Museums: filled with mysterious, magical art and curiosities? Or secrets? And what might happen if a boy suddenly became part of one of the mind-bending exhibits? Join the fun in Museum Trip, by Barbara Lehman, the author-illustrator of the Caldecott Honor–winning The Red Book.
Museum Trip
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Editorial Reviews
From School Library Journal
Kindergarten-Grade 4 In this wordless follow-up to The Red Book (Houghton, 2004), in which the characters enter the pages of a book, a boy enters a work of art. During a school visit to a museum, he stops to tie his shoe and loses his group. While searching for it, he comes across a display case filled with old mazes that capture his attention. On one spread, he is looking closely at a particular drawing, and the page turn shows him physically inside of it. He enters several different labyrinths; at the center of the last one, he finds a tower with a door and goes inside. Readers view him through a keyhole and see him receiving a medal. Afterward, he locates his classmates, but as they depart, youngsters will note that he still has his medal. The museum director also wears one: they are clearly both part of a special group. The bright, clean cartoons are done in watercolor, gouache, and ink. Single- and double-page paintings alternate with smaller panel illustrations. Close-ups of the protagonist walking through each maze are mixed with pulled-back shots that reveal the entire puzzle, with the boy a small figure inside of it. Children will pore over the cleverly detailed, interactive artwork. Julie Roach, Cambridge Public Library, MA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
*Starred Review* PreS-Gr. 2. Working in the same uncluttered style and wordless format as she did in The Red Book, a 2005 Caldecott Honor Book, Lehman offers another winning picture book that blurs real and imagined worlds. On a class trip to an art museum, a boy lags behind and becomes lost. While searching the galleries (filled with Lehman's skillful reproductions of the masters), he finds a series of labyrinth drawings, and in the following frames, he shrinks to a diminutive size and enters the mazes. Lehman uses inventive, shifting perspectives that combine aerial views with close-ups of the boy in the puzzles. At the completion of the final maze, a set of hands loops a medal around the boy's neck. The boy then pops back into the real world, but he finds the medal tucked into his shirt--a tantalizing suggestion that the adventure wasn't imagined. The sturdiness and clarity of the ink-lined, watercolor-and-gouache art juxtaposes wonderfully with the story's airy world of imagination. Some children may find the labyrinth scenes a bit repetitive, but Lehman's clever celebration of the fun and power found in art and daydreamed departures will easily draw an audience. For other fanciful museum stories suggest Anthony Browne's The Shape Game (2003). Gillian Engberg
Copyright © American Library Association. All rights reserved
Copyright © American Library Association. All rights reserved
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More About the Author
Barbara Lehman has illustrated many books for children. Born in Chicago, Barbara attended Pratt Institute in Brooklyn, where she earned a BFA in communication design. A full-time illustrator, Barbara says, "Books and art have always held the strongest attraction for me. I have always felt drawn to commercial art' because of its ability to reach many people. I like the idea of being part of the media in a meaningful and thoughtful way, especially with children as the audience." She now lives in Philmont, New York.
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10 of 10 people found the following review helpful
Format:Hardcover
Let it never be said that picture book creators aren't stretching the very definition of what a "picture book" even is. Now Barbara Lehman strikes me as a uniquely gutsy woman. Here we have somebody who isn't afraid to create the occasional small masterpiece. Remember her Caldecott Honored, "The Red Book"? Or rather, the book within a book within a book? Well apparently the success of that little number gave her the wherewithal to go in a different direction with her follow-up, "Museum Trip". Recently on a children's literature listserv someone asked for children's books that could conceivably be said to use magical realism. If that person ever happens to want a little magical realism picture book action, have I got the author/illustrator for them!
A boy goes to the museum. Sounds fairly simple. But, you know, museums can be difficult places to navigate. And no sooner does our hero look down to tie his shoe than he is lost in a massive artsy space without his class. He pokes and prods about, finally stumbling across a small room without a doorknob. Inside, he finds a glass case containing six drawn mazes. He stares intently at the first one and before you know it the boy is within the labyrinth, navigating it from the inside. Each time the boy finishes one he races along to the next. Finally, by maze #6, he is able to reach a tower located at the center. Suddenly the viewer gets closer and closer to that tower's keyhole, through which we can see some unseen person awarding the boy a golden medal. The maze done, the boy is back in the room and he is able to quickly locate his class once more. As he leaves the museum, however, it's evident that he still has the medal affixed tightly to his neck. And even better, the curator of the museum watches the boy go while touching his own shiny medallion.
