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Murder on the Orient Express Mass Market Paperback – November, 1991

533 customer reviews

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Editorial Reviews

Review

Murder on the Orient Express is a tour-de-force variation on the theme of the English house-party, gathering a remarkable set of characters, each a secretive soul, for a journey on the fabled Orient Express train as it travels from Istanbul to Paris. On hand to resolve the murder of an American passenger is Hercule Poirot, the dapper Belgian detective, dependent only on his wit, who tucks away obscure, seemingly unrelated minutiae in his facile mind. When he determines that the corpse was a renowned child kidnapper/killer, he begins to wonder about connections between the passengers and the victim. A misplaced button, overheard conversations, a monogrammed handkerchief, and an elusive figure clad in a scarlet kimono all become clues as Hercule Poirot interrogates the snow-trapped travelers and comes to his own conclusions. Murder on the Orient Express, with its skill plot construction, adroit writing, and thought-provoking revelations, reminds us that what is "just" is not always what is legal. -- For great reviews of books for girls, check out Let's Hear It for the Girls: 375 Great Books for Readers 2-14. -- From 500 Great Books by Women; review by Vickie Sears

From the Back Cover

"The murderer is with us–on the train now . . ."

Just after midnight, the famous Orient Express is stopped in its tracks by a snowdrift. By morning, the millionaire Samuel Edward Ratchett lies dead in his compartment, stabbed a dozen times, his door locked from the inside. One of his fellow passengers must be the murderer.

Isolated by the storm, detective Hercule Poirot must find the killer among a dozen of the dead man's enemies, before the murderer decides to strike again . . .

--This text refers to an alternate Mass Market Paperback edition.
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Product Details

  • Mass Market Paperback: 256 pages
  • Publisher: Harpercollins (Mm) (November 1991)
  • ISBN-10: 0061002747
  • ISBN-13: 978-0061002748
  • Product Dimensions: 0.8 x 4.2 x 7 inches
  • Shipping Weight: 5.6 ounces
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (533 customer reviews)
  • Amazon Best Sellers Rank: #1,697,489 in Books (See Top 100 in Books)
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Customer Reviews

Most Helpful Customer Reviews

73 of 80 people found the following review helpful By K. H. ZAINAL on March 11, 2002
Format: Mass Market Paperback
Ah, yes. The world famous case of the "Murder on the Orient Express" (MotOE). It is so famous, even people who have never read Christie know who did it. I first read it 12 years ago even though someone had already revealed to me the identity of the murderer. I've never forgiven him. But I read it anyway to find out for myself how Agatha Christie constructed the story in order to fool her readers.
Christie was probably inspired by the true story of the 'Lindbergh baby' kidnapping. Charles Lindbergh (he who flew across the Atlantic alone) had an infant child who was kidnapped and murdered even after the ransom had been paid.
The background to MotOE is also similar to the Lindbergh case. The victim is revealed to have been involved in a kidnap-murder case a few years back and got away with it. Was he punished for his crimes at last? Was he murdered for something totally unrelated? Or was he a victim of mistaken identity?
The usual suspects remind one of the typical English drawing room murder mysteries: an English colonel, a Russian princess, a count, a beautiful mysterious woman...they are all here. And Hercule Poirot has to discover who the murderer is and why, all by using his "little grey cells, mon ami."
The revelation in the final pages will surprise the reader yet it will not strain belief too much. MotOE has been accused of being incredulous and downright silly but I disagree. Those who feel that way probably forgot that they are reading a fiction novel. I am sure one will find it a lot of fun if only to find out who from among the varied cast did it. You'll be gobsmacked, I assure you :)
The solution will also show the reader why MotOE is famous in its uniqueness and has never been copied (no writer dares to).
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31 of 33 people found the following review helpful By Gary F. Taylor HALL OF FAMETOP 500 REVIEWERVINE VOICE on December 5, 2001
Format: Mass Market Paperback Verified Purchase
If I had to select a single Christie novel to read again for the first time, this would be my choice; more than twenty years after my first encounter with the novel I can still recall my complete amazement. I strongly urge those who have not seen the film version to avoid it until you have experienced the sheer pleasure of being being tricked by the master trickster herself. For MURDER ON THE ORIENT EXPRESS, superlatives are not enough.
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20 of 20 people found the following review helpful By L. J. Roberts VINE VOICE on August 9, 2007
Format: Hardcover
First Sentence: It was five o'clock on a winter's morning in Syria.

In the Orient Express Calais Coach, a wealthy American is found dead of multiple stab wounds. The train is stopped in the snow and it quickly becomes clear the killer is still on board. Monsieur Bouc, the director of the Compagnie Internationale des Wagons Lits, asks his friend, and fellow passenger, M. Hercule Poirot to solve the case.

It had been about 25 years since last I'd read Dame Agatha but I now remember just how good she was. Her dialogue is flawless; it flows in the natural style of conversation, particularly multi-lingual conversation. I'm reminded, too, that her books were written in a time when the middle- and upper-class English had, and may still have, a rudimentary understanding of French so no translations were made in the story. Her humor is light and deft. Her characters, Poirot particularly, are fascinating representatives of certain classes of the time. Her clues are deftly placed and it such fun to watch Poirot engage his "little gray cells." Dame Agatha is definitely deserving of the term "classic." I'll not wait another 25 years before reading another of her books.
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16 of 17 people found the following review helpful By F. Behrens HALL OF FAME on May 1, 2001
Format: Audio CD
One problem with audiobooks is the dialogue. Very often an author does not supply the "he said/she said" before or after each quotation and the listener is often at a loss as to who is speaking. David Suchet, the ultimate Poirot, gets around this by using a different voice for each character. He had accomplished this in his reading of the complete "Death on the Nile" for Audio Partners and he does it again with a superlative <Murder on the Orient Express> for that same label.
This set was designed for a release to coincide with the CBS dramatization of the classic whodunit, but Audio Partners need not have bothered. That telecast was an utter disaster with a lusterless Poirot, a cast that for the most part could scarcely create a character, and an updating of the decor (among other ludicrous changes) to the present. So the older film with its starry cast can rest unchallenged; but the public is entitled to enjoy the original and this audiobook is just the ticket.
Christie uses the usual "closed environment" setting (an island, a cruiser, a train) to give us a small number of suspects; and then she hits us with Poirot's "gather everyone together while I explain the solution" scene. One of the gimmicks of this novel is that Poirot comes up with two solutions! But for the sake of those very few who do not know the ending, I will say no more. And even for those who do, there is always the joy of Suchet's reading.
I have the CD edition, a format that makes it difficult to find where you last left off since each full chapter is usually given a single track number. Here Audio Partners has thoughtfully broken each chapter into several tracks so you pretty much can get back to where you were with a minimum of trouble.
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