audio CD
5.0 out of 5 stars  See all reviews (2 customer reviews)

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Mozart: Die Zauberflöte (Highlights) + Rossini: The Barber of Seville (Highlights) + Mozart: Don Giovanni [Highlights]
Price For All Three: $23.97

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Product Details

  • Performer: Gottfried Hornik, Barbara Hendricks, Daniel Ison, Gabriele Sima, Helmut Wildhaber, et al.
  • Orchestra: Scottish Chamber Orchestra
  • Conductor: Charles Mackerras
  • Composer: Wolfgang Amadeus Mozart
  • Audio CD (January 26, 1993)
  • Number of Discs: 1
  • Label: Telarc
  • ASIN: B000003CZK
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #267,421 in Music (See Top 100 in Music)

1. Overture
2. Der Vogelfanger Bin Ech Ja
3. Dies Bildnes Ist Bezaubend Schon
4. O Zittre Nicht
5. Hm Hm! Hm! Hm!
6. Bei Manneern, Welche Liebe Fuhlen
7. Wie stark Ist Nicht Dein Zauberton
8. Schnelle Fusse, Rascher Mut
9. O Isis Und Osiris
10. Bewaharet Euch Vor Wiebertucken
11. Wie? Wie? Wie?
12. Alles Fuhlt Der Liebe Freuden
13. Der Holle Rache Kocht In Meinem Herzen
14. In Diesen Heil'gen Hallen
15. Seid Uns Zum Zweitenmal Wilkommen
16. Ach, Ich Fuhl's
17. O Isis Und Osiris, Welche Wonne
18. Soll Ich Dich, Teurer, Nicht Mehr Sehn
19. Ein Madchen Oder Weibchen
20. Tamino Mein! O Welch Ein Gluck!
See all 23 tracks on this disc

 

Customer Reviews

2 Reviews
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Average Customer Review
5.0 out of 5 stars (2 customer reviews)
 
 
 
 
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7 of 7 people found the following review helpful:
5.0 out of 5 stars A Wonderful Compilation, January 10, 2007
By 
Indiana Opera Buff (Fort Wayne, IN United States) - See all my reviews
Amazon Verified Purchase(What's this?)
This review is from: Mozart: Die Zauberflöte (Highlights) (Audio CD)
I consider this recording to be surely one of the best on CD of the Magic Flute. Everyone is in excellent voice. June Anderson's top notes ring out with great strength and freedom as the Queen of the Night, and her coloratura work in the first act aria, "O zittre nicht", is exquisitely beautiful and the highpoint of the CD. Jerry Hadley does a fine lyric job as Tamino (I was surprised). Barbara Hendricks' lovely voice is perfectly suited for the role of Pamina, which she sings admirably. Robert Lloyd sings Sarastro with an impressively strong and deep voice, and Thomas Allen does a wonderful job as Papageno. In addition, you get a whopping 77 minutes of all-digital music and a booklet with the background of the opera and pictures of the singers. What a deal! The one fault in the whole opera, though, is that Sir Charles Mackerras takes Pamina's aria "Ach, ich fuhl's" a little too quickly, giving some convoluted historical reason for the faster tempo in the booklet's notes.
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4 of 4 people found the following review helpful:
5.0 out of 5 stars Buy this recording for June Anderson's performance, July 31, 2007
By 
Ron D. "Ron D." (Baltimore, MD USA) - See all my reviews
This review is from: Mozart: Die Zauberflöte (Highlights) (Audio CD)
Although I already had had several full length recordings of this opera, I bought this one especially to hear June Anderson. Many opera buffs boast that Lucia Popp's Queen of the Night is the greatest of all, but I have been only impressed with Popp's interpretation of the 2nd aria "Der Hoelle Rache" and not as much with the 1st aria "O Zittre Nicht." While it is true that Popp really hammers out those high E flats and F's and also satisfies in the 2nd aria, I think that she misses much of the pathos and tenderness that is required in the first. June Anderson, however, has it all. Like Popp, she has extraordinary power in the upper registers, quite rare for a coloratura. But what truly differentiates June Anderson's interpretation is the varied expressiveness. The pathos of the Queen's character shines through clearly, but her character reversal is dramatic by the second aria. She sings the whole 2nd aria with tremendous power, but she still holds back her fortissimo until the final high B flat, which really caps off her whole performance.

If you buy the Highlights version of this recording, you will still get to hear both arias with June Anderson, so in my opinion it's not worth buying the longer version. But you get a lot for your money with the Highlights CD just because of the two arias with Anderson. In order to appreciate the opera in its entirety, I'd suggest to listen to the Popp/Gedda/Klemperer recording.
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