Customer Reviews

Mtv Unplugged

5 star:		(47)
4 star:		(11)
3 star:		(4)
2 star:		(1)
1 star:		(1)

 

 

This album stands as one of the most impressive MTV Unplugged albums ever recorded. The unique style and sound of the 10,000 Maniacs was captured beautifully in this concert, preserving an unforgettable legacy by the group which was essentially breaking up at the time this was released. Anyone who listened to the radio back then has to know and remember Because the Night. While it is still hard for me to believe this song so wonderfully suited to Natalie Merchant's voice was written by Bruce Springsteen, it served as a most impressive means of introducing Natalie Merchant sans Maniacs to the larger listening audience. Like many fans, I am not that familiar with the 10,000 Maniacs albums predating In My Tribe, but all of the 14 songs on this album (including four from In My Tribe) are just hauntingly exquisite. Each song tells a story, often a serious one touching on important social issues, infusing this modernized folk music with a very human folk music consciousness that speaks to both the head and heart in a number of very effective ways. If the unique sound of 10,000 Maniacs doesn't move you at first, give it a second listen, and I'm sure the power of the music will begin to reveal itself to you. It is unfortunate that Natalie Merchant left the group, but the magic that was 10,000 Maniacs has been wonderfully preserved in this truly incredible live recording.

It's amazing what you can find buried under a pile of junk in the local as-is Goodwill. Sometimes you can find near mint condition CDs, such as "10,000 Maniacs Unplugged." That's exactly what happened to me a few months ago.

I was only vaguely aware of 10,000 Maniacs when this album was released in the early 1990s. I liked the song "Because the Night," but my fan-dom stopped there. So, based on my vague familiarity with that one song, I paid Goodwill the requisite dollar and was on my way. I figured one dollar wasn't too much to spend for that one song. And I was certain that all I'd get out of this CD was that one song, expecting all the others to be duds.

Several months down the line, it's hard to believe that I had ever thought these songs would be duds, and it's hard to imagine that it took me so long to become interested in 10,000 Maniacs.

These songs are really astonishing! Every one of them is beautiful, and every one of them is heavy with a social conscience and message, almost to the point of being intimidating. In some ways this has been a very shocking album. You see, when I decided to listen beyond that one song, what hooked me was the breezy melody of just about every other song. They all seemed so upbeat and happy, and the ballads seemed gentle and lulling. I couldn't understand much of what Natalie Merchant was singing about, because her glossy intonation often results in a somewhat blurred diction, making individual words hard to decipher. But that was fine because I didn't feel I needed to understand the words. I just hummed along with the melody, or snapped my fingers to the beat.

After a few months of not being able to understand what Natalie Merchant was singing, I decided to look up the lyrics. On the song "What's the Matter Here?" I had been able to make out only the words "I have heard the excuses everybody uses." When I decided to take a look at the lyric sheet and see what the excuses were about, I was shocked. I thought it would be excuses made by a dishonest lover. But the song is actually about child abuse and the excuses people make as they look the other way. The full line is, "I have heard the excuses everybody uses. He's their kid. I stay out of it. But get it through that I don't agree with what you did to your own flesh and blood." I've often wanted to say to parents, "Answer me. Take your time. What could be the awful crime he could do at such a young age?"

I then decided to look up the lyrics to one of the other songs I had taken a liking to, "I'm Not the Man." One of my other favorite singers is Sade, and she has a love song called "You're Not the Man," so I figured this Maniacs song with the similar title would have of a similar topic. Wrong again. It's actually about a man on death row. The lyrics are, "But I'm not the man. He goes free as I wait on the row, for the man to test the rope, he'll slip around my throat, and silence me. Call out the KKK, they're wild after me."

I shouldn't have been surprised when I found that "Like the Weather" is not the lighthearted and summery little ditty I had thought it was, but is a song about a bed-ridden elderly person. "And by the force of will my lungs are filled, and so I breathe. Lately, it seems this here bed is where I never leave. I get a shiver in my bones just thinking about the weather. A quiver in my lips as if I may cry."

And the song "Hey Jack Kerouac" piqued my interest in the life of a writer I now feel is a kindred soul. After studying a bit about his life, I now understand why Natalie Merchant begins the song with, "Hey, Jack Kerouac, I think of your mother and the tears she cried. They were cried for none other than the little boy lost in the little world that hated and that dared to drag him down, the little boy courageous." Kerouac died of alcoholism in his late forties while still living at home with his mother.

Suffice it to say that this is a heavy album. (Did I mention that "Eat for Two" is about a young unwed pregnant girl who regrets giving in to her boyfriend's pressures? "Pride is for men," Merchant sings, "Young girls should run and hide instead.") If you want a happy, upbeat album, you may need to look elsewhere, or perhaps avoid reading the lyrics! If you want an album with a social conscience, this may be it.

After reading a little bit about Natalie Merchant, I find that it was perhaps inevitable that I'd be a fan of this album. She is sometimes referred to as "the Emily Dickinson of pop music." Emily Dickinson is my favorite writer.

