From Publishers Weekly
Stretching the image of a fly-on-the-wall to its hilarious and surprisingly weighty breaking point, Hume's debut swings in and out of the fragmented, microcosmic prospective of the title organism--the common house fly-and mines "domestica" for its many insinuations of the roles middle-class adult women assume within houses. Calling the poems "a flypaper palimpsest," Hume's speaker sometimes morphs into her controlling metaphor ("I am climbing into sidewalk-mica charging a bus window"), sometimes indirectly skims back and forth across it: "I'll be the picture of flightiness today." When they're on, the poems dive right into the contradictory heart of hermetic household existence. Adopting the famously house-dwelling Dickinson's habit of including alternate phrases at the bottom of the page, a section of six poems at the book's center are paradoxically the most forceful in their diffusions: "Revolving as if the key/ to propulsion were a belief/ in vanishing helixed to the brain// Glass jars shake in the dark;/ we eat sugar from spilling handfuls/ because starving requires// Her head stolen, her arm still curved/ against her husbands back ." Heather McHugh picked the book for this year's Barnard New Women Poets Prize, and Susan Wheeler checks in with a blurb; Hume's thick, fast-moving stanzas recall both poets. Her work might best be called by the emergent term "ellipticist," in that its verbal fugues circle around a stable subjectivity and elevated lyricism, here offering funny and baroque recastings of identity's misfirings. (Apr.)
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Review
"One finds here a powerful search for the face of the human hidden, or sequestered, among the myriad things which Christine Hume's profuse lexicon and agile attention bring to the surface of her work. As intricate as a medieval tapestry, Musca Domestica shows how imagined worlds are forms of knowledge about the real world in which we live. This book is an engrossing adventure into the unknown as it shares, questions, and reinvents the boundaries of the known: 'caterpillar-shape link fetal-shape link bullet-shape link question mark.'" -Ann Lauterbach, author of On A Stair "In Christine Hume's new book, Musca Domestica, the poems are so rich and dense they seem not merely to be written on the page, but they seem to be embossed upon it, driven into it-or, as she says, "stitch[ed] up . . . in devotion to inner commands, whatever the invisible demands." These poems are almost tactile: Musca Domestica is a fabrication, close-textured and substantial, heavily worked and demanding. This is poetry to aspire to. It is extravagant, intelligent, and lavishly articulated." -Lynn Emanuel, author of Then, Suddenly "Marvelous thick, 'high' language characterizes this collection, from the tour-de-force of the opening poem's meditation on the word 'fly' to an extraordinary final trilogy's fusing of notions which are often, these days, held to be opposing: transparency and fragmentation, self and the impersonal. Musca Domestica is both the common household fly and a constellation. These moving poems have the gravity of the unflinching and the dazzle of stars." -Susan Wheeler, author of Smokes
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