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Mrs. Astor's New York: Money and Social Power in a Gilded Age
 
 
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Mrs. Astor's New York: Money and Social Power in a Gilded Age [Paperback]

Dr. Eric Homberger (Author)
3.5 out of 5 stars  See all reviews (4 customer reviews)

Price: $21.00 & eligible for FREE Super Saver Shipping on orders over $25. Details
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Book Description

September 10, 2004
Mrs. Astor, undisputed queen of New York society in the decades before the First World War, created a social aristocracy of unparalleled extravagance and exclusivity. This lively account of her life and the era over which she presided sheds new light on the origins and lifestyle of this aristocracy.
“An immensely interesting tale, and Homberger tells it well.”—Jonathan Yardley, Washington Post Book World
“In his elegant and extensive account Eric Homberger . . . recounts the details of real estate transactions, fancy-dress balls, upwardly mobile marriages, and exclusive enclaves . . . [incorporating] delightful bits of cultural information along the way.”—Marjorie Garber, Boston Sunday Globe
“Homberger’s narrative has the verve and resonance of a novel by Edith Wharton.”—Commercial Appeal (Memphis, TN)
“A rollicking, illuminating book.”—Clive Aslet, Country Life

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Mrs. Astor's New York: Money and Social Power in a Gilded Age + A Season of Splendor: The Court of Mrs. Astor in Gilded Age New York + When the Astors Owned New York: Blue Bloods and Grand Hotels in a Gilded Age
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Editorial Reviews

From Publishers Weekly

New York scholar Homberger (Scenes from the Life of a City: Corruption and Conscience in Old New York) gathers a dog's breakfast of research into his latest exploration of the Big Apple. The result is an intriguing and curious volume that can't seem to decide whether it's a coffee table book or a study of the psychology of late 19th- and early 20th- century American aristocrats. The idea of an aristocracy emerging from a fervently democratic society is oxymoronic, as Homberger points out, but for over half a century New York's upper class was peculiarly concerned with such a hierarchy. Ward McAllister's "Patriarchs," considered to be the elite of New York society, and Mrs. Astor's list of "Four Hundred" were the bread and butter of this era's snobbery; the latter half of Homberger's book delves into McAllister's and Astor's lives, chronicling their cotillions, lunches, amusements and affairs with considerable relish. The slightly whimsical last chapter, "Being Mrs. Astor," which begins with a description of that lady's last years (spent planning parties that her doctors had instructed her servants not to hold, and making purchases merchants knew not to send to her house), may be the best part of Homberger's book. His skill for bringing to life characters of a century ago saves the book from the occasionally tedious specificity of earlier chapters, which seem to have gotten bogged down by admittedly impressive research in newspapers and other contemporary records. Illus.
Copyright 2002 Reed Business Information, Inc. --This text refers to the Hardcover edition.

From Library Journal

This history is a rare find-a book of sophisticated scholarship that also makes for entertaining reading. Homberger's (The Historical Atlas of New York City) descriptive account of aristocratic life in late 19th- and early 20th-century America is an attempt to deal in nonfiction with a subject he feels is mostly understood through novels. New York's aristocracy may have been newer and more fluid than that of other cities, but it was still "a great lumbering elephant of a social presence." Paradoxically, the wealth and power of the social elites resulted not in a sense of freedom but a strangling anxiety to conform to the narrow rules of correct behavior. Mrs. William Astor, a central player in New York's world of aristocratic excess, was an arbiter of social acceptability while also working to keep the undesirables in their place. Homberger takes us to the extravagant balls that defined the social season, develops the rise of the media involved with social life, and describes the elites' tony neighborhoods. All this occurs against the backdrop of a city teeming with poverty, as illustrated by Jacob Riis's influential pictorial, How the Other Half Lives (1890). Solidly researched and a delight to read, this book is recommended for public libraries and for academic libraries with collections in New York history.
Bonnie Collier, Yale Law Lib.
Copyright 2002 Reed Business Information, Inc. --This text refers to the Hardcover edition.

Product Details

  • Paperback: 344 pages
  • Publisher: Yale University Press (September 10, 2004)
  • Language: English
  • ISBN-10: 0300105150
  • ISBN-13: 978-0300105155
  • Product Dimensions: 9.1 x 7.4 x 0.9 inches
  • Shipping Weight: 1.9 pounds (View shipping rates and policies)
  • Average Customer Review: 3.5 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #290,634 in Books (See Top 100 in Books)

