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Mr. Bridge [Paperback]

Evan S. Connell (Author)
5.0 out of 5 stars  See all reviews (10 customer reviews)


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Book Description

September 1, 1990
Evan S. Connell achieved fame with his remarkable biography of General Armstrong Custer, SON OF MORNING STAR. But he was an accomplished artist long before that. His literary reputation rests in large measure on his two Bridge books.

MR. BRIDGE is the companion volume to Connell's MRS. BRIDGE. It is made up of fragments of experience from the life of a middle-aged suburban couple between two wars. Brief episodes are juxtaposed to reveal the stereotyped values and emotional and spiritual aridity of the prosperous and ever-so-proper Bridges.

"Connell's art is one of restraint and perfect mimicry. His chapters are admirably short, his style is brevity itself...rarely has a satirist damned his subject with such good humor." (The New York Times)

--This text refers to the Audio Cassette edition.

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Editorial Reviews

Review

"For all their satire and dark implications, the novels of the Bridge family remain in the memory as triumphs of faultless realism. Mr. Connell's art is one of restraint and perfect mimicry." -- The New York Times

"The reissue of these classic American novels is an event to be celebrated.... Mr. and Mrs. Bridge are forever human, forever vulnerable, forever pitiable. In spare, whimsical, ironic prose, Connell exposes each and every one of their wrinkles and then, in the end, offers them to us as human beings to be cherished." -- Jonathan Yardley

"With Mr. Bridge, Connell completes his saga of sweet joylessness and blunted sensibility, of marriage, family, and middle age on the plains of Protestantism. Together the Bridge novels achieve an understanding of provincial upper-middle-class U.S. life beyond anything in our literature... Mr. Bridge is a tour-de-force of contemporary American realism, a beautiful work of fiction..." -- Webster Schott, Life

From the Publisher

7 1.5-hour cassettes --This text refers to the Audio Cassette edition.

Product Details

  • Paperback: 367 pages
  • Publisher: North Point Press (September 1, 1990)
  • Language: English
  • ISBN-10: 0865470545
  • ISBN-13: 978-0865470545
  • Product Dimensions: 7.9 x 5.5 x 1 inches
  • Shipping Weight: 15 ounces
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (10 customer reviews)
  • Amazon Best Sellers Rank: #1,087,818 in Books (See Top 100 in Books)

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Customer Reviews

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Average Customer Review
5.0 out of 5 stars (10 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

22 of 24 people found the following review helpful:
5.0 out of 5 stars A Stunning Work of Realism, April 29, 2002
By 
This review is from: Mr. Bridge (Paperback)
Evan S. Connell's "Mr. Bridge" stands, together with its companion novel, "Mrs. Bridge", as one of the outstanding works of Twentieth century American fiction. The two works, taken together, form the brilliantly wrought portrait of an upper middle class marriage in the years preceding and encompassing World War II. Linear in its narrative and meticulously realistic in its style, "Mr. Bridge" tells the story of Walter Bridge, a financially successful, but emotionally stunted, lawyer who lives out his proper married life in the wealthy Mission Hills suburb of Kansas City.

Mr. Bridge recognizes that his life did not begin until he knew his wife, India Bridge. His marriage is, in this sense, important to him. But he cannot articulate his deep feelings for his wife and, ultimately, gives up trying to express any emotion at all. "So the years passed, they had three children and accustomed themselves to a life together, and eventually Mr. Bridge decided that his wife should expect nothing more of him. After all, he was an attorney rather than a poet; he could never pretend to be what he was not."

Cold and emotionally repressed, Mr. Bridge spends all of his time at the office, becoming involved with his family only when necessary to ensure that proper middle class respectability is maintained. He spends his time visiting the bank, scrutinizing his stock certificates and counting his profits. Indeed, he is so focussed on wealth that he surprises his wife and children with stock certificates of Kansas City Power & Light on Christmas morning, only to take the gifts back into his possession so that he can properly manage them.

Manipulative and controlling, Mr. Bridge persuades his reluctant daughter, after she has won a contest, to accept a pony as a prize, even though she would much rather have a bicycle. When the day comes to accept the prize, "Mr. Bridge could not attend the presentation ceremony because he was again spending Saturday at the office." Like his self-centered Christmas present of utility company stock, this prize, too, becomes cheerless for his daughter because of his need to impose his will.

Deeply bigoted, Mr. Bridge cannot tolerate Jews or Blacks very well. When he has an opportunity to take investment advice from an obviously successful Jewish stockbroker, Mr. Bridge, instead, becomes offended by the man's ethnicity and ostensible pretension to be a successful upper middle class man like himself. Reluctantly shaking the man's hand, Mr. Bridge "could hardly restrain a shudder." Resonating with antisemitic feeling, "he withdrew his hand, which came away stickily. He wanted to wash it. His hand felt moist and unhealthy, as if during those few seconds it had become infected." Similarly, when his wife shows him horrifying pictures of a brutal lynching in the South, his only reaction is to ask, "what was this fellow doing that he shouldn't have been doing?"

A fiercely conservative man, with political views as deeply repressive as his stunted emotions, he cannot tolerate President Roosevelt. He even suggests that while Hitler was insane, "some of his ideas were sensible."

