Review
"...a much-needed and welcome addition to Shakespeare resources." Choice
"...an indispensable resource for theatre historians, dramaturgs, directors, or performers." Studies in English Literature 1500-1900
"This book could also be very useful to a student of gender, history, and language, especially its detailed infromation on lines added and cut, on treatments of the play's cuckoldry humor, and on the critics' anxious iteration of such key binaries as sharp/soft, wit/feeling, salt/sweet, and mannishness/womanliness. I do recommend this book for anyone trying to piece together information about the performance history of the play, especially those interested in Victorian and Edwardian productions. Those who are attempting to chart shifts in myths of gender as they shift over the longue durée of culture, or who are researching particulat productions or players, will find this edition rich, intriguing, sometimes frustrating, but always infomative." Shakespeare Quarterly
--This text refers to an alternate
Hardcover
edition.
Book Description
This is the first edition of Much Ado About Nothing focusing wholly on the play in performance. Shifting trends in the production of this popular drama are analysed in relation to the culture of each period since Shakespeare's time, with particular attention to gender issues. A commentary alongside the text recreates in lively detail interpretations of each passage in a variety of British, American, Canadian and other productions. An essential resource for students, teachers and performers, this is an illuminating book for theatregoers.
--This text refers to an alternate
Hardcover
edition.