Mules and Men (P.S.) [Paperback]

Zora Neale Hurston (Author)

Book Description

ISBN-10: 0061350176 | ISBN-13: 978-0061350177 | Publication Date: January 8, 2008

Mules and Men is a treasury of black America's folklore as collected by a famous storyteller and anthropologist who grew up hearing the songs and sermons, sayings and tall tales that have formed an oral history of the South since the time of slavery. Returning to her hometown of Eatonville, Florida, to gather material, Zora Neale Hurston recalls "a hilarious night with a pinch of everything social mixed with the storytelling." Set intimately within the social context of black life, the stories, "big old lies," songs, Vodou customs, and superstitions recorded in these pages capture the imagination and bring back to life the humor and wisdom that is the unique heritage of African Americans.

Editorial Reviews

From the Back Cover

REA’s MAXnotes is an insightful series of literature study guides covering over 80 of the most popular literary works.

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Our MAXnotes for Zora Neale Hurston’s Mules and Men study guide includes an overall summary, character lists, explanation and discussion of the plot, overview of the work’s historical context, and a biography of the author. Each section of the work is individually summarized and includes study questions and answers.

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--This text refers to an alternate Paperback edition.

About the Author

Zora Neale Hurston (1891-1960) was a novelist, folklorist, and anthropologist whose fictional and factual accounts of black heritage remain unparalleled. Her many books include Dust Tracks on a Road; Their Eyes Were Watching God; Jonah's Gourd Vine; Moses, Man of the Mountain; Mules and Men; and Every Tongue Got to Confess.

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Product Details

• Paperback: 368 pages
• Publisher: Harper Perennial Modern Classics (January 8, 2008)
• Language: English
• ISBN-10: 0061350176
• ISBN-13: 978-0061350177
• Product Dimensions: 8 x 5.3 x 0.8 inches
• Shipping Weight: 9.6 ounces (View shipping rates and policies)
• Average Customer Review: 4.5 out of 5 stars  See all reviews (16 customer reviews)
• Amazon Best Sellers Rank: #39,782 in Books (See Top 100 in Books)

Customer Reviews

Most Helpful Customer Reviews

14 of 14 people found the following review helpful:

5.0 out of 5 stars A Folklore Classic, January 18, 2004

By 

grasshopper4 (Arkansas) - See all my reviews
(VINE VOICE)   

This review is from: Mules and Men (Paperback)

Although she really was born in Georgia, Hurston considered Eatonville, Florida her hometown. She originally wrote this work as a play with Langston Hughes. They had planned to call it "Mule Bone," but the two had a falling out prior to staging the work. The theater world's loss was actually the literary and folklore world's gain, and this book is a terrific study of black folklore from Florida and Louisiana. The book has wonderful folktales and descriptions of rootwork, and once the reader becomes acclimated to Hurston's use of black English, it is a pleasure to read. Hurston provided rich commentary by embedding the texts into a narrative about doing fieldwork in the 1920s. It's worth noting that Hurston compressed the amount of fieldwork time in this book as she had spent much more time in Florida than she presents in this work. It's important to keep these types of literary devices in mind when reading her book as she includes lots of allusions, hidden meanings, and clever wordplays to develop fascinating commentary on folklore.

10 of 10 people found the following review helpful:

5.0 out of 5 stars Hurston's Mules and Men, November 26, 2005

By 

Robin Friedman (Washington, D.C. United States) - See all my reviews
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This review is from: Mules and Men (Paperback)

I read Zora Neale Hurston's novel "Their Eyes are Watching God" and wanted to read more. Hurston (1891 -- 1960) had studied anthropology at Barnard with one of the founders of modern anthropology, Franz Boas. With Boas' encouragement and funding from a private source, Hurston travelled South to collect African-American folklore. Her first stop was Eatonville, Florida, an all-black community where Hurston had spent much of her childhood. She then went South to Polk County, Florida and its sawmills and the Everglades. She went further South to Pierce and Lakeland gathering folk materials before heading to New Orleans to study Hoodoo. In 1927, she rented a small house in Eau Gallie, near Melbourne, Florida where she organized her extensive notes. Her book, "Mules and Men" was published in 1935.

"Mules and Men" is an outstanding source of information about the folk-tales, called "lies", of rural Southern African-Americans. (Florida was a gathering place for African-Americans throughout the South because of the economic opportunities it offered.) She visited old friends in Eatonville, and won the confidence of people in the other communities she visited. The tales include animal stories ("why dogs and cats are enemies", "how the snake got poison," for example) stories of pre-civil war days involving a slave named "Jack" and his master, stories of the battle between the sexes, contests between "Jack" and the devil, bragging contests, and much else. Hurston also collected songs and lyrics, including "John Henry", sermons, and hoodoo formulas while in New Orleans.

But this book is much more than a compilation of folk materials. Hurston brings her material to life by bringing the story-tellers and the communities she visited to life. She writes with deep and obvious affection for the rural African-American communities of the South in the mid-1920s. Hurston's folk-tales are embedded in a fascinating story of their own as she introduces the reader to the small towns, the parties, the sawmills, the jooks, and the life of her story tellers. One of the characters that Hurston befriends is a woman named Big Sweet who lives with a man named Joe. Joe cheats on Big Sweet, and Big Sweet puts Joe right in no uncertain terms. Big Sweet and her enemy, a woman named Lucy, draw knives with potentially fatal consequences in a fight in a jook that involves Zora. Big Sweet is a strong and convincingly drawn character in her own right. The characters and communities in the book were for me even more convincing that the stories.

The first part of Mules and Men describes Hurston's collecting of folk tales, while the second, shorter part discusses her experiences with Hoodoo doctors in New Orleans. Hoodoo played a large role in the lives of some African-Americans. I was reminded of Memphis Minnie's blues song "Hoodoo Lady" and of Muddy Waters' "I got my mojo working". The founder of Hoodoo was a woman named Marie Leveau. Hurston describes how she gained the confidence of several Hoodoo doctors in New Orleans, received initiation from them, and was in one case asked to stay on as a successor practitioner. Hurston relays Hoodoo spells used to kill an enemy, to make an unwanted person leave town, to get a lover or to get rid of an unwanted lover, and to bring help to those in jail. She recounts the stories of these conjures, of the Hoodoo doctors, and their clients with a great deal of seriousness. I found this section of the book fascinating but troubling and different from the folk-tales and people discussed in the first part of the book.

The book is written almost entirely in dialect, but I found it easy to follow as the book progressed. Hurston wrote this book to preserve an important part of African-American culture in the United States and to express her commitment to and love for this culture. She believed this culture had its own strengths and could develop its own course and destiny internally. This is a fascinating, moving book and a thought-provoking picture of one form of the African-American experience in the United States.

Robin Friedman

9 of 9 people found the following review helpful:

5.0 out of 5 stars Classic Black Folk tales at there greatest, February 22, 2001

By 

Tiffany Tallar "cajunbliss" (Pleasanton, CA) - See all my reviews
(REAL NAME)   

This review is from: Mules and Men (Paperback)

A fantastic collection by Zora Neale Hurtson. Includes spells, and superstions, witch craft, and some of the best short stories around. She gathers up the urban legends of the 1930-40's rural south and connects you to a culture and way of thinking that is both delightful and intriguing. At times amusing; it is written in the way of oral tradition, where people gather around and tell stories, the more outlandish, the more unique the better. Her work is simply wonderful. A great book, and good for those bad weather days.