From Publishers Weekly
This unconventional novel by Croatian writer Ugresic is a collection of fragmentsAshort essays, journal entries, stories, factual items, descriptions of placeAthat combine to evoke the distinct "point of pain" experienced by a political exile. The book is divided into seven parts, four taking place in present-day Berlin, the unnamed Yugoslavian narrator's place of "temporary exile." The Berlin pieces consist of numbered sections, some only a few lines or a paragraph, which convey city facts ("Under the grassy surface of the hill pulsate 26 million cubic metres of rubble from the ruins of Berlin, collected and dragged here after the Second World War"); thoughts about exile; quotations about Berlin, exile and art; and descriptions of friends, many of whom are themselves artists whose works reflect themes of fragmentation and attempts to reclaim lost or scattered memories. Another series of fragments consists of six stories, some set in America, loosely connected by themes of rootlessness, memory, disorientation. "Part Six" of the novel is a tale about seven women friends in Zagreb who encounter a prophetic angel shortly before "the local apocalypse"; the angel allows only the narrator to remember the occasion and give testimony. Recurring images and themesAthe photo album or the museum, for instanceAdraw together the "bits and pieces," while the domestic detailsAmeals, meetings, shopping expeditionsAkeep the work anchored firmly in the realm of day-to-day existence. Complex, intelligent and challenging, this unusual novel is rendered impressively accessible by Ugresic's human, vulnerable voice. (Oct.)
Copyright 1999 Reed Business Information, Inc.
Review
Dubravka Ugresic's splendidly ambitious novel. . .is a brilliant, enthralling spread of story-telling and high-velocity reflections. In her indignation and in her sorrow Ugresic speaks for many people, of many experiences. She is a writer to follow. A writer to be cherished. --
Susan SontagThe effect is stunning: Ugresic slowly persuades us that the Yugoslavia-rending war was not the singular event we deperately want to believe it is, but a cataclysm linked to all wars in Europe this century, from the Cold War back to the First World War, through which Yugoslavia was carved into being... If a book as purposely decentered as this can be said to have an emotional core, Ugresic has provided it in a funny and singularly fantastic event. --
The Women's Review of Books, Valerie Jablow, March 2000There is much that is arbitrary and self-indulgent, yet
Museum is a precious portrait of exile as internal displacement. --
The New York Times, Richard EderThis astonishing novel deserves more than one reading...The narrator accepts the fact that she is a "museum exhibit," but she understands the secret harmony, the round logic of symbols. She thus places herself, and by doing so, she is able to create and offer to us this fictional treasure of startling beauty. --
Review of Contemporary Fiction, Irving Malin, Spring 2000