Now admittedly this wasn't quite as much fun as "The Red Book". But, to be fair, it's an entirely different beast. The fun of "The Red Book" was in the crazy bending of reality. "Museum Trip", does that too to some extent, but in a different manner. Some children may be perturbed by the loosey-goosey nature of the boy's unaccountable shrinkage. Others will go with it. The point of the book for me, in any case, was the mazes themselves. Though my little librarian heart shudders with the knowledge that countless library copies of this book will end up with significant crayon and pencil marks drawn in them as kids navigate the mazes, at least I can guarantee that the children will have a good time doing so.
For all her outward simplicity, Lehman isn't afraid to lay on the subtle references. When the boy enters the room of drawn mazes there is a small statue of a Minotaur seated on a pedestal. The book also has some fun details. If you look at the beginning of the book, you can see just the hint of the curator's medal hanging about his neck, beneath his jacket. Also, should you show this book to a maze-lovin' kid who yearns for at least one more, take off the cover of the book. On the hardcover edition of this title you will find one last rectangular labyrinth hidden and waiting.
So there we are. Wordless picture books like this one are generally useful for children who can't read yet or aren't familiar with a written language. Lehman's books bridge that gap and this one in particular may well find itself lumped in with countless "I Spy" and "Where's Waldo" titles. In short, it's the deepest game-related picture book I've ever found myself reading. Just keep it away from any six-year-old realists you happen to know.
A boy goes to the museum. Sounds fairly simple. But, you know, museums can be difficult places to navigate. And no sooner does our hero look down to tie his shoe than he is lost in a massive artsy space without his class. He pokes and prods about, finally stumbling across a small room without a doorknob. Inside, he finds a glass case containing six drawn mazes. He stares intently at the first one and before you know it the boy is within the labyrinth, navigating it from the inside. Each time the boy finishes one he races along to the next. Finally, by maze #6, he is able to reach a tower located at the center. Suddenly the viewer gets closer and closer to that tower's keyhole, through which we can see some unseen person awarding the boy a golden medal. The maze done, the boy is back in the room and he is able to quickly locate his class once more. As he leaves the museum, however, it's evident that he still has the medal affixed tightly to his neck. And even better, the curator of the museum watches the boy go while touching his own shiny medallion.
Now admittedly this wasn't quite as much fun as "The Red Book". But, to be fair, it's an entirely different beast. The fun of "The Red Book" was in the crazy bending of reality. "Museum Trip", does that too to some extent, but in a different manner. Some children may be perturbed by the loosey-goosey nature of the boy's unaccountable shrinkage. Others will go with it. The point of the book for me, in any case, was the mazes themselves. Though my little librarian heart shudders with the knowledge that countless library copies of this book will end up with significant crayon and pencil marks drawn in them as kids navigate the mazes, at least I can guarantee that the children will have a good time doing so.
For all her outward simplicity, Lehman isn't afraid to lay on the subtle references. When the boy enters the room of drawn mazes there is a small statue of a Minotaur seated on a pedestal. The book also has some fun details. If you look at the beginning of the book, you can see just the hint of the curator's medal hanging about his neck, beneath his jacket. Also, should you show this book to a maze-lovin' kid who yearns for at least one more, take off the cover of the book. On the hardcover edition of this title you will find one last rectangular labyrinth hidden and waiting.
So there we are. Wordless picture books like this one are generally useful for children who can't read yet or aren't familiar with a written language. Lehman's books bridge that gap and this one in particular may well find itself lumped in with countless "I Spy" and "Where's Waldo" titles. In short, it's the deepest game-related picture book I've ever found myself reading. Just keep it away from any six-year-old realists you happen to know.
3 of 3 people found the following review helpful
By Anne B. Levy
Format:Hardcover
It's no secret that kidlets "read" illustrations, mostly by puzzling out the visual clues and piecing together a narrative, even if makes sense only to them.
There aren't any words in this book, so it's up to parent and child to decide what goes on as a boy in a red hoodie makes his way through a museum on a school trip. You follow that red hoodie off the bus and into a gallery with its sprinkling of recognizable masterpieces by Van Gogh, Matisse and many others.
The boy looks up after tying his shoe and his classmates have vanished. He wanders alone into a side exhibit of mazes and is suddenly transported into the meandering constructs. Here's where it gets murky -- is he imagining this, or is this a fantasy device?
Keep your eye on the hoody. The splash of crimson creates a visual trail of crumbs for readers, pulling our eyes along as the boy makes his way through the inky sketches on faded sienna parchents to a tower in the middle of the final maze.
Lehman brings us closer, closer, as we zoom in on the tower and the streaked, stained paper, until we peer through a keyhole to see a gold medal placed around his neck.
The perspective lurches back to reveal him standing over the exhibit, so the mystery remains intact. Did he really get a gold medal? Where is it? Keep your eye on ... well, you know.
