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6 of 6 people found the following review helpful:
3.0 out of 5 stars
JMC's last hurrah is a mixed bag, September 7, 2005
Yet another instance where Rock and Roll brothers just can't stay together. After only six studio albums (I'm not counting "B-Sides"), William and Jim Reid came to the conclusion that they couldn't stand being in the same room (or on the same stage) together. What a shame.
What's so interesting about "Munki" concerns the authorship of the songs. No longer could I be confident in identifying a song as Jim's or William's. William especially, can apparently write in his brother's style. For instance, my favorite song on the album, "Degenerate" sounds like Jim at his grungy best, but no! It's brother William's composition.
In my opinion, "Munki" is somewhat of a mess. By far, JMC's most adventurous and experimental album, the whole thing seems to heavily depend upon the three songs in the center of the album, namely "Virtually Unreal," the aforementioned "Degenerate," and "Cracking Up." Honestly, I could skip the others, a few of which are laced with pointless obscenities, almost as if the Reids wanted that parental advisory sticker.
Anyway, I still thoroughly enjoy listening to The Jesus and Mary Chain. After "Stoned and Dethroned," I saw them in concert at a small NYC venue, which was great (although my date didn't quite get it and wanted to leave after "Reverence" -- the one that starts off with "I want to die just like Jesus Christ"). Mazzy Star opened, and, you guessed it, the adorable Hope Sandoval came out to duet with Jim on "Sometimes Always."
Hey, if the original members of "Cream" can reunite, there must be hope for the Reid brothers too!
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3 of 3 people found the following review helpful:
4.0 out of 5 stars
Stands the test of time, November 27, 2001
I've had this CD for a couple of years now and it is still one of my favorite JAMC disks. I think time will tell whether the critics of this CD were listening open-mindedly. To my ears, it is a maturing and progression of the JAMC sound: the production, instrumentation, and subject matter are all more sophisticated than previous, yet the cathartic threat of losing control is still there. While some of the tracks are a bit plodding (it's a long album!), there are several that are pure sugar. Just to warn you, my other favorite JAMC albums are Honey's Dead and (dare I say it?) Automatic.
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3 of 3 people found the following review helpful:
4.0 out of 5 stars
One of the best albums in years, January 3, 1999
By A Customer
Listening to the torrential feedback and deliberately raw production of Psychocandy, it is amazing to see how far brothers Jim and William Reid have come as musicians and songwriters. It has been fascinating to see their development , and the place that white noise has held throughout their blistering career. "Munki" their latest sonic excursion, melds their affinity for walls of sound with a mature, refined songwriting approach. The results are spectacular. Lyrically, musically, and emotionally, this is the most gratifying Mary Chain album in years. On "Munki", the Reids put their entire career into perspective without seeming maudlin or self-important. "Munki" gives more answers than it asks questions, yet the mystique is ever-present. The humorous, cynical "Birthday" and the retrospective "Never Understood" contain some of the most personal, ingenious lyrics the Reids have produced to date. "Perfume" swoons in a sexual haze, while "Virtuallyunreal" and "I Can't Find the Time for Times" are pure rock grooves that prove complexity isn't synonymous with brilliance (or even necessary, in this case). More than anything, "Munki" is an overview of a brilliant catalogue of music that precipitated the band's subsequent demise at the now-infamous House of Blues show in Los Angeles. Quite simply, one of the most witty, substantial albums in years. Rock and roll should always be this good.
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