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The Muse that Sings: Composers Speak about the Creative Process
 
 
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The Muse that Sings: Composers Speak about the Creative Process [Hardcover]

Ann McCutchan (Author)
4.5 out of 5 stars  See all reviews (6 customer reviews)

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Book Description

0195127072 978-0195127072 November 11, 1999 1St Edition
The Muse That Sings is a unique behind-the-scenes look at both twentieth-century music and the nuts and bolts of creative work. Here, twenty-five of America's leading composers--from Adams to Zorn, from Bolcom to Vierk--talk candidly about their craft, their motivations, their difficulties, and how they how proceed from musical idea to finished composition.

While focusing on the process and the stories behind specific works, the composers also touch on topics that will interest anyone involved in creative work. They discuss teachers and mentors, the task of revision, relationships with performers, and the ongoing struggle for a balance between freedom and discipline.

They reveal sources of inspiration, artistic goals, and the often unexpected ways their musical ideas develop. Some describe personal tonal systems; others discuss the impact of computers and other electronic tools on their work; still others reflect philosophically on the inner impulses and outer influences that continue to drive them.

While serious music has a reputation for being difficult and inaccessible, The Muse That Sings provides a powerful antidote. The composers in this book speak clearly and thoughtfully in response to key questions of concern to all readers interested in contemporary music.

Each interview has been edited to stand alone as a concise meditation on muse and technique, and the book includes selected discographies as well as brief biographical sketches.

Anyone with an interest in twentieth-century music or in the creative process will find this lively collection a valuable source of inspiration and insight.

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Editorial Reviews

From Publishers Weekly

These interviews with 25 composers are distilled to short, informal yet highly focused discussions in which almost all of the composers refer in some way to the academic serialist movement that has been scaring off audiences for 50 years. McCutchan (Marcel Moyse: Voice of the Flute), who conducted the interviews between 1995 and 1998, allows the voices of the composersAmost of whom live and work in the U.S. and were born between 1930 and 1960Ato come through with candor. John Corigliano explains that he composed his opera Ghosts of Versailles in colored crayons because he "wanted the color of the sound to change as a single line moved." On the relative importance of self-doubt, Bruce Adolphe, education adviser to New York's Chamber Music Society of Lincoln Center, says, "Doubt is a waste of energy when you're trying to be creative, but it's useful when you're editing the piece." About his work habits, Steve Reich says, "What happens in 95 percent of the pieces is that I work a lot, I trash a lot, I revise a lot"; and John Zorn, who has influenced the downtown avant-garde music scene, explains, "The sensibility of the generation that I belong to, which is interested in world music, jazz, funk, hard-core punk, classical music... is the same one Mozart had. He made use of everything around him." Rounding out each interview is a selected list of the composer's work. These intimate snapshots of creative artists contemplating their role and function at the end of the 20th century succeed not only in shedding light on the creative process, but in dispelling many of the negative stereotypes attached to contemporary music. (Oct.)
Copyright 1999 Reed Business Information, Inc.

Review


"These interviews with 25 composers are distilled to short, informal yet highly focused discussions....[McCutchan] allows the voices of the composers--most of whom live and work in the U.S. and were born between 1930 and 1960--to come through with candor...These intimate snapshots of creative artists contemplating their role and function at the end of the 20th century succeed not only in shedding light on the creative process, but in dispelling many of the negative stereotypes attached to contemporary music." --Publishers Weekly


"McCutchan has welded her talents as a performing musician and write to produce a highly readable assessment of the serious music currently being written...The Muse That Sings should be in public libraries and academic music libraries, accessible to the serious layman, music student, and professional musician. It is recommended for those eager to explore the music pouring out of our American composers and should inspire performances of their music." --Notes



Product Details

  • Hardcover: 288 pages
  • Publisher: Oxford University Press; 1St Edition edition (November 11, 1999)
  • Language: English
  • ISBN-10: 0195127072
  • ISBN-13: 978-0195127072
  • Product Dimensions: 9.5 x 6.4 x 6.4 inches
  • Shipping Weight: 1.2 pounds (View shipping rates and policies)
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #1,260,798 in Books (See Top 100 in Books)

More About the Author

Ann McCutchan grew up on the Atlantic coast of Florida and has lived in New Orleans, Honolulu, Ithaca, Ann Arbor, and Laramie, in addition to 22 years in Texas. She trained and worked as a classical clarinetist while developing an award-winning writing career. She teaches creative nonfiction writing at the University of North Texas.