And as the museum director waves all the kids goodbye, what's that around his neck?
Now go back and reread the thing, looking again at the director early on. And scout for other clues -- every new reading will yield ones you missed, but they're often in the how and not the what.
The figures are flatly drawn, and when the boy appears alone on an otherwise blank, white page, you're drawn to his expressions of surprise, confusion or happiness. The keyhole page is especially brilliant, as if we're peeking through our own world into the mysterious one of the maze.
When he's in the landscape, he becomes a small, lost figure as wings of the museum lurch out of view or staircases lead away from us, creating a labyrinthian space that echoes the mazes. Lehman uses perspective sparingly and with a handful of straight lines and angles, creating a sense of movement that keeps pages turning without bogging us down in detail.
Yet the story that Lehman draws is pleasantly complex and visually exciting, aiming at both adult and kid so that each one reads at their respective level.
There aren't any words in this book, so it's up to parent and child to decide what goes on as a boy in a red hoodie makes his way through a museum on a school trip. You follow that red hoodie off the bus and into a gallery with its sprinkling of recognizable masterpieces by Van Gogh, Matisse and many others.
The boy looks up after tying his shoe and his classmates have vanished. He wanders alone into a side exhibit of mazes and is suddenly transported into the meandering constructs. Here's where it gets murky -- is he imagining this, or is this a fantasy device?
Keep your eye on the hoody. The splash of crimson creates a visual trail of crumbs for readers, pulling our eyes along as the boy makes his way through the inky sketches on faded sienna parchents to a tower in the middle of the final maze.
Lehman brings us closer, closer, as we zoom in on the tower and the streaked, stained paper, until we peer through a keyhole to see a gold medal placed around his neck.
The perspective lurches back to reveal him standing over the exhibit, so the mystery remains intact. Did he really get a gold medal? Where is it? Keep your eye on ... well, you know.
And as the museum director waves all the kids goodbye, what's that around his neck?
Now go back and reread the thing, looking again at the director early on. And scout for other clues -- every new reading will yield ones you missed, but they're often in the how and not the what.
The figures are flatly drawn, and when the boy appears alone on an otherwise blank, white page, you're drawn to his expressions of surprise, confusion or happiness. The keyhole page is especially brilliant, as if we're peeking through our own world into the mysterious one of the maze.
When he's in the landscape, he becomes a small, lost figure as wings of the museum lurch out of view or staircases lead away from us, creating a labyrinthian space that echoes the mazes. Lehman uses perspective sparingly and with a handful of straight lines and angles, creating a sense of movement that keeps pages turning without bogging us down in detail.
Yet the story that Lehman draws is pleasantly complex and visually exciting, aiming at both adult and kid so that each one reads at their respective level.
2 of 2 people found the following review helpful
By gaffy
Format:Hardcover|Amazon Verified Purchase
The perfect book for my maze-crazed 7 year old who hates to read. High quality product. Would recommend a version with reading be created, I think the rest is so enjoyable, the kids would be inspired to try and read it.
Most Recent Customer Reviews
4.0 out of 5 stars
This book doesn't have any words. What???
This book is a picture book. I somehow missed it so I thought I would write a review to tell people ... just to make sure others don't make the same mistake. Read more
Published 11 months ago by Sclarklaw
4.0 out of 5 stars
Don't have it with me, so I'll spare you the recap
This is a wordless book about a boy who gets lost in a museum... but finds his way through several mazes in a book. The real question to ask is "Did this really happen? Read more
Published on January 17, 2011 by Ulyyf
5.0 out of 5 stars
wonderful adventure
this is a wonderful adventure to share with your kids - it's a lot of fun, and unlike anything we've read or seen before.
Published on January 6, 2009 by stella
5.0 out of 5 stars
Of art and daydreams
Barbara Lehman [The Red Book] works her magic again in this offering. The lines between reality and imagination are blurred as a boy who is on a museum field trip finds himself... Read more
Published on May 20, 2007 by Z Hayes
4.0 out of 5 stars
neat
In this word less picture book a little boy and his class go on a field trip to the museum. Along the way the little boy gets separated from his class. Read more
Published on March 20, 2007 by Melissa Sack
5.0 out of 5 stars
Stunning art, lyrical wordless story
A friend introduced me to Museum Trip and it's now my go-to-gift-book for children of all ages. The wordless adventure is accessible to kids young and old and the surprise ending... Read more
Published on October 14, 2006 by Isobel Dash
5.0 out of 5 stars
Unique picture book!
This book is a treat for repeat readings. The illustrations are precise and enchanting, hinting at the wonder to be found inside museums. Read more
Published on September 20, 2006 by Atlantia
