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"The murderer is with us–on the train now . . ."
Just after midnight, the famous Orient Express is stopped in its tracks by a snowdrift. By morning, the millionaire Samuel Edward Ratchett lies dead in his compartment, stabbed a dozen times, his door locked from the inside. One of his fellow passengers must be the murderer.
Isolated by the storm, detective Hercule Poirot must find the killer among a dozen of the dead man's enemies, before the murderer decides to strike again . . .
--This text refers to an alternate Mass Market Paperback edition.
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Christie was probably inspired by the true story of the 'Lindbergh baby' kidnapping. Charles Lindbergh (he who flew across the Atlantic alone) had an infant child who was kidnapped and murdered even after the ransom had been paid.
The background to MotOE is also similar to the Lindbergh case. The victim is revealed to have been involved in a kidnap-murder case a few years back and got away with it. Was he punished for his crimes at last? Was he murdered for something totally unrelated? Or was he a victim of mistaken identity?
The usual suspects remind one of the typical English drawing room murder mysteries: an English colonel, a Russian princess, a count, a beautiful mysterious woman...they are all here. And Hercule Poirot has to discover who the murderer is and why, all by using his "little grey cells, mon ami."
The revelation in the final pages will surprise the reader yet it will not strain belief too much. MotOE has been accused of being incredulous and downright silly but I disagree. Those who feel that way probably forgot that they are reading a fiction novel. I am sure one will find it a lot of fun if only to find out who from among the varied cast did it. You'll be gobsmacked, I assure you :)
The solution will also show the reader why MotOE is famous in its uniqueness and has never been copied (no writer dares to).
Another Agatha Christie mystery that features an incredible revelation and giving an "I would never have guessed that" feeling to the reader is "The Murder of Roger Ackroyd". Both the Ackroyd and the Orient Express books should be in the Murder Mysteries Hall of Fame, if there is one.
This set was designed for a release to coincide with the CBS dramatization of the classic whodunit, but Audio Partners need not have bothered. That telecast was an utter disaster with a lusterless Poirot, a cast that for the most part could scarcely create a character, and an updating of the decor (among other ludicrous changes) to the present. So the older film with its starry cast can rest unchallenged; but the public is entitled to enjoy the original and this audiobook is just the ticket.
Christie uses the usual "closed environment" setting (an island, a cruiser, a train) to give us a small number of suspects; and then she hits us with Poirot's "gather everyone together while I explain the solution" scene. One of the gimmicks of this novel is that Poirot comes up with two solutions! But for the sake of those very few who do not know the ending, I will say no more. And even for those who do, there is always the joy of Suchet's reading.
I have the CD edition, a format that makes it difficult to find where you last left off since each full chapter is usually given a single track number. Here Audio Partners has thoughtfully broken each chapter into several tracks so you pretty much can get back to where you were with a minimum of trouble. Tapes, of course, stay where they are--and are much better for use in autos.
So by all means choose this as your next purchase, and do not forget the "Death on the Nile" offering while you are about it.