I wasn't a big 10,000 Maniacs fan when I first saw the MTV Unplugged performance, but I fell in love with their work for this CD. Deep, thought-provoking lyrics are penetrating. I'm haunted each time I hear "I'm not the Man," the story of the framing of an innocent black man for murder in the segregated south... it makes me think of "To Kill a Mockingbird" a little bit.

Natalie Merchant's voice is penetrating and this album flows song-to-song so that it can easily be listened to non-stop, over and over again. The songs are not distractig so that you could listen to them intently while driving, or tune them out as background music while at work. Rocking, yet mellow - an excellent CD.

The 10,000 Maniacs have been around since 1981, and it has been a great ride. This album came out in 1993, and features Natalie Merchant's excellent vocals. The band survived Natalie's move to a solo career, and she has done well on her own, but I must say that this album is when they all reached their absolute peak! With the excellent instrumentation and Natalie's beautiful voice, this is a great album to listen to.

I love this album, and its mix of bouncy and soulful tunes, especially These Are Days, Jezebel and Because The Night. This is a great album, one that is sure to please anyone who loves great music, especially unplugged music. I love this album, and give it my highest recommendations!

As the last CD and video of the 10,000 Maniacs, with Natalie Merchant as their vocalist, she knew how to say 'good bye'. From the very beginning of the video she captures you with her voice. In this video you will hear and see the best of 10.000 Maniacs, until 1992, and you will enjoy the charm and passion of Natalie singing "Don't Talk", "These are Days" and what they called the 'stand up song': "Stockton Gala Days". To see this video is way best than just hear the CD, even though the camera work is not so brilliant. I highly recommend "Eat for Two", "Candy Everybody Wants", "Trouble Me" and "Because the Night", after that, you will run and buy Natalie's "Ophelia" and "Live in NY" videos. Don't miss this opportunity to be delighted with good music. For me was not so easy to have this video, but if you are a truly 10.000 Maniacs fan, this MUST be in your collection, is never too late.

Usually, these unplugged events are less than wonderful, but this is an exception. 10000 Maniacs' background in folk music is a real asset, especially here. Instead of just playing the songs the exact same way as on the CD only unplugged (the norm), they have made subtle changes to the sound that really make a difference. "Eat for Two" has a slower tempo and a string/wind ensemble. There is a wonderful banjo part on "What's the Matter Here." Jerry Augustyniak softens the drums slightly and lays back accordingly. His drum part on "These Are Days" is different from the CD, but equally good. Rob Buck is just as comfortable on the acoustic guitar as on the electric. This kind of musical taste, ability, and sensitivity sets10000 Maniacs apart from the crowd. A compliment of extra musicans, including a certain viola player/singer named Mary Ramsey, round out the roster. Natalie Merchant shows why she is a star, and gives a great performance, but she does flub a note here and there. Because the Night may have been a big hit, but it is the most un-Maniacs like song here. Overall, this is one of the best unpluggeds ever, right up there with REM and Neil Young. Highly recommended.

This is just a great CD. All of my favorite Maniacs songs are on this CD. I own a number of Maniacs CDs, and this is by far my favorite.

A lot of times artists will play around a lot when they play live with the rhythms and sound, and it totally changes the way the songs sound. This CD is a rare exception of this back trend in recorded live music. The music sounds even better than the studio recordings.

This is probably the best CD I own. I'm not a big fan of this style of music, but everything came together for this masterpiece to be produced. The quality of the recording, the subtle changes in the songs, the vocals and the emotion that Natalie Merchant shows makes this CD a must own for everyone.

Because The Night is a great song, but Jezebel is by far my favorite. The raw emotion of that song gives me chills everytime.

While transferring old vhs tapes to dvd, I came across my taping of 10,000 Maniacs Unplugged. I watched it then pulled out my cd of this album. What drew me to this group was the charismatic & hypnotically voiced lead singer, Natalie Merchant.

At the time I bought this, I was just getting into listening to music of other genres and bought a bunch of cds by singers & groups that were not r&b but whose music & voices moved me in some way. I'd heard that this was a "folk" band but upon listening to this unplugged album, I felt that the songs, production & music was as soulful as anything I'd ever heard. I think Natalie is a true artist who writes poems that translate into great songs which allows her to put a lot more emotion into her work which is exactly what I look for in any artist that I choose to support.

I love the fact that there were additional muscians backing the group which gave the songs such a rich feel - that's what I love about the unplugged series, the orchestration, etc was terrific!
The other thing that's great about this music to me at least is that it doesn't sound dated.

The songs I enjoy the most are: Trouble Me, Noah's Dove, These Are Days, Don't Talk & What's The Matter Here.

So I exaggerate a bit. But this album is certainly one of the great live pop albums, ranking right up there with "Live at Leeds" or "Frampton Comes Alive". It shows Merchant and the band at their musical and compositional peaks, with songs and performances that neither has been able to duplicate since. I can't think of a better farewell present to their fans.