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23 of 24 people found the following review helpful:
5.0 out of 5 stars Fascinating but not quite what I expected..., December 24, 2002
By 
"cloudia" (Seattle, WA United States) - See all my reviews
This book really doesn't seem to be about Mrs. Astor or even the daily world she lived in, so much as it is about the History of New York. In the first several chapters the author chronicles lucidly, but perfunctorily, the attachments, financial and domestic, and above all architectural and urban of several wealthy New York families. From the earliest times post the Revolution, New York society had exceedingly difficult standards with some families struggling to get into society or stay in, and others struggling to keep some of those families, or individuals out. Quickly a dichotomy reveals itself between those who have money, and those who have a family line stretching back to Adam, with the power of money vs. lineage constantly alternating, though lineage always seems to have a slightly upper hand, or think it does. That mentality as expressed by the evolution of neighborhoods emerges for the first two thirds of the book. Homberger does a fascinating study of the ascendancies and declines of such old neighborhoods such as St Johns Park and Bond street and how families strategically placed themselves in these neighborhoods, and strategically sold out, devoting themselves to building new mansions elsewhere, always further North, taking the money, and lineage, with them. In quick time these mansions were also razed to make room for the new. There are in fact many photographs of mansions which became other mansions or Grand Hotels. Into this arena of inadvertant social mobility emerges the social conservatism of Ward MacAllister, commentator, arbiter and arranger of the social scene, and his social Boss, Mrs. Astor herself. MacAllister seems to have had a ruthless and iron grip but to have stumbled when he wrote a a Truman Capote-like expose of his social experiences called "Society as I have found it," dubbed by his jeerers "Society as it has found me out." Homberger doesn't treat MacAllister's rise and fall in narrative form, but constantly refers back to it, in fact he introduces us to MacAllister with his funeral. He also introduces us to Mrs. Astor, at the end of the book, with the end of her days, as a woman living in a mimicry haze of the past. Perhaps for this reason, the portrait of Mrs. Astor never quite takes off. One learns a few things about her life, but there don't seem to be any notable turning points, and there are only rare depictions of her actually interfering in society which is extremely strange. We never quite see her promoting, demoting or blocking entrance into the sacred class as much as we expect her to. About the last thing we see her do is make an exception for a friend who married a Jewish banker, because she likes her, but even that is anti-climactic. While, the book itself is fascinating in its depiction of New York, and the history of its founding elite, the main leader, Mrs. Astor, of the society emerges as nearly a phantom, almost an absence more than a presence. (If you're going to read about the cream, you may as well read about the dregs in Luc Sante's Low Life.)
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16 of 16 people found the following review helpful:
3.0 out of 5 stars Scholarly and definitive, but tedious, November 30, 2003
By 
HeyJudy "heyjudy" (East Hampton, NY USA) - See all my reviews
(VINE VOICE)   
MRS. ASTOR'S NEW YORK deservedly will become the definitive work regarding the City of New York and, specifically, its upper class, during that period of the 19th Century known as the "Gilded Age."

As such, this book is as much about the evolution of the modern city as it is about the robber barons who shaped the era. The research is impeccable and almost ponderously thorough.

The title, however, is somewhat misleading, as the volume is does not focus on Mrs. Astor individually but, rather, on what she meant to her contemporaries in terms of being a symbol and an inspiration as to how one should live.

Eric Homberger is an excellent writer. Yet the mass of information he presents, albeit significant, is too tedious to make for an entertaining read. As a work of historical record, however, MRS. ASTOR'S NEW YORK is invaluable.

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12 of 14 people found the following review helpful:
1.0 out of 5 stars Very Disappointing & Frustrating, July 15, 2006
By 
Lev Raphael (Okemos, MI United States) - See all my reviews
(VINE VOICE)    (REAL NAME)   
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This review is from: Mrs. Astor's New York: Money and Social Power in a Gilded Age (Paperback)
I've been reading about the Gilded Age and turned to this book with great expectations that have been dashed. How could the editor have let the book go through as it is? Yes, it's a beautiful package and well-enough written (though hardly an Edith Wharton novel as one reviewer said, as quoted on the back cover). The book's title is completely deceptive. A good third of the book is not about the Gilded Age at all, but goes back to the 1800-1850 period and sometimes in tedious detail. It does not help me at all to know the customs involved in women making calls upon other women in 1800 when those customs had changed by the late 19th century. While one can make a case that the roots of the Gilded Age need to be exposed, you don't have to go that far back and into that much detail. The First Four Hundred, which this author sneers at in a footnote, is far more focused and helpful, and a much better source of information, though this book's opening chapter was fascinating.
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First Sentence:
In this book I have sought to portray the aristocracy of an American city in the nineteenth century, considering the entertainments, rituals, values, houses, marriages, divorces, snobbishness, infidelities, and cultural horizons-as well as the neighborhoods where these aristocrats lived. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
howling swells, aristocratic neighborhoods, parterre boxes, society journalism, fancy ball, social supremacy, private balls
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Fifth Avenue, John Jacob Astor, Grace Church, William Astor, Town Topics, William Backhouse, Samuel Ward, John's Park, Philip Hone, United States, Lady Kitty, Civil War, Metropolitan Opera, Bowling Green, Sam Ward, Union Club, August Belmont, Astor Place, Corner House, Wall Street, Cornelius Vanderbilt, Trinity Church, Allan Melvill, Julia Ward Howe
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