Her books include Marcel Moyse: Voice of the Flute (Amadeus), The Muse That Sings: Composers Speak About the Creative Process (OUP), and Circular Breathing: Meditations From a Musical Life (Sunstone).

Her fourth book, River Music: An Atchafalaya Story, was published by Texas A & M University Press in September. An original blend of cultural and environmental history, journalism, biography, oral history, and memoir, River Music traces decades of environmental and social changes in Cajun country by way of the life of Louisiana musician, naturalist, and sound documentarian Earl Robicheaux. It includes an epilogue addressing the BP oil disaster and its effects on Louisiana's coastal residents and ecosystem.

Ann is currently working on a book about Florida's space coast during the 1960s, when she and her family lived so close to Cape Kennedy their windows rattled with each blast-off. Like River Music, it is a personal blending and braiding of various elements.

For more information, visit Ann's personal website: www.annmccutchan.com


 

Customer Reviews

6 Reviews
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Average Customer Review
4.5 out of 5 stars (6 customer reviews)
 
 
 
 
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7 of 7 people found the following review helpful:
4.0 out of 5 stars the muse that sings: composers speak about the creative proc, December 25, 1999
By 
Paul C. Pollei (salt lake city, utah) - See all my reviews
(REAL NAME)   
This review is from: The Muse that Sings: Composers Speak about the Creative Process (Hardcover)
Ann McCutchan's book entitled The Muse That Sings fascinated me with most enlightening and wonderful insights into the music of the twentieth century. I appreciated her choice of composers, her methodology of interviewing and the systematic process of unfolding their creative process. Even though it is impossible to really say what happens, her attempts to reveal the innermost thoughts of fine creative artists is a landmark for the study of music of this century. This is a must for all budding and would be composers and teachers of composition, which these selected pedagogues and successful composers reveal is a difficult subject to teach. A welcome addition to the world of creativity.
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4 of 4 people found the following review helpful:
5.0 out of 5 stars Not for Composers Only, December 23, 1999
This review is from: The Muse that Sings: Composers Speak about the Creative Process (Hardcover)
This series of interviews offers a fascinating opportunity to eavesdrop as composers think aloud about their process. It is surprisingly accessible for non-musicians because the subjects strike universal chords. As a novelist, I found it liberating to read about creative process in terms quite different from most writers'. Joan Tower describes the poignancy of virtually connecting with the soul of a guitarist who performed her work. Sebastian Currier speaks of how making music helps him create harmony between thought and feeling. This book is a window on the mystique of musical composition, and I enjoyed it enormously.
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3 of 3 people found the following review helpful:
4.0 out of 5 stars Need inspiration?, August 6, 2005
By 
Music Matt "mattintosh" (Baltimore, MD United States) - See all my reviews
We used this book in my composition course. I found it to be an excellent means of motivation. This book presents interviews with composers that have helped shape the modern composition process(Adams, Corigiliano,Reich to name a few). It is a book that is very useful to a young composer. At the end of of each interview there is a list of representative works from that particular composer. Although now a bit out-dated, the list helped me to discover pieces I never would have found on my own.
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Inside This Book (learn more)
First Sentence:
Eric Stokes was born and raised in Haddon Heights, New Jersey, and educated at Lawrence College, the New England Conservatory, and the University of Minnesota. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
file card pieces, orchestra text, piano text, selected recordings, orchestra piece, ensemble text, oboe concerto
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Selected Works, Steve Reich, John Zorn, New World, Louis Symphony, John Adams, Naked City, United States, Joan Tower, San Francisco Symphony, Chicago Symphony, Eric Stokes, Kronos Quartet, Louisville Orchestra, Baltimore Symphony, Chamber Music Society of Lincoln Center, Dan Welcher, Los Angeles Philharmonic, Fred Lerdahl, Leonard Bernstein, Paul Chamber Orchestra, Pulitzer Prize, John Cage, Manhattan School of Music
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