From Library Journal
At the age of 84, 50 years after he received the Pulitzer Prize for Death of a Salesman, Miller remains the premiere living American dramatist and one of the three or four greatest of this century. This play, which debuted Off Broadway last year with Peter Falk in the title role, is Miller's strongest play in 30 years. Effectively using absurdist techniques, Miller places Mr. Peters, a retired pilot, in an abandoned bar, where he encounters his deceased brother, an ex-lover and the man he imagines she might have married had she lived, his daughter and her boyfriend, his wife, and a bag lady who, like most of the other characters, may be a figment of Peters's imagination. With all of them, he seeks connection and, if possible, an answer to the question, "What is the subject?"Aor, indeed, whether we even need a subject any longer. These existential questions are old ones; Miller gives them stunning dramatic shape and force. Essential for all American literature collections.ARobert W. Melton, Univ. of Kansas, Lawrence
Copyright 1999 Reed Business Information, Inc.
--This text refers to an alternate
Paperback
edition.
Often called a naturalist, Miller yet writes plays that are as much about dreams and people lost in them as about reality. Half of Willy Loman's tragedy in
Death of a Salesman is that he hasn't lived in the real world in decades. Even
The Crucible, while grounded in the historic colonial Massachusetts, focuses on mass hallucination. Rarely, however, does Miller allow the dream world to invade a play as completely as in this extended one-act set entirely in the mind of snoozing Mr. Peters. It develops like some fevered dream, with long-dead relatives popping in for short visits and people making the most extravagant demands. Sections of it seem like outtakes from earlier Miller plays, especially--in a sequence featuring the protagonist's Marilyn Monroe^-like significant other, who ignites the libido of every man she meets--
After the Fall. More often, it seems more like something from Edward Albee's zoo, which is no bad thing. It is fascinating to see America's greatest living playwright at work in a totally surreal world.
Jack Helbig
--This text refers to an alternate
Paperback
edition.