Indeed, the repressed feelings of Mr. Bridge find their darkest allusions in his feelings about his daughters, feelings that suggest powerful undercurrents of the sexuality that is absent from his marriage. Seeing his grown daughter, Carolyn, one night posing naked in front of a mirror, he cannot get her out of his mind. "He reminded himself that she was his daughter, but the luminous image returned like the memory of a dream."

"Mr. Bridge", like its companion novel, "Mrs. Bridge", is a stunning work of realism, a crystalline pure narrative of a marriage without feeling, a life without love, a man without the ability to move outside the bounds of middle class probity and respectability.

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12 of 14 people found the following review helpful:
5.0 out of 5 stars A Stunning Work of Realism, December 15, 2000
By A Customer
This review is from: Mr. Bridge (Paperback)
Evan S. Connell's "Mr. Bridge" stands, together with its companion novel, "Mrs. Bridge", as one of the outstanding works of Twentieth century American fiction. The two works, taken together, form the brilliantly wrought portrait of an upper middle class marriage in the years preceding and encompassing World War II. Linear in its narrative and meticulously realistic in its style, "Mr. Bridge" tells the story of Walter Bridge, a financially successful, but emotionally stunted, lawyer who lives out his proper married life in the wealthy Mission Hills suburb of Kansas City.

Mr. Bridge recognizes that his life did not begin until he knew his wife, India Bridge. His marriage is, in this sense, important to him. But he cannot articulate his deep feelings for his wife and, ultimately, gives up trying to express any emotion at all. "So the years passed, they had three children and accustomed themselves to a life together, and eventually Mr. Bridge decided that his wife should expect nothing more of him. After all, he was an attorney rather than a poet; he could never pretend to be what he was not."

Cold and emotionally repressed, Mr. Bridge spends all of his time at the office, becoming involved with his family only when necessary to ensure that proper middle class respectability is maintained. He spends his time visiting the bank, scrutinizing his stock certificates and counting his profits. Indeed, he is so focussed on wealth that he surprises his wife and children with stock certificates of Kansas City Power & Light on Christmas morning, only to take the gifts back into his possession so that he can properly manage them.

Manipulative and controlling, Mr. Bridge persuades his reluctant daughter, after she has won a contest, to accept a pony as a prize, even though she would much rather have a bicycle. When the day comes to accept the prize, "Mr. Bridge could not attend the presentation ceremony because he was again spending Saturday at the office." Like his self-centered Christmas present of utility company stock, this prize, too, becomes cheerless for his daughter because of his need to impose his will.

Deeply bigoted, Mr. Bridge cannot tolerate Jews or Blacks very well. When he has an opportunity to take investment advice from an obviously successful Jewish stockbroker, Mr. Bridge, instead, becomes offended by the man's ethnicity and ostensible pretension to be a successful upper middle class man like himself. Reluctantly shaking the man's hand, Mr. Bridge "could hardly restrain a shudder." Resonating with antisemitic feeling, "he withdrew his hand, which came away stickily. He wanted to wash it. His hand felt moist and unhealthy, as if during those few seconds it had become infected." Similarly, when his wife shows him horrifying pictures of a brutal lynching in the South, his only reaction is to ask, "what was this fellow doing that he shouldn't have been doing?"

A fiercely conservative man, with political views as deeply repressive as his stunted emotions, he cannot tolerate President Roosevelt. He even suggests that while Hitler was insane, "some of his ideas were sensible."

Indeed, the repressed feelings of Mr. Bridge find their darkest allusions in his feelings about his daughters, feelings that suggest powerful undercurrents of the sexuality that is absent from his marriage. Seeing his grown daughter, Carolyn, one night posing naked in front of a mirror, he cannot get her out of his mind. "He reminded himself that she was his daughter, but the luminous image returned like the memory of a dream."

"Mr. Bridge", like its companion novel, "Mrs. Bridge", is a stunning work of realism, a crystalline pure narrative of a marriage without feeling, a life without love, a man without the ability to move outside the bounds of middle class probity and respectability.

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11 of 13 people found the following review helpful:
5.0 out of 5 stars Introduce yourself to Mr. Bridge -- and Mr. Connell, March 30, 2000
This review is from: Mr. Bridge (Paperback)
Too bad this little gem isn't better known! I came to it through the Merchant-Ivory film "Mr. and Mrs. Bridge," which combines both this and its twin, "Mrs. Bridge." "Mr. Bridge" is possibly the gentlest satire I've ever read -- looking piteously but critically at an upper-middle-class businessman in the 1940s who loves money and stocks so much that he actually gives each member of his family (including the kids!) shares in Kansas City Power and Light for Christmas. Somewhat reminiscent of Ishiguro's "Remains of the Day" in its sympathetic but potent indictment of a man who stakes everything on "business" and has absolutely no understanding of himself. Brilliantly characterized and beautifully written, this is a treasure not to be missed. The final chapter is virtually perfect.
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Inside This Book (learn more)
First Sentence:
Often he thought: My life did not begin until I knew her. Read the first page
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Kansas City, New York, Avrum Rheingold, Billy Jack, Gil Davis, Horton Bailey, Rodney Vandermeer, United States, Grace Barron, Terrace Grill, Nelson Eddy, Ward Parkway, Alex Sauer, Virgil Barron, Alexis Sauer, Bing Crosby, Eagle Scout, Mission Hills, New Orleans, Great God, Greenwich Village, Henry Gutekunst, Leo Snapper, Mademoiselle Susy, New Year's